1. HWH Unit 3 Chapter 5.2

2. Baroque Art (late 1500s-late 1600s)  Major characteristics Rich, full-bodied colors ○ Uses light and contrast Full of energy ○ Dynamic sense of movement ○ Excited, agitated feel ○ Appealed to the emotion of the viewer Ideas of space are not as defined as in the Renaissance

3. Characteristics  Propaganda tool of the Counter Reformation Energy conveyed the renewed energy of the Catholic church But even Protestants capitalized on its energy  It was also used to portray the grandeur of the emerging absolute monarchs

4. The Musicians by Caravaggio, 1595 Metropolitan Museum of Art, New York

5. The Incredulity of St. Thomas by Caravaggio (1602) Sanssouci Palace, Potsdam, Germany

6. The Calling of St. Matthew by Caravaggio (1602) Church of San Luigi dei Francesi, Rome

7. David with the Head of Goliath by Caravaggio (1610) Museo del Prado, Madrid

8. Medusa by Caravaggio (1590-1600) Galleria degli Uffizi, Florence

9. The Entombment by Caravaggio, 1602 Pinacoteca Vaticana, Vatican City

10. The Maids of Honor (Las Meninas) by Velazquez, 1656 Museo del Prado, Madrid

11. The Surrender of Breda by Velazquez (1635) Museo del Prado, Madrid

12. The Abduction of the Sabine Women by Poussin, 1636 Metropolitan Museum of Art, New York

13. Rubens, Descent from the Cross (1612) The Cathedral of Our Lady, Antwerp

14. La Tour, St. Joseph the Carpenter (1640s) Musée du Louvre, Paris

15. The Blinding of Samson by Rembrandt, 1636 Städelsches Kunstinstitut mit Städtischer Galeria, Frankfurt am Main, Germany

16. The Night Watch by Rembrandt, 1642 Rijksmuseum, Amsterdam, The Netherlands

17. The Milkmaid by Vermeer, 1658 Rijksmuseum, Amsterdam, The Netherlands

18. The Geographer by Vermeer, 1669 Stadelsches Kunstinnstitut, Frankfurt, Germany

19. The Astronomer by Vermeer, 1668 Musée du Louvre, Paris

20. Louis XIV by Rigaud, 1701 Musée du Louvre

22. David by Bernini, 1624 Galleria Borghese, Rome

24. Apollo and Daphne by Bernini, 1622 Galleria Borghese, Rome

25. Pluto and Persephone by Bernini, 1621 Galleria Borghese, Rome

26. The Canopy by Bernini in St. Peter ’ s

27. The Ecstasy of St. Theresa by Bernini, 1645-52 Church of Santa Maria della Vittoria, Rome

28. Faith Overthrowing Heresy by Pierre Le Gros Church of the Gesu, Rome (1698)

30. Characteristics  Glorification Of monarchs (i.e., Versailles) Catholic Churches (i.e., St. Peter’s)  Very colorful and dramatic  Utilizes columns built into walls  Generally has many windows  Rococo: overly elaborate Baroque decorations

35. Versailles

37. Peterhof

40. Schonbrunn Palace, Vienna

42. Nymphenburg Palace, Munich

43. The Winter Palace, St. Petersburg

44. Rococo Interiors

48. Weiskirche, Bavaria, Germany

52. Church of the Gesu, Rome