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Video Recording Analog Video Video Recording Color space.

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Presentation on theme: "Video Recording Analog Video Video Recording Color space."— Presentation transcript:

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2 Video Recording Analog Video

3 Video Recording Color space

4 Video Recording Analog  Composite  Component  S-Video Digital format  UnCompressed (SDI)  Compressed (MPEG)

5 Video Recording Magnetic Tape  Magnetic coating on Plastic  Iron Oxide coating  Chromium di-oxide

6 Analog Formats Tape Heads  Recording Heads – Soft Iron/Ferrite  Playback Heads  Erase Heads

7 Video Recording Tape Head

8 Video Recording Magnetic Domain

9 Video Recording Magnetic Domain

10 Video Recording Magnetic Recording

11 Video Recording Hystersis

12 Video Recording

13 Analog Formats Analog  VHS  Ampex  U-Matic  Betacam

14 Video Recording Tape Speed  Quadruplex  Helical span  Speed of the tape oAudio 4.75 cm/s oVideo 10 m/s

15 Video Recording Ampex VR2000

16 Video Recording

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19 Control Track  Each frame – Synchronize scan & tape speed  Dropouts – Defective magnetic particles  Discontinuous track  Generation loss

20 Video Recording Digital Picture formats  Uncompressed oBMP oTGA oTIFF  Compressed oJPEG oGIF oGIF (Animated)

21 Video Recording

22 Computer based Recording  Uncompressed  Compressed oDV oMPEG 1, 2 oMov oAVI oMpeg4 oWMV

23 Video Recording Digital Video oSDI oDV oMPEG oWMV oFlash

24 Video Recording DV Format (1995)  Intraframe, Interlaced  DCT  13.5:6.75  720 X 576 (704 active)  4:1:1 / 4:2:0  16bit/12bit Linear/Nonlinear PCM Audio  DIF (Digital Interface Format) o80byte, 150 blocks (Sequence), 10-12 seq a frame oAVI, MOV, MxF

25  Chroma Sub-sampling

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27 Video Recording DVCPRO (1995) Panasonic  Locked Audio  4:1:1  25Mbps DVCPRO 50 (1997)  Locked Audio  4:2:2  50Mbps

28 Video Recording DVCAM (1996) Sony  Locked Audio

29 Video Recording DigiBeta  DCT Component Video  10bit YUV 4:2:2  90Mbps, 4 Uncompressed 20bit PCM Audio  SDI

30 Video Recording DigiBeta SX (1996)  Digital version of Betacam SP  MPEG-2 4:2:2  22Mbps (approx), 4 Uncompressed 16bit PCM Audio  Alternate frames are I-frame & B frame  Cassettes Yellow

31 Video Recording MPEG IMX (2001)  MPEG-2 4:2:2  30, 40, 50Mbps, 8 Uncompressed 16bit PCM Audio  Intraframe  SDTI  Muted green tapes

32 Video Recording HDCAM / HDCAM SR (1997)  1080i  8bit DCT, 144Mbps  1440 X 1080 -> 1920 X 1080  4 AES 20bit

33 Video Recording HDCAM SR (2003)  10bit 4:2:2 or 4:4:4  MPEG4 - Part2  1920 X 1080  12 Audio Channels, 24bit  SDTI  Muted green tapes

34 Video Recording D1 (1986) ¾”  Uncompressed digital component video  Y’CbCr – 4:2:2, 8bit D1  Composite video D5 HD (Panasonic)  10bit

35 Video Recording Advantages of Computer based Recording  Cassette-free  Network sharing  Editing friendly

36 Video Recording Editing  Linear Editing  Non Linear oHardware based oSoftware based oCodec

37 Video Recording Non Linear Editing  Windows Movie maker  Avid  Velocity  Adobe Premier  Final Cut Pro

38 Video Recording

39 Advantages of Non Linear Editing  Record Once  Random Access  EDL  Export

40 Video Recording System Requirements  High end computer hardware  Good quality video card  Huge Hard Disk  Throughput

41 Video Recording NLE Storage  Local  NAS  SAN

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