1. Script Writing for Broadcast Multimedia Broadcast

2. Why write a script? By knowing what you are looking for before you begin a production, you will be better organized and better prepared. Others involved in your productions can give comments or advice on things they would like to see added or removed.

3. Timing –Timing is everything in broadcast. –By writing a script you will help yourself meet strict timing parameters that will be set for you. Why write a script?

4. A two-column script is used when you want to plan out exactly how a video will appear on screen. Different elements are identified on the left and right side of the screen. There are a variety of different abbreviations used that you should begin to familiarize yourself with. Two-column script

5. VO – voice over –A voice is recorded and then edited into the final sequence NAT Sound – natural sound –The sound that is recorded from the camera SFX – sound rffects –Sounds other than music or voice overs Common abbreviations

6. WS – wide shot –The camera is shows a wide or establishing shot of the location you are filming Common abbreviations

7. MS – medium shot –The camera is either physically moved or zoomed into about the mid-section of the person being filmed Common abbreviations

8. CU – close-up –The camera is either physically moved or zoomed into a close shot of a person’s face Common abbreviations

9. ECU – Extreme Close Up –The camera is zoomed into a portion of a person’s face. Usually, it is their eyes or their mouth. Common abbreviations

10. LS – long shot –The camera is placed at a distance from the focal point. Often, this shot will demonstrate depth. Common abbreviations

11. OTS – over the shoulder –The camera is placed behind the head and shoulders of one of the subjects to show a conversation between two people. Common abbreviations

12. POV – point of view –The camera takes the place of the person’s eyes to make viewers feel as if they are experiencing the camera action. Common abbreviations

13. GFX – graphic –This can be labeled to identify full screen, lower third, a picture, bugs or other types of graphics. CGI – computer generated image –Another way to label a GFX, but you could see this in place of GFX in the industry. Common abbreviations

14. LEFT SIDE VIDEO descriptions, abbreviations and special instructions Graphic formatting and wording You can also include directions on how you want your on screen talent to act or position themselves RIGHT SIDE AUDIO script should be exact and have every word that you want to be included Music instructions –(Fade up, continue, fade out) Sound effects should be on this side as well Writing two-column scripts

15. WS – Outside of HS CU – School Sign LS – School in the distance with lots of traffic in the foreground NAT Sound – Traffic VO – Student “Each day that students come to our high school there is an inherited risk in the traffic they have to cross to enter the school.” Two-column example

16. Different than most other media in journalism, script writing for television can be conversational. It would be difficult watching a show where the talent read a newspaper article or website. Writing two-column scripts

17. Conversational script-writing –Find a newspaper, or online article and read it. –Now, explain the article to the class. –You should still include all of the facts and people included in the article, but you want to be much more conversational. Writing two-column scripts

18. Practice Try writing a short two-column script about what is for lunch at school tomorrow. Compare scripts when finished. Writing two-column scripts

20. In other forms of media, narrative is comparable to a feature story. It generally has a chronological sequence. Usually it involves one or combination of the following things: –person or people –place –time –mission, purpose, point of view What is narrative storytelling?

21. As producer you try to make sense of what happened. You try to put things in the correct order. You talk to and interview people. –You try to understand why people feel the way they do. You visit the place things took place. You make sure you report only things that are TRUE by verifying statements. Narrative storytelling

22. When using narrative storytelling or a long-form type story, you do not write a script so much as you write an outline. A great way to understand how you outline a narrative story is to use classic children's literature. Narrative storytelling script writing

23. Person or people –three little pigs –a big, bad wolf The Three Little Pigs

24. The place –A pig farm? We better verify this if we want to report it. The Three Little Pigs

25. Time –one of the three pigs took very little time to build his house of straw –one of the three pigs took some additional time to build his house out of sticks –one of the three pigs took much more time to build his house of bricks The Three Little Pigs

26. Mission, purpose, point of view The wolf He was hungry. Wolves eat pigs. The pigs looked delicious. He died as result of his efforts. The Three Little Pigs

27. Mission, purpose, point of view The pigs Each had his own perspective on how much effort they should take to build their houses. They were terrified when a wolf came for them. They protected themselves with a pot of boiling water. They gained new perspective on the quality of their houses. The Three Little Pigs

28. Split into small groups. Create an outline of another classic children’s type story. Be prepared to present to the class. Narrative storytelling practice

29. Similar to narrative storytelling, you should create an outline before sitting down to interview. The best thing you can do prior to an interview is understand a basic idea of the story before you sit down to conduct the interview. Outlining an interview

30. Many people will try to list every question that they would like to have answered. Yet, we have discussed that broadcast is conversational. Is it conversational when everything you are going to ask is already written out? Outlining an interview

31. Instead of listing all of your questions, try listing words or phrases that surround the story you are trying to have told –The three pigs relationship –Where did the pigs learn to build? –Lazy, motivated –Survival for the pigs and the wolf’s perspective –What else is missing? A better interview

32. As important as listing question/ phrases or keywords is listening. When you are conducting an interview, often the interviewee will answer questions or phrases that you want answered later. By having short phrases and keywords, you can simply cross those off the list if you are listening to their responses. A better interview

33. In groups of three, find a story that each person could be interviewed about. Each member of the group will interview another. First, you should make list of keywords and phrases. The third member of the group will be a silent observer while each interviews the other. Note any redundant questions asked, showing they might not be listening. Interview practice