1. DiscoveringLocalHistories GILDA SANTANA University of Miami Libraries May 15, 2015

2. Blueprints Hand drawings Construction documents Personal papers Photographs Sketchbooks Prints Audio-visual Scrapbooks Newsletters Ephemera Clippings Student work Born digital files Models SOA Archives 35mm slides

3. Celebration Pattern Book, March 1995 ANU Correspondence Example : Letter from EPZ to Eric Emerson at The Celebration Company soliciting materials for the archive.

4. FINDING AID

5. RECEIVING COLLECTIONS Condition assessment

6. Re-housing & labeling

7. UM Libraries Preservation team member stabilizing and mending (pre-digitization) 1. Torn blueprint before mending   2 & 3.  Application of wheatpaste paper and mending 4. Drying weight  4. After mending 

9. Robert Fitch Smith Papers, 1894-1964 http://proust.library.miami.edu/findingaids/index.php?p=collections/findingaid&id=1444&q=robert+fitch+smith

10. Biscayne Boulevard concept development plan by Roberto Burle-Marx. 1988. Diazotype print, 42” x 54”

11. Oleta River State Recreation Area, Miami FL., Concept Design, Roberto Burle Marx, 1981. Diazotype, 56” 41”

13. ESSENTIAL RESOURCES

14. Bibliography Adams, William Howard. 1991. Roberto Burle Marx: the unnatural art of the garden. Museum of Modern Art, New York. Greene, Mark A., and Dennis E. Meissner. 2005. “More product, less process: revamping traditional archival processing”. American Archivist. 68 (2). Kissel, Eleonore, and Erin Vigneau. 1999. Architectural photoreproductions: a manual for identification and care. New Castle,DE: Oak Knoll Press Porter, Vicki, and Robin Thornes. 1994. A guide to the description of architectural drawings. New York: G.K. Hall. Price, Lois Olcott. 2010. Line, shade, and shadow: the fabrication and preservation of architectural drawings. New Castle, DE: Oak Knoll Press. Society of American archivists, and Steven L. Hensen. 2004. Describing archives: a content standard. Chicago: Society of American Archivists. 1989. “Miami streetscape.” Landscape Architecture 79, no. 2:16.