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Harmonica: History, Anatomy and Playing Peter R. Egbert MD Professor of Ophthalmology, Emeritus Department Chair, Emeritus Stanford University
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I have no conflict of interest or financial disclosures for this presentation
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History Many instruments have been called “harmonica” or “mouth organ”, before the advent of the modern harmonica. 3000 BC: Free-reed instruments were used in China and Asia (e.g. the sheng) 1800’s: Modern diatonic harmonicas appeared. – 1821 Christian Buschman pitchpipe converted to instrument. – 1825-26 Richter 20 reeds in 10 holes ”mundharmonika”. – 1857 Matthias Hohner, a clock maker in Trossingen, Germany, began manufacturing harmonicas full time. P Egbe09- 2140
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Hohner Harmonica Company Trossigen, Germany 1862-- first to export to North America 1890-- 1,000,000/year 1907-- 7,000,000 annually; 887,000 reeds from 15 tons of brass each day. – Many different models Today many competitors – Lee Oscar, Seydel, Huang, etc.
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Most popular musical instrument? “The only thing rarer than a person who has never owned a harmonica is a person who does it justice.” “You cannot be everywhere unless you can go everywhere.” – Portable, sturdy “An accordion with soul.” – Draw and blow notes – Breathe and play
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Soul Pocket Full of Soul Grass Valley (CA) showing 2/28 https://www.tugg.com/go/36unaq
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Two main classes of harmonicas 10 hole diatonic – Expressive – Not all notes available – Blues Chromatic – All notes available – Jazz, classical
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Anatomy of a harmonica
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Reed plate and reeds
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Cross section of air chamber and reeds Bahnson HT et al. J Am Soc Acoustics.1998:103(4) 2134 -2144
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Standard tuning
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The 10 hole diatonic harmonica is a transposing instrument with various keys. Note that the chord degrees are the same on all the harmonicas.
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Two main embouchures Tongue block – The lips cover up to 4 holes. – The tongue blocks all but the right hole (see MRI). Pucker or lip block. – The lips cover all but one hole.
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T L OC Tongue block embouchure
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Playing your harmonica 1.Chords 2.Single note 1.Tongue blocking 2.Lip blocking or puckering 3.Slaps and pulls 4.Octaves 5.Vibrato 6.Hand effects 7.Pitch bending
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Standard tuning
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Cross section of air chamber and reeds Bahnson HT et al. J Am Soc Acoustics.1998:103(4) 2134 -2144
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2 hole draw bend Bahnson HT et al. J Am Soc Acoustics.1998:103( 4) 2134 -2144 Blow reed displaceme nt Start on GEnd on about F sharp Draw reed displacement
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Anatomy of the Vocal Tract
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M Tongue E HP SP VF CV Tr NC OC OPh HPh 3 hole draw note, no bend
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10cm 3 hole draw note, minor third bend
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MRI Harmonica study group Thomas Rossing, Professor of Music,CCRMA David Barrett, Professional Harmonicaplayer and teacher. Bluesharmonica.com Lewis Shin MD, Alex Holbrook PhD,Stanford Dept. of Radiology
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