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Classicism & Classical Music Chapter 15
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Cultural Setting 1750 - 1820 Vienna, capital of the Austrian Empire center of musical activity Renewed interest in Greek & Roman history, philosophy, architecture, etc.
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Descartes “I doubt, therefore I think, therefore I am.”
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Age of Reason/Enlightenment “Some years ago I was struck by the large number of falsehoods that I had accepted as true in my childhood, and by the highly doubtful nature of the whole edifice that I had subsequently based on them. I realized that it was necessary, once in the course of my life, to demolish everything completely and start again right from the foundations if I wanted to establish anything at all in the sciences that was stable and likely to last.” This movement provided the framework for the American and the French revolutions.
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Versailles
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French Revolution Sans-coulottes Tri-color Rejection of titles Citizen - Citizeness
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Napoleon 1769-1821
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Authors Thomas Paine, new America Goethe, German Robert Burns, Scottish Wordsworth, British Sir Walter Scott, Scottish, “Ivanhoe” Jane Austen, British
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Poets At the end of the era - 1820 - some of the greatest, most sensitive poets were writing. Lord Byron Percy Bysshe Shelley John Keats Preparing the way for Romanticism
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Etc. Cassanova “Amazing Grace” by John Newton Marquis de Sade
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Features to listen for in Classical Music Melody: pleasant & tuneful Harmony: backdrop for the melody Rhythm: Regular patterns, steady beat Dynamics: Crescendo & decrescendo Performance: Orchestra larger than Baroque & musicians were part-time Forms: Absolute music, longer works
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Composers Mozart Haydn Boccherini
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Mozart
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Haydn
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Boccherini
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