Download presentation
Presentation is loading. Please wait.
Published byLee Hensley Modified over 9 years ago
1
Impressionism & Modern Art Bakke
2
Impressionism Began w/ Paris School Characteristics: – 1) instead of portraying religious, mythological, and historical themes, painters began to depict modern life of urban middle and lower middle classes – 2) Artists were fascinated with light color and the representation through painting itself of momentary, largely unfocused visual experience whether of social life or of landscapes
3
Impressionism 1875-1905 Scandalous for the time Against the Salon of Paris requirements and rules impressionists were art renegades Napoleon III & Hausmann’s Paris were the the backdrop – Paris café scenes, danse studios, concerts, picnics, boating, lesiure, & still lifes / landscapes
4
Artists of Note Manet Monet Pissaro Renoir Degas
5
Manet’s Olympia 1863
6
Monet’s Water Lillys 1906
7
“L’Avenue Opera De Paris” 1896- Pissaro
8
Renoir -Dance at the Le Moulin Gallette 1876
9
Degas
10
Post Impressionism 1880s onward Form and Structure rather than impression of the moment played the major role A continuation of Impressionism not a reaction to Key figures: Seurat, Cezanne, Van Gogh, and Gauguin
11
Seurat (pointillism) 1884 “Grande Jatte”
12
Cezanne Still-Life’s 1890-94
13
Cezanne – Landscape of Provence
14
Van Gogh Starry Night 1889
15
Gauguin -1892The Seed of the Areoi- Tahiti
16
Cubism 1907 and beyond Braque and Picasso Rejected the idea of a painting as constituting a window onto the real world Saw painting as an autonomous realm of art itself w/ no purpose beyond itself Represented only two dimensions in their painting– flatness of surface Attempted to include at one time on a single surface as many different perspectives, angles, or views of object as possible
17
Braque- La Femme a la Guitarra
18
Picasso – Jolie 1913
19
Picasso – Blue Period 1906-7
20
Guernica 1936
21
Las Meninas (Cubist Version)
22
Las Meninas (Original Velazquez Version)
23
Abstract Art- Post WWI
24
Otto Dix- Portrait of Sylvia Von Harden 1926
25
Joan Miro Blue 3 -1961
26
Blue II
27
Blue explained Blue was a symbol of a world of cosmic dreams, an unconscious state where his mind flowed clearly and without any sort of order. This blue was the color of a surreal night, a night that embodied the only place where dreams could exist in their rawest state, untouched and uncensored by conscious, rational though “The spectacle of the sky overwhelms me. I’m overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge, empty spaces. Empty spaces, empty horizons, empty plains— everything which is bare has always greatly impressed me.”
28
Surrealism Dali- The Great Masturbator 1929
29
Dali- Persistence of Memory 1931
30
Contemporary Art- Jackson Pollock “springs” 1956
31
Pop Art- Andy Warhol -1967
Similar presentations
© 2025 SlidePlayer.com. Inc.
All rights reserved.