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Published byStuart Hamilton Modified over 9 years ago
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ABSTRACTION Abstract artists express emotion and ideas through the use of color and non-representational shapes instead of realistic depictions of people and objects.
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Cubism revolutionized art by showing multiple
views of a subject simultaneously Picasso, 1909 The Factory at Horta Ebro
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Cubism begun by Picasso and George Braques George Braques
Pablo Picasso
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Cubism inspired by African art an Cezanne
(his spheres, cylinders, cones) Cezanne
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Cubism They broke up the subject, then reconstructed the fragments. The subject often became unrecognizable
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Cubism David Hockney, Chuck Close- contemporary artists who break up subjects
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Picasso Dominated the art world in the 20th century because he kept pace with progress- a step ahead. He was a trend setter. He said, “Art is the elimination of the unnecessary”
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Picasso At age 15, a portrait of his mother
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Picasso
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Picasso La Vie Blue Period. The man is believed to be a good friend of Picasso’s Carlos Casegamos, who committed suicide.
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Picasso Rose Period In 2004 it sold for $104.1 million
Garçon à la pipe , 1905 Rose Period In 2004 it sold for $104.1 million
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Picasso Woman with a Fan, ”x40” African inspired
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Picasso African Period (1907-1909).
The French were exploring Africa and bringing back Artwork- a big influence on Picasso’s style.
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Picasso The African Period was the Precursor to Cubism.
More expressive and abstract.
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Picasso His subject matter was Spanish prostitutes
His most famous work during this period was Les Demoiselles d’Avignon, ’x8’ His subject matter was Spanish prostitutes
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Picasso Analytic Cubism focused on geometric shapes and the natural world. “Le Guitariste”,
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Picasso Analytic Cubism Is like a prism
and has a limited color palette so as not to detract from the subject Le Guitariste
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Picasso 1910 Parisian art dealer
Portrait of Ambroise Vollard 1910 Parisian art dealer exemplifies the early phase of the cubist movement, called analytical cubism.
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Picasso Synthetic Cubism Instead of breaking objects down, he pasted things together in collage Still Life with Chair-caning, 1912
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Picasso Synthetic Cubism A collage is an assemblage- because you assemble things together Still Life with Chair-caning, 1912
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Picasso Three Musicians 1921 This painting is a Cubist rendition of three musicians playing music in a café
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Girl Before a Mirror Picasso 1932 Maria Teresa, his secret love. She calmed his violent character.
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Picasso Girl Before a Mirror
New style: undulating lines, luminous and bright colors (stained glass look) balanced and symmetrically structured composition. The model´s face adopts two physical attitudes: in profile and frontal
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He updated a series of interpretations of Las Meninas in 1957
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A take off on Velazque’s masterpiece
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Daley Plaza, Chicago, IL. 50’ high The sculpture, was unveiled in Picasso refused to be paid $100,000 for it, donating it to the people of Chicago.
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Picasso Guernica, 1937 His masterpiece
The response to bombings of Guernica, and depict the suffering of innocents. Filled with symbolism.
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Guernica, 1937 Picasso
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It reflects a feeling of utter hopelessness.
Cubist style in black and gray.
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Picasso Guernica Political message:
A protest against the brutality of war and tyranny. The lack of color gives it a journalistic quality
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Picasso Guernica Dying horse= death of civilization
“lady Liberty” rushes toward forward to revive it. Light of reason above horse’s head…
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Picasso
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Futurism Italy Inspired by the dynamic energy of the machine age SPEED
Umberto Boccioni, Unique Forms of Continuity in Space, Bronze, 44”
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Piet Mondrian Dutch artist 1872-1944
moderate success as a landscape painter Saw a show of ABSTRACT work that changed his life in 1911
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Piet Mondrian Over time, his REALISTIC images evolved into abstract paintings devoid of curving lines and mixed color
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Piet Mondrian
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Piet Mondrian
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Piet Mondrian He moves to Paris where he is influenced by the work of Picasso and Cubism
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Piet Mondrian
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Piet Mondrian
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Piet Mondrian
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Piet Mondrian As the result of the chaos of WW1, Mondrian decided to leave the “natural, messy” art style for something different…
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Piet Mondrian He used straight lines only because they are not found in nature. He based his new style on horizontal and vertical lines that would form rectangles.
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Piet Mondrian He limited his palette to primary colors, white, gray and black lines.
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Piet Mondrian He wanted art to be as mathematical as possible, a blueprint for an organized life. Mondrian became obsessed with orderliness and even turned his studio into one of his paintings.
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Piet Mondrian While living in NYC, his last painting was inspired by Boogie Woogie music and the busy traffic of the city…
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Piet Mondrian By the 1950’s his easily identifiable style became so famous that for many people it became a symbol for modern art. It was copied in many ways…
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Piet Mondrian
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Piet Mondrian Mondrian was important in art history because he took subjective feelings and emotion out of his work, so unlike painters of the past and painters of his day.
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The Armory Show 1st American exposure to the European avant-garde.
It took place at the Armory building in NYC in 1913
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The Armory Show The show was ridiculed- especially Duchamp’s Nude Descending a Staircase
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Brancusi Intended to capture "the essence of flight"
Bird in Space, Bronze. 54”
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Brancusi In 1927, a buyer tried to import Brancusi’s Bird in Space to the U.S. At custom’s, the piece was said to be “manufactured metal”- a kitchen or hospital supply- and not art and he was forced to pay $600
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Brancusi After a much publicized trial on “is it art?”, The buyer got his money back.
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Stuart Davis His painting was influenced by COLLAGE
Subject matter- American consumerism Forerunner of Pop Art Lucky Strike, 1921
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Stuart Davis, 1921 Rauschenberg, 1964 POP Art
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Aaron Douglas An African American painter from Kansas, but lived and worked in Harlem after WW1. He is considered the most prominent artist of the Harlem Renaissance.
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Aaron Douglas His work reflected his heritage.
He combines Cubism and African art with the American experience.
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Aaron Douglas
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Frank Lloyd Wright Totally new architectural style: Prairie Style
Creates a garden feel -sheltering overhangs, low terraces. before now, America had no definitive style. Most styles were under European influence. He created something totally refreshing, new, and American.
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Frank Lloyd Wright Rectangles and asymmetry Robie House, Chicago
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Falling Water, 1936. Bear Run, Pa
Frank Lloyd Wright Falling Water, Bear Run, Pa
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Frank Lloyd Wright Falling Water
Oneness with nature- huge windows to bring nature inside. Chimneys made of natural stone, resembling outside stones. Falling Water
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Frank Lloyd Wright Guggenheim, 1959. NYC This “upside-down ziggurat”
has a spacious feel. Guggenheim, NYC
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Frank Lloyd Wright Guggenheim, NYC
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