2.  Product 1—Slide list ◦ Decide on monuments/artworks ◦ Gather full identification information  Product 2—Slides ◦ Search ARTSTOR data base ◦ Select images and load into files  Following images from net

3. Asoka, column and capital, c. 332-185 B.C.E. The Great Stupa, Sanchi, India. [3rd century B.C.E./- early 1st century C.E. Seated Buddha Preaching the First Sermon. Sarnath, India5th century C.E., sandstone, The Beautiful Bodhisattva Cave [1], Ajanta, [C. late 5th century C.E.]. Wall painting

4. Pagoda, [Shanghai,] China. Buddhist 10 th century C.E. [977] Song Dynasty Indianapolis Motor Speedway, Indianapolis, IN (1913-present) 2,000 (160 ft)

5. Shiva Temple, Khajuraho, c. 1050 C.E. Sun Temple, Konark, 13 th century C.E., Shiva Temple, Hampi, 13th century C.E. Shiva as Lord of the dance, 11-12th century, C.E Shiva as Lord of Lords in rock-cut temple, Elephanta, 6th century, C.E..

6. Ramayana theater production, movie stills, Delhi-6, Rakeysh Mehra, 2009

7. Mayawati, Ambedkar Park, Dalit, and other Monuments, Luckow, Uttar Pradesh, 2007-2009 ?

8. Qutb Minar, Delhi, India. Muslim, c. 1200 C.E, Quwwat al Islam (The Might of Islam) Mosque, Delhi, India. Muslim, c. 1200 C.E. and complex Taj Mahal, Agra, 17 th century

9.  Themes of reconciliation in the films  Bollywood as an Integrated industry/medium: ◦ Hindu and Muslim actors and actresses play heroes and heroines opposite to one another in love stories ◦ Hindus play Muslims and Muslims play Hindus ◦ Audience aware of all levels of integration

10.  Chadha, Gurinder, It’s a Wonderful Afterlife, film, 2010  Chadha, Gurinder, Bride and Prejudice, film, 2004  Chadha, Gurinder, Bend It Like Beckham, film, 2002

11.  Art 490 Nonwestern Survey  Art 355 Contemporary Art  LIBA 497 Women, Art and Society  Art 490 Public Art  Friday Night in the Forum Film Series ◦ Collaborate with EB (Eric Braysmith) ◦ 35 mm. stadium seating

12.  Aesthetics/rasa ◦ Patnaik, Priyadarshi, Rasa In Aesthetics : An Application Of Rasa Theory To Modern Western Literature, New Delhi: D. Printworld Ltd., 2004, pps. 1-68.  The body ◦ Kasulis, Thomas P. and Roger T. Ames, eds. Self as Body in Asian Theory and Practice, n.P. State University of New York Press, 1993, pps. 3-145.

13.  Hell ◦ Filippi, Gan Giusseppe, Eng. Trans. Antonio Rigopoulos, Mrtyu: Concept of Death in Indian Traditions, from series: Reconstructing Indiana History and Culture, no. 11, New Delhi: D. Printworld Ltd., 1996, pps. 179-190.  Pilgrimage ◦ Bigelow, Anna. Sharing the Sacred: Practicing Pluralism in Muslim North India, New York: Oxford University Press, 2010.

14.  Banaras/site ◦ Eck, Diana L. Banaras: City of Light. New York: Columbia University Press, 1999.

15.  Indian Graphic Novels ◦ Sen, Orijit, River of Stories (Narmada valley dam protest movement), 1994. ◦ Bannerjee, Sarnath. Corridor. New Delhi, India: Penguin Books India, 2004. ◦ Kapur, Shekhar. Devi, Liquid Comics, Liquidcomics.com, 2008.

16.  Indian Graphic Design and Calendar Art ◦ Mathur, Gaurav, “Signboards as Mirrors of Cultural Change,” Design Issues, Autumn 2005, Vol. 21, No. 4, pps. 78-93. ◦ Jain, Kajri, Gods in the Bazaar, Durham: Duke University Press, 2007. Rastogi, Yogendra Nath,M.C. Jagan, Lakshmi, 1980’s

17.  Mahalo to: ◦ Arindam ◦ Peter ◦ Speakers ◦ Classmates ◦ Johnson (UH tech god) ◦ Jeff (UH tech god)