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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 1 Joseph R. Dominick University of Georgia-- Athens
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 2 Part II Media
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 3 Chapter 8 Sound Recording History History Sound Recording in the Digital Age Sound Recording in the Digital Age Defining Features of Sound Recording Defining Features of Sound Recording Organization of the Recording Industry Organization of the Recording Industry Ownership in the Recording Industry Ownership in the Recording Industry Producing Records Producing Records Making a CD or Tape Making a CD or Tape Economics Economics Feedback Feedback The Recording Industry The Recording Industry Chapter Outline
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 4 Edison invents phonograph (1877) Tinfoil-wrapped cylinder Peddled as aid to dictation Bell and Tainter’s graphophone Wax cylinder Berliner’s gramophone (1887) Spiral track recordings on a flat disk Lippincott and stenographers Nickelodeons History
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 5 Rivalry North American Phonograph Company Edison Cylinders United States Phonograph Company Berliner Disks perfected Columbia Phonograph Company zonophone, their version of disk player Victor Talking Machine Company Berliner and Johnson “His Master’s Voice” Victrola (1906) History
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 6 Record players ubiquitous (1916) 107 million records produced (1919) Radio’s Impact on Recording Industry Radio cuts record player sales in half (1923) Electronic recording radio Radio/phonograph combos (1926) RCA/Victor merge (1929) History
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 7 The Great Depression Edison’s company out of business (1930) Record sales $46M (1930) $6M (1933) Jukeboxes appear after repeal of Prohibition (1933) World War II and After Shellac restricted during WWII American Federation of Musicians strikes Capitol Records – free recordings to radio stations History
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 8 Battle of the Speeds Long-playing record (LP) 33-rpm Columbia Records (1948) Extended play record 45 rpm RCA 1947-1949 sales drop due to battle HiFi sets appear 1954 Radio’s Top 40 helps sales of 45s History
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 9 The Coming of Rock and Roll Bill Haley and the Comets (1955) Elvis Presley (1956) Jerry Lee Lewis “Whole Lotta Shakin’ Going On” 6M copies 1957-1958 Little Richard Chuck Berry History
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 10 Rock Goes Commercial Loss of pioneers from music scene Clean-cut image Bobby Vinton Frankie Avalon The British Invasion The Beatles (1964) – Seven #1 records The Rolling Stones History
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 11 Transitions and Trends 60s-90s 1960s: Freedom, experimentation, innovation The Who Blood, Sweat, and Tears 1970s: Heavy Metal 1980s: Thriller 1990s: CDs replace tape History
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 12 Digitally encoded music – easily copied and shared Napster KaZaA Grokster MusicNet and PressPlay Apple’s iTunes Copy-protection software Sound Recording in the Digital Age
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 13 Could pirating shut down the recording industry ? Sound Recording in the Digital Age ??
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 14 Cultural Force Shapes musical development International business 5 dominant companies in 5 countries Blend of business and talent Singers and musicians Recording companies Defining Features of Sound Recording
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 15 Four major segments Talent Production Distribution Chain Retail Organization of the Recording Industry
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 16 Organization of the Recording Industry [Insert Figure 8-2 here] Figure 8-2 Record Distribution Channels
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 17 Ownership in the Recording Industry [Insert Table 8-1 here] Table 8-1 Top Five Recording Companies, 2004
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 18 Seven departments 1)Artists and repertoire 2)Sales and distribution 3)Advertising and merchandising 4)Business 5)Promotion 6)Publicity 7)Artist development Producing Records
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 19 Making a CD or Tape 1. Record 4-track demo tape 2. Sell demo with agent 3. Record multitrack master tape 4. Equalize tracks 8. Reproduce on tape and disk 5. Add special effects 7. Mix down to stereo master 6. Re-record as required
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 20 Economics [Insert Figure 8-3 here] Figure 8-3 Recording Industry Revenues, 1980-2002
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 21 Economic Trends 2000: File-sharing programs flourish 2001: Hybrid Theory has equal sales and pirated downloads 2002: Consumers buy more blank CDs than recorded CDs Weak economy Consumer sense of CD overpricing Economics
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 22 Courtney Love’s example Four-performer band 20% royalty + $1 million advance Recording: $ million $150,000 to staff; $170,000 in taxes $45,000 each for one year 1 million copies $2 million royalties $1.1 million promotion and tour support Left for band: Economics $0.00
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 23 Billboard Charts Sales Nielsen SoundScan Weekly sales data from 14,000 retail locations Exposure Nielsen Broadcast Data Systems Airplay on 1200 radio stations Index number is a composite Feedback
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 24 Sound Recording Audiences Little audience data By Year 2000 85 million stereos; 85 million tape players 40 million CD players $500-$800 per sound system In 2003 30+ spent 55 cents per dollar spent on prerecorded music 19- declined 11% from 1988 Feedback
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 25 20,000 people in industry Entry-Level Engineering Recording Institute of America Creative Mass media, business admin, music Volunteer at local studio Business Business admin and mass media Start at branch office The Recording Industry
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© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Slide 26 Upward Mobility Audio engineer Staff engineer Senior supervising engineer Producer Staff producer Executive producer Business Management The Recording Industry
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