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COLOR SCHEMES & PSYCHOLOGY

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Presentation on theme: "COLOR SCHEMES & PSYCHOLOGY"— Presentation transcript:

1 COLOR SCHEMES & PSYCHOLOGY
Unit 4 COLOR SCHEMES & PSYCHOLOGY

2 History of Color in Art Baroque Period (17th century)
Review- Quiz 3 History of Color in Art Baroque Period (17th century) Natural color palette with no bright colors Impressionism (19th century) Brighter more vivid colors used to capture emotion Post-Modernism (20th century) Contemporary artists push the limits of color use Art Major II

3 Color Scheme: Monochromatic
Review- Quiz 3 Color Scheme: Monochromatic One hue with its tints, shades, and tones Example- Blue with tints, shades, and tones Art