1. Magazine Covers The Decline of Western Design

2. Early 20 th Century Cover Designs – when design was still an art!

3. First Impressions  Want to know what a magazine is really about…DON’T GO BY THE COVER GRAPHIC!  Although the cover of a magazine is related to its content, the cover images are designed to attract your attention and separate you from your money!

4. First Impressions  The magazine cover is designed to make a good first impression.  Since colour photographic technologies were still being developed, traditional covers from the early 20 th century often featured graphic art rather than the photographic covers we see most often today.

5. The Poster Cover  From the 1890s to the 1960s, one type of cover could be said to dominate the magazine field. It was not the only kind of cover to be found, but the poster cover produced so many memorable covers on so many issues of so many magazines that it is sometimes looked upon as the standard against which all other kinds of covers must be measured.

6. Some traditional examples of poster covers…

7. Some contemporary examples of poster covers…

8.  The poster-type cover contains, in effect, an invisible cover line saying something like: "We don't need to tell you that there are many other articles inside that you will will read with great interest."  The design of these covers is often quite striking and artistic

9. Integrated Covers  While many magazines boasted artful poster covers, others relied heavily on cover lines to draw readers inside in a more definite way than the cover art could accomplish.  The use of text styles that complemented the cover graphic becoming in effect, an integrated design

10. Early integrated covers…  a large title with the model's face overlapping it  a model in a (nearly) full body pose  a model in an unusual and expressive posture (rotated somewhat, spiraling down to the bottom cover line)  cover lines on all sides of her, carefully positioned in relation to the model and the background

11. Modern Cover Design  By the 1960’s and 70’s, magazine cover layout was not much different from advertising layout.  The picture, cover lines and colour scheme all conspire to “sell” the publication (and the products advertised within!)

12.  From the mid-1970s on, magazines cover lines invaded the cover where they could speak authoritatively, shout in anger, whoop with glee, broadcast great news, announce incredible discoveries, whisper across huge rooms with sophisticated stillness, rise off layers upon layers of cover depth and take readers by the elbow to dance, and proclaim how urgent it is that readers recognize how much promise awaits those who slip between these covers.

13. Integrated Covers of the 1990’s  This Redbook of November 1996 can serve as an example of a magazine cover that is representative of a major trend at the end of the 20th century.  The cover is illustrated with a single large and striking photograph -- a full-body shot, but one in which the model has arranged herself in an unusual posture that at once conveys great ease and intense energy.

14.  The pictorial composition which produces this effect is based on an underlying spiral structure which begins at her head and descends, counterclockwise, around her right arm, around the back and across her right leg.  The effect is of a coiled spring -- yet a spring that is securely, comfortably held in place by the casual draping of the hand and foot, and controlled by the friendly intensity of the face

15. Cover Lines Note the subject matter of the cover lines:  relationship treated as a skill  working smart to improve yourself  help in handling the strains of being a woman, wife, and mother  beauty aids, but given with a care for frugality  parenting advice

16. More cover lines…  For most magazines at the turn of the 21st century, cover lines were as important as cover art. In some cases, cover lines and cover art improvised a new, vigorous, almost shocking dance with one other. In Guitar World from August 1992, cover lines attain a prominence that competes with the nameplate of the magazine itself.  Some covers of this period contain cover lines that are actually larger than the name of the magazine.

17. Current Trends  cover lines have flooded the cover space, forcing the model to withdraw to a smaller image, to interleave with the words, to fold up to make room for the announcement of contents, or to become a billboard.

18.  The early 2000s are so immersed in commercial typography, channel-hopping, web-surfing, consumer culture, competing values, and objects clamoring for attention that the picture of a cover model cheerfully or seductively immersed in a forest of words may seem to us a mere depiction of daily normality -- a normality both reflected by and fueled by the words on the covers of magazines.

19. Photographic Covers

20. A publishing rarity