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“Out of the Ash”: Sylvia Plath HUM 2213: British and American Literature II Spring 2015 Dr. Perdigao March 16, 2015
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Nine Female Figures Two Women Reading
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From Modern to Contemporary “literary hegemony of the fifties” (Breslin 59) “Contemporary poems contain cracks, even fissures; they are heterogeneous. If they include disjunctions, interruptions, digressions, it is to show how they remain open, in process, rather than creating a perfectly ordered enclosure” (Breslin 61). Ideas of regeneration Confessional poetry as “mythologizing of the self,” Plath’s transformation into “The fine, white flying myth” of Ariel (Breslin 104)
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Sylvia Plath (1932-1963) Parents Otto and Aurelia Schoeber Plath; father taught German and zoology at Boston University; died when she was eight Aurelia moved family to Wellesley to teach at Boston University Published poetry, fiction, and journalism before attending Smith College (Heath E 2836) English major Depression, breakdown in 1953 after serving as Mademoiselle College Board editor; electroconvulsive shock treatments led to suicide attempt that summer; psychiatric care before returning to Smith June 1955 graduated summa cum laude; M.A. on Fulbright Fellowship at Cambridge, England Married Ted Hughes, later Poet Laureate of England, on June 16, 1956 1957 returned to the states; Plath taught at Smith
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Sylvia Plath (1932-1963) Lived in Boston for a year, returned to England in 1959 Published The Colossus and Other Poems (1960), The Bell Jar (1963), Ariel (1965); The Collected Poems (1981), The Journals of Sylvia Plath (1982) Collected Poems won Pulitzer Prize for Poetry in 1982 Had two children; separated from Hughes Committed suicide in her flat, Yeats’ house in London, after The Bell Jar was published Ariel contained last poems Late poems as most well received; final poems with change in tone
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