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Introduction to European Studies History, society and cinema in post-war Italy.

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Presentation on theme: "Introduction to European Studies History, society and cinema in post-war Italy."— Presentation transcript:

1 Introduction to European Studies History, society and cinema in post-war Italy

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3 Republic of Italy: Facts Official Name Republica Italiana Form of government Republic with two houses: Senate (upper house 322), Chamber of Deputies (lower house 630) Electoral system Proportional representation Chief of state President Capital Rome (Roma) Official language Italian Official religion None Monetary unit Euro Population 59,051,000

4 Republic of Italy: Facts Area sq. kilometers 1. Russia 3,960,000 2. Ukraine 603,700 3. France 547,030 4. Spain 505,992 5. Sweden 449,964 6. Norway 385,155 7. Germany 357,050 8. Finland 338,145 9. Poland 312,685 10. Italy 301,318 Population (EU) 1. Germany 82,210,000 2. France 63,753,140 3. UK 60,587,300 4. Italy 59,337,888 5. Spain 45,116,894 6. Poland 38,115,967 7. Romania 21,565,119 8. Netherlands 16,372,715 9. Greece 11,125,179 10. Portugal 10,599,095

5 Republic of Italy: Facts GDP 2008 (dollars) 1 United States : 14,441,430,000,000 United States 2 Japan : 4,910,690,000,000 Japan 3 China : 4,327,450,000,000 China 4 Germany : 3,673,110,000,000 Germany 5 France : 2,866,950,000,000 France 6 United Kingdom : 2,680,000,000,000 United Kingdom 7 Italy : 2,313,890,000,00 Italy 8 Russia: 1.6796.590.000,000 9 Spain : 1,601,960,000,000 Spain 10 Brazil : 1,572,840,000,000

6 Republic of Italy: Facts GDP 1945 (dollars) 1 United States : 1,646,690,000,000 2 Soviet Union : 333,656,000,000 3 United Kingdom : 331,347,000,000 4 India : 223,967,000,000 5 Germany : 194,682,000,000 6 France : 101,189,000,000 Japan : 98,000,000 Italy : 85,432 China : ---

7 Post-war Italian Economy From one of the weakest in Europe to one of the strongest Metallurgical, manufacturing, Chemical and textile industries Tourism Lack of raw materials and energy sources More than 4/5 of energy requirements imported Mixture of liberal trade policies and entrepreneur spirits with cumbersome bureaucracies and inefficient planning

8 Italian Cultural Economy Motorcars Mass market cars FIAT; Alfa Romeo; Lancia Sports car manufacturers Ferrari; Maserati; Lamborghini Motorcycles Vespa; Piaggio Ducati

9 Italian Cultural Economy Milan as a fashion centre From craftsmen to celebrity designers From tailors to fashion houses Valentino - founded by Valentino Garavani at Via Condotti, Rome in 1965 Armani - founded by Giorgio Armani and Sergio Galeotti in Milan,1975 Versace - founded by Gianni Versace in Milan,1978 Dolce & Gabbana - founded by Domenico Dolce and Stefano Gabbana in Milan 1985

10 Italian Cultural Economy Tourism in Italy Geographical advantage The Alps to the north Surrounded by the Mediterranean, the Tyrrhenian, the Ionian and the Adriatic seas From arctic to semi-tropical weather Historical advantage From the Roman Empire, through the Renaissance and the Baroque to the modern UNESCO World Heritage Sites in Europe 1. Italy 43 2. Spain 40 3. France 33 3. Germany 33 3. UK 33 6. Russia 23 7. Greece 17 8. Sweden 14 9. Czech Republic 12 10. Belgium 9 10. Switzerland 9

11 Italian Cultural Economy Ancient and archaeological sites A group of Greek temples in Val di Tempi in Agrigento, Sicily Etruscan remains in Central Italy: Etruscan towns such as Cervetelli and Tarquinia

12 Italian Cultural Economy Heritage of the Roman Empire Roma as Imperial city Roman resorts such as Pompeii, Islands of Ischia and Capri, and Paestum Civil engineer heritage: towns, Via Appia, aquaduct, theatres and public buildings

13 Italian Cultural Economy Early Christian and Mediaeval Heritage Churches and monasteries Mosaics in Ravenna Mediaeval towns in Central Italy such as Firenze, Pisa, Siena, Assisi, and Padova

14 Italian Cultural Economy Renaissance art, architecture and monuments Leonardo’s Last Supper at Santa Maria delle Grazie in Milan Basilica of San Pietro in Rome Renaissance cities and towns throughout Italy such as Ferarra and Pienza

15 Italian Cultural Economy Baroque art, architecture and monuments Many representative palaces and churches in Venice are Baroque build in the 17th century Baroque towns of Noto in Sicily and Lecce, Puglia

