1. Phonetics & Phonology
P. Sebastian

2. Inform my teaching
Knowing the relationship between the written alphabet and phonetics can reveal some important limitations to the “phonics” approach to reading (ghoti). See also limitations of the alphabet on p. 40 of LF text
Knowing voicing, place, and manner of articulation can help to give more specific instructions for more accurate pronunciations.
Understanding physiology of speech production can aid in the understanding of invented spellings that emergent writers produce.

3. Part 1: Orientation

4. Unit objectives Awareness Understanding
Articulation of phonemes in English
International phonetic alphabet through practice with transcription
Understanding
Key terms related to phonetics and phonology
How knowledge of phonetics & phonology can benefit you in the classroom

5. How languages “sound”
English
Other Languages
Asian Languages

6. Why use Sound to communicate?
Advantages
To overcome visual barriers
Distance
360 degree exposure
Multi-tasking (with hands)
Limitations
Easily disrupted
Language variation
Creates noise (is loud)

7. Key terms Phonetics – Study of the sounds that exist in a language
Phonology –Study of the how sounds in a language combine and change in combination
Phoneme – A sound that makes a difference in meaning in a language
Allophone – A variation of a phoneme that does not change meaning (pit/sip)
Minimal Pair – Two words that differ only by a single sound in the same position and that have different meanings (cat/cab)

8. The phoneme
Described by its place and manner of articulation and whether or not it is voiced or voiceless
Phoneme = sound ≠ alphabet letter
Phoneme vs. phone

9. Anatomy of sound production
Compare to p. 56 in EL text
How can it help in the classroom?
/t/ and /d/ (voiced and voiceless)

10. The symbols
See IPA symbols document listed on sebaspan.weebly.com

11. Key terms – Place and Manner of articulation
Stop- Sound produced by completely obstructing the airstream in the oral cavity and then quickly releasing the constriction to allow the air to escape.
Fricative- Sound made by forming a nearly complete obstruction of the airstream so that when air passes through the small passage, turbulent airflow is produced.
Affricate- Sound produced by complete obstruction of the airflow followed by a slight release of the obstruction, allow frication. Combination of a stop and a fricative.
Nasal- Sound produced by making a complete obstruction of the airflow in the oral cavity and lowering the velum to allow air to pass through the nasal cavity.
Liquid- Consonant sound produced by an obstruction of airflow that is less narrow than that of stops or fricatives, but more narrow than that of glides.
Glide- Sound produced with a constriction in the vocal tract that is only slightly more constricted than that of vowels.

12. Practice! Produce the following consonants:
Voiced bilabial nasal
Voiced inter-dental fricative
Voiceless velar stop
Produce the following vowels:
Front low
Back low
Central mid

13. summary
Youtube Guy

14. Tongue twisters Peggy Babcock (p. 69)
What makes tongue twisters so difficult?
Alternating place, manner, and voice
Irregular rhythms and cadence
Rubber baby buggy bumpers
The hardest twister in the world!

15. Part 2: Working with ipa

16. The syllable
Syllable = unit of speech, every utterance contains at least one syllable.
Onset = any consonants that occur before the rhyme within the syllable form the onset
Rhyme = the vowel and any consonants that come after it
Nucleus = vocalic part of the rhyme
Coda = consists of any final consonants in the rhyme
*see p 41 in LF text for diagram*

17. consonants
Described by voicing, place, and manner of articulation

18. vowels Most sonorant, intense, and most audible sounds in speech
Can function as syllable nuclei and consonants around them often depend on them for their audibility (pop)
4 main ways speakers can change the shape of the vocal tract and thus change vowel quality
Raising or lowering the body of the tongue
Advancing or retracting the body of the tongue
Rounding or not rounding the lips
Making these movements with a tense or a lax gesture
See chart on p. 57 of LF text

19. International phonetic alphabet
Attempt at a standardized symbolic representation of sounds in a language
Shows place (top column), manner (left column), and whether the phoneme is voiced or not (shading)
Variations of the IPA exist in different languages (because languages have different sets of phonemes)
Each symbol should represent only one sound
P additional explanation of IPA with word samples

20. Practice with ipa
CELLO
t∫ɛloʊ
Crazy
kɹeIzi

21. Practice with IPA
Choose 1 word from each exercise and transcribe the word into IPA.
Compare your transcriptions with another student

22. More practice with ipa
Write the transcription of the word that the professor reads aloud.

23. Reading ipa
Reading Samples

24. Part 3: The conclusion

25. The schwa and the wedge
Language change towards efficiency
We don’t particularly care what each /ə/ sounds like, and as such, we just make something vaguely in the center of the mouth, sometimes a bit higher2, sometimes a bit lower. A schwa is a vowel that we produce just to have produced a vowel, the vowel we produce so we can move on to a part of the word which is more important to establishing and communicating the identity of the word. We make a /ə/ because we’ve got better things to do than pronounce the middle vowel in “photograph”.

26. phonotactics Description of possible sound combinations in a language
When languages borrow words that violate their phonotactics, the word undergoes transformation to adhere to the rules
Gnostic, knish, etc.
Foreign accents are sometimes derived from violations of phonotactics or enforcing phonotactics of the native language
Sound substitution is when a similar sound is substituted to fulfill a missing sound
Frech who say [ZIS] instead of the English [ðIS]

27. English phonotactic samples
Do not pronounce a word-final/b/ when it occurs after a /m/ as in
Bomb, crumb, lamb, tomb
As opposed to (bombard,crumble, limber, tumble)
Allow up to 3 consonants to start a word
Strength, spleen, spree
As opposed to strgegth, splten, sprkee

28. Orthography and sound correspondence in English
Very little
Did he believe that Caesar could see the people seize the seas?
Fish – Ghoti

29. Phonemes vs. allophones
See transcriptions on p. 109 of LF
Allophones of /t/ = [t], [th], [r], and [?]
Contrastive distribution
Teen/team
Complementary distribution
Allophones of the same phoneme
Aspiration exercise 7 on p. 114 (hand in front of mouth)
Free variation (overlapping distribution)
Existence of allophones that do not change meaning
Exercise 9 p. 115

30. Phonetics and language acquisition
Pronunciation
Make conscious something that you understand subconsciously
An explicit knowledge of phonotactics, for example, can help overcome this barrier
Pronunciation needs to be learned to the point of automaticity because there is very little processing time allowed in the production of various sounds

31. Transcribing speech segments

32. Application with scenarios!
Bernardo is a 2nd grader who recently moved with his family to Caldwell Idaho from Mexico. Bernardo repeatedly adds /ɛ/ to the beginning of words like school, stop, and student.
Use your knowledge of phonetics and phonology to:
1. Identify the problem and explain to the student the nature of the error
2. Brainstorm some activities for the student to engage in to address the error
3. Additionally, what might you say to/do with the class so as to encourage linguistic awareness and to help them be nice to one another?

33. More Scenarios! Scenario 2
Kandra is a 7th grader in your English class. She struggles with standard spelling conventions and appears to even be getting worse. She seems to be a gifted storyteller but sometimes her writing is almost incomprehensible due to spelling and other errors.
Use your knowledge of phonetics and phonology to:
1. Identify the problem and explain to the student the nature of the error
2. Brainstorm some activities for the student to engage in to address the error
3. Additionally, what might you say to/do with the class in general to help Kandra feel more at ease about the errors?