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Published byGilbert Crawford Modified over 9 years ago
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Reminder: First came persistence of vision devices such as the Zoetrope, flip books, etc.
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Gertie the Dinosaur (l9l4) & Winsor McCay › Line drawings on paper, photographed by a film camera
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Cel animation › Images hand-drawn on sheet of celluloid › Walt Disney & Ub Iwerks—partners since their teens in Kansas City
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Cel Animation: Foreground & Background Cels
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Stop motion animation › Physical objects photographed one or two frames at a time, then moved in between, to create illusion of motion › As early as 1898 (Albert E. Smith and J. Stuart Blackton’s The Humpty Dumpty Circus, U.S.)
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Ray Harryhausen (Jason & the Argonauts (1963), Clash of the Titans (1981), etc.)
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Aardman Animation (Peter Lord & David Sproxton + Nick Park; Chicken Run (2000); Wallace & Gromit in the Curse of the Were-Rabbit (2005)) › Use clay animation › Established 1976
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A typical set:
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Versus “not full” animation, in which background cels are not animated, typical for TV animated series
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Gives illusion of depth to the image Only the biggies— Disney, Don Bluth, DreamWorks, Japanese studios)
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e.g., Beauty and the Beast (1991)
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Rotoscoping/Reference film (live action film as reference) › e.g., Ralph Bakshi, Lord of the Rings (l978); Richard Linklater, Waking Life (2001); A Scanner Darkly (2006)
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Optical printer used to combine live action w/ animation as early as 1920's › e.g., Who Framed Roger Rabbit? (1989)
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Not for kids only! Based on traditional Japanese art forms Cel animation at its best... › e.g., Akira (1988); Cowboy Bebop (2001)
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The “kinder, gentler” anime studio, founded by › Hayao Miyazaki--Princess Mononoke (1999); Spirited Away (2002); Howl’s Moving Castle (2005) › Isao Takahata (Grave of the Fireflies (1988)
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My Neighbor Totoro (1988)
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Kiki’s Delivery Service (1989)
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Grave of the Fireflies (1988)
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Computer animation (part of computer generated imagery, or CGI)—Images of things that may never exist in reality › Pixar, DreamWorks › e.g., TRON (1982); Toy Story (1995); Finding Nemo (2003) › Now the norm for animated features
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With computer animation, we have a blurring of the line between animation and digital special effects › The majority of feature films released in the U.S. contain at least some CGI (with live action) › Even Studio Ghibli, which still uses hand-draw cel animation, uses computer applications for highlights and sparkles, etc.
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Performance capture (using computers to generate CGI characters moving in "real time" as captured from real humans performing while wearing sensors) › e.g., Avatar (2009) › Angelina Jolie is to star in “Beowulf,” the performance capture adaptation to be directed by Robert Zemeckis
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