1. Notation Codes and Score Analysis

2. Musicological Trends 1. From Comparative to Ethnographic Vergleichende Musikwissenschaft Guido Adler, “UMZ” (1885) Berlin School: Carl Stumpf (1848–1936) and his student Erich Moritz von Hornbostel (1877–1935) Ethnomusicology Jaap Kunst, Musicologica: a Study of the Nature of Ethno-musicology (Amsterdam, 1950) Society for Ethnomusicology, Philadelphia 1955

3. Adler: UMZ (1885)

4. Musicological Trends 2. From Style Analysis to Criticism Adler, Der Stil in der Musik (Leipzig, 1911) Kerman, Contemplating Music (Cambridge, MA, 1985)

5. Technological Development PC with GUI: Apple Lisa 1983

6. Musicological Trends & Technological Development Musicology turns away from “positivistic,” “empirical” research, when the means become available. Rethinking and Renewal: Data-poor and data-rich topics

7. ESAC Essen Associative Code developed for monophonic music, especially European folksong code inspired by Chinese JIANPU developed by Helmut Schaffrath (1942-94) in the 1980s 1994 project transferred from Essen to Warsaw

8.  Key Meter Bar Octave

9. Application Stylistic, repertorial analysis Database searching grouping Limitation repertoire and tasks orientated

10. Other Codes MIDI (Musical Instrument Digital Interface) for sound DARMS (Digital Alternative Representation of Music Scores) for graphic Humdrum - Kern modular approach

11. Kern instrument category instrument meter key signature key { } phrase, note value (here  ), pitch (f=f’) bar number

12. Kern Haydn “Kaiser” Quartet Op. 76,3,II

13. Application Regulative Explorative means seeking ends? form follows function?

14. Literature Selfridge-Field, Eleanor. Beyond Midi: The Handbook of Musical Codes. Cambridge, Mass.: MIT Press, 1997. http://www.ccarh.org/ http://dactyl.som.ohio-state.edu/Humdrum/ http://dactyl.som.ohio- state.edu/Music220/Bloch.lectures/Bloch.lect ures.htmlhttp://dactyl.som.ohio- state.edu/Music220/Bloch.lectures/Bloch.lect ures.html