1. HISTORY DESIGN VictorianArt Nouveau Early ModernExpressionism Futurism Constructivism Bauhaus Art Deco DadaLate Modern American PunkDigital New Simplicity of

2. -less decorated -type heavy -TOO many fonts -more polished -cartoon-ish -content mostly patriotism and progress VICTORIAN American

3. -less decorated -type heavy -TOO many fonts -more polished -cartoon-ish -content mostly patriotism and progress VICTORIAN American

4. -industrial revolution -political satires -“big head - little body” -More emphasis on text than image VICTORIAN French

5. ART NOUVEAU -Henri Toulouse Lautrec -1st international design style -color! -defined by curves and “floral abstractions”

6. ART NOUVEAU -Henri Toulouse Lautrec -1st international design style -color! -defined by curves and “floral abstractions”

7. ART NOUVEAU -Henri Toulouse Lautrec -1st international design style -color! -defined by curves and “floral abstractions”

8. EARLY MODERN -“Object” posters -BOLD lettering -Simple, central image -Eye-catching colors -Quick message

9. EARLY MODERN -“Object” posters -BOLD lettering -Simple, central image -Eye-catching colors -Quick message

10. EARLY MODERN -“Object” posters -BOLD lettering -Simple, central image -Eye-catching colors -Quick message

11. EARLY MODERN -“Object” posters -BOLD lettering -Simple, central image -Eye-catching colors -Quick message

12. EXPRESSIONISM -Harsh, scratchy lines -Primitive woodcut Style -exposing brutality of war

13. EXPRESSIONISM -Harsh, scratchy lines -Primitive woodcut Style -exposing brutality of war

14. EXPRESSIONISM -Harsh, scratchy lines -Primitive woodcut Style -exposing brutality of war

15. MODERN FUTURISM -type heavy -strong planar composition -type as image -VERY geometric

16. MODERN FUTURISM -type heavy -strong planar composition -type as image -VERY geometric

17. MODERN FUTURISM -type heavy -strong planar composition -type as image -VERY geometric

18. MODERN CONSTRUCTIVIS M -”revolutionary” -Social purpose -geometric but more heavy with type -BOLD bright colors

19. MODERN CONSTRUCTIVIS M -”revolutionary” -Social purpose -geometric but more heavy with type -BOLD bright colors

20. MODERN CONSTRUCTIVIS M -”revolutionary” -Social purpose -geometric but more heavy with type -BOLD bright colors

21. MODERN CONSTRUCTIVIS M -”revolutionary” -Social purpose -geometric but more heavy with type -BOLD bright colors

22. MODERN BAUHAUS -fascinated with type -simplicity -named for a style developed by an art school

23. MODERN BAUHAUS -fascinated with type -simplicity -named for a style developed by an art school

24. ART DECO -Geometric -3-Dimensional -shading -marriage of type and image

25. ART DECO -Geometric -3-Dimensional -shading -marriage of type and image

26. ART DECO -Geometric -3-Dimensional -shading -marriage of type and image

27. ART DECO -Geometric -3-Dimensional -shading -marriage of type and image

28. DADA -mod-podge -encrypted messages to influence -Graphically absurd images

29. DADA -mod-podge -encrypted messages to influence -Graphically absurd images

30. LATE MODERN -image heavy -illustrative -advertising -more organized Paul Rand

31. LATE MODERN Japanese -image heavy -illustrative -advertising -more organized Paul Rand

32. -image heavy -illustrative -advertising -more organized Paul Rand LATE MODERN Polish

33. -image heavy -illustrative -advertising -more organized Paul Rand LATE MODERN Polish

34. -image heavy -illustrative -advertising -more organized Paul Rand LATE MODERN Psychadelic

35. -image heavy -illustrative -advertising -more organized Paul Rand LATE MODERN Psychadelic

36. AMERICAN PUNK -Collage -younger artists -Stylized comic design

37. AMERICAN PUNK -Collage -younger artists -Stylized comic design

38. DIGITAL -controlled chaos -kinetics (movement as part of design)

39. DIGITAL -controlled chaos -kinetics (movement as part of design)

40. DIGITAL -controlled chaos -kinetics (movement as part of design)

41. DIGITAL -controlled chaos -kinetics (movement as part of design)

42. NEW SIMPLICITY -Spatial composition is the focus -utilizing negative space -fewer elements to communicate

43. NEW SIMPLICITY -Spatial composition is the focus -utilizing negative space -fewer elements to communicate