1. Composition The Art of Seeing Images Arrangement of elements Relationship of elements

2. Part One

3. What is Composition?

4. Composition is: A musical score Something you write for English class Organic substance used in farming Arrangement of visual elements

5. The modern camera is capable of many things auto focus auto exposure –select a suitable shutter speed or aperture multitude of other functions

6. One thing no camera can do Compose the image – It has no idea what it is pointing at – it has no idea what you are trying to achieve

7. Good images result from: Careful attention to some basic elements of composition Appropriate lighting Interesting subject

8. No "right" way to take a picture Three photographers recording same scene may create equally appealing photographs with entirely different composition "There are no rules for good photographs, there are only good photographs.“ - Ansel Adams

9. Important question to ask "What message do I want to deliver?" – it comes down to your ability to 'see' a picture or potential to create a picture load of 'rules' and techniques – guidelines, not hard and fast "rules"

10. Novice can achieve good image capture with these guidelines Experienced photographers who know the rules often find very creative ways to break them, with excellent results

11. Pre-Visualize First, “see” your options—the potential photograph before you “Visualize” how the scene will look as a print or on a monitor screen Look through the viewfinder to create a frame of reference—like the print’s edge Eliminate distracting backgrounds before you release the shutter

12. Viewpoint Can change a picture dramatically –moving the camera up or down or –stepping to one side –find an "unusual" point of view

13. 3 basic ways to adjust viewpoint Physically move objects relative to each other –Only really works with still life photography Tell people to move relative to each other or other objects –Only works with people who can hear you

14. 3 basic ways to adjust viewpoint Move –Usually the most effective way to control composition – easiest and yet most important wander about and see if you can improve on your original composition by changing your viewpoint much difference can had by walking a few feet

15. Viewpoint Study the scene from various angles or perspectives: – High – Low – Straight on – Above Which of these perspectives best helps the viewer understand your intentions?

16. Different Angles Low Angle High Angle Low Angle High Angle © 2002 Evan DiLeo

17. Different Angles Pooch Level

18. Basic Rules of Image Composition Point of Interest Fill the frame Viewpoint Simplicity Balance Framing Editing

19. Point of Interest Identify a primary point of interest Compose to emphasize most important element

20. Fill the frame tendency to exaggerate viewfinder information –often perceive things bigger than actuality –not to notice 'slight' distractions

21. Fill the frame

22. Move a bit closer look round the edge of the frame and behind your subject eliminate acres of space full of nothing interesting check for intruding “stuff”

23. Simplicity Only the things you want the viewer to see appear in the picture numerous objects cluttering up the background - message lost can’t find an angle or framing to isolate subject –consider using depth of field control to keep the background out of focus

24. Uncomplicated background Be especially aware of what is behind your subject –Forced Visual Relationships –does not compete with your subject –viewfinder to create a frame of reference—like the print’s edge –eliminate distracting backgrounds before you release the shutter

25. Balance Asymmetric or informal balance – considered more pleasing than symmetric (formal) balance placing the main subject off-center –balancing "weight" with other objects smaller or lower impact –more dynamic and interesting composition

26. Balance-Asymmetrical

27. Balance-Symmetrical

28. Juxtaposition Used to create humor, interest and show size relationships Best done with a wide-angle lens

29. Juxtaposition