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Principles of Design
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Proportion Proportion is the principle of art concerned with the relationship of certain elements to the whole and to each other. It looks at the relative sizes or amounts of things in a composition.
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Ron Mueck - Boy
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Andrew Wyeth - Soaring
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Parmigianino The Madonna with the Long Neck
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Rene Magritte – The Listening Room
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Francisco Goya - Giant
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The Principle of Movement
Movement is the principle of art used to a) create the look and feeling of action and b) to guide the viewer’s eye throughout the work of art.
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Giacomo Balla – Dynamism of a Dog on a Leash
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Marcel Duchamp Nude Descending a Staircase
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Winslow Homer – Fog Warning
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Vincent Van Gogh – The Starry Night
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Eugene Delacroix Arabs Skirmishing in the Mountains
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The Principle of Rhythm
Rhythm is created by the careful placement of repeated elements in a work of art to cause a visual tempo or beat.
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Giacomo Balla Little Girl Running on a Balcony
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Navajo Rug Tree of Life
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Navajo Rug
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Roman Aqueduct – Segovia, Spain
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Balance Balance is a way of combining elements to create a feeling of equilibrium or stability in a work of art.
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Balance There are 3 types of balance: Symmetrical Asymetrical Radial
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Symmetrical Balance This is also known as formal balance.
Two halves of a work are identical; one half mirrors exactly the other half. An example would be the two wings of a butterfly, or the façade of a Greek temple.
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Symmetrical/Formal Balance
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Asymetrical/informal Balance
Asymetrical balance is also known as Informal Balance Two halves are not the same, but they have approximately equal visual interest or visual “weight.”
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Five O’Clock Tea – Renoir (example of informal balance)
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Asymmetrical/Informal Balance
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Asymmetrical/Informal Balance
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Radial Balance Radial balance occurs when objects are positioned around a central point so that there is an equal distribution of visual interest or visual weight on all sides of the central point. A clock face is a good example of radial balance.
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Radial balance – Rose window of Chartres Cathedral
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Harmony and Variety Harmony combines similar elements in an artwork to accent similarities. It is accomplished through the use of repetitions and subtle, gradual changes. Variety is the opposite; it emphasizes differences, change, contrast, diversity. It creates more intricate and complicated relationships between elements in the work.
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Barns – A.Y. Jackson (example of harmony)
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Botticelli’s Primavera (example of harmony)
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Hieronymous Bosch – The Garden of Earthly Delights (example of variety)
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Luncheon of the Boating Party - Renoir (example of variety)
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Emphasis Emphasis is a way of directing or focusing the viewer’s attention on the most important parts of a design.
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Night Shadows – Edward Hopper (example of emphasis)
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Leonardo Da Vinci – The Last Supper (example of emphasis)
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Rembrandt – The Supper at Emmaus
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