16 Italian Cultural Economy The 18th-century royal palaces and residences The Royal Palace in Torino built for the Savoy Kings The Royal Palace at Caserta built for the Bourbon kings of Naples

17 Italian Cultural Economy Alpine resorts in the north The Dolomite valley in the north-east and the Aosta valley in the north-west Numerous sea-side resorts on the mainland and islands

18 Modern Italian Culture Modern Italian Art Amadeo Modigliani (1884-1920) - a painter and sculptor inspired by primitive art Giorgio de Chirico (1888-1978) - pre- surrealist, known for metaphysical painting

19 Modern Italian Culture Musicians - pianists, violinists, conductors, composers of classical music Opera singers Enrico Caruso (1873-1921) Luciano Pavarotti (1935-2007)

20 Alberto Moravia (1907-90), Primo Levi (1919- 1987), Italo Calvino (1923-85), Umberto Eco (1932- )

21 Modern Italian Culture One of the greatest sporting nations in the world Football - World champion four times (1934, 1938, 1982, 2006) Germany (3), England (1), France (1), Brazil (5) Cycling - National Sports: Giro d’Italia

22 Modern Italian Culture Motor Sports Formula 1: Team Ferrari Motorcycle races Winter sports - alpine skiing

23 Modern Italian Culture Design houses: furniture, interior and kitchenware Traditional design and craft: leather, paper, woodwork, stonework, porcelain

24 Cinema

25 Two Vital Times for Italian Cinema TWO GOLDEN PERIODS Immediately after the war till the beginning of the 50s: films reflecting the realities of contemporary Italy From the end of the fifties to around 1964: films looking at the past and present of Italy

26 The End of the War Europe in Ruins 35,000,000 dead (over half of them are civilians Millions lost homes Factories obliterated, damaged or obsolete Britain lost 1/4 of its pre-war wealth Denmark’s economy regressed to its 1930 level

27 Filmmaking in the Wake of the War Severe material restrictions New freedom of expression Outburst of creativity Three interlocking groups of filmmakers 1. Those associated with the Communist Resistance - Luchino Visconti, Michelangelo Antonioni, Puccini brothers, Giuseppe di Santis 2. Roberto Rossellini and Federico Fellini 3. Vittorio de Sica and Cesare Zavattini They all started making movies just before or just after the end of the war.

28 Filmmaking in the Wake of the War All the works of these filmmakers were response to the terrible moments of Italy’s modern history Fascism and the Resistance The scar of the war Poverty and unemployment after the war Economic exploitation and social injustice Political corruption South and north divide Something difficult to be found in prosperous and affluent contemporary Italy

29 Roberto Rossellini Roma, Citta Aperta (1945) A documentary-like fiction film about the struggle of resistance fighters and their families against the occupying German forces.

30 Roberto Rossellini Paisa (1946) The film consists of six episodes, which traces the liberation of Italy by the Allies from the landing of the Allied in Sicily through victories in central Italy to the final fall down of the Nazi occupation.

31 Luchino Visconti La Terra Trema (1948) An epic account of Sicilian fishermen who suffer from economic exploitation Shot entirely on location and it took three years to complete.

32 Luchino Visconti Rocco e suoi fratelli (1960) - it tells a story of a family which comes to industrial Milan to escape the poverty stricken South but gradually disintegrate in the large, modern city.

33 Vittori De Sica Ladri di Biciclette (Bicycle Thieves, 1948) A drama about a father and a son who are searching their stolen bicycle. Shot entirely on location in various parts of Rome using only local non- professional actors

34 Vittorio De Sica Umberto D (1952) About a retired civil servant desperately trying to maintain the decent standard of living on dwindling state pension.

35 Giuseppe di Santis Rise Amaro (Bitter rice, 1949) - two criminals take refuge in a rice farm in the north which employs a large number of immigrant workers from the south. Adulterous love, robbery and murder take place in the fam.

36 Pietro Germi Il Ferroviere (The Railroad Man, 1956) - a hardworking engine driver who loves his family involves railway accident and is suspended from driving engine. His life is in near ruin but he tries to prove his innocence.

37 Federico Fellini I Vitelloni (1953) About five young friends from a local seafront town desperately trying to find the aim of living. Spiritual deprivation in post war Italy

38 Federico Fellini La Strada (1954) Story about a carnival strongman Zanpano and his simple minded assistant Gelsomina, who are travelling around poverty stricken areas of Italy.

39 The Vital Time for Italy and Italian Cinema Generally labeled and known as Neo-realism. NEOREALISTS COMMUNICATED TO THE WORLD EVERYTHING THE COUNTRY HAD TO GO THROUGH In the process they changed the entire rule of movie making Subject matter - contemporary social problems Film Style - location shooting, non-professional actors, simple technique

40 Essay Title Watch one Italian film and describe what aspects of the post-war Italian society is reflected in it.


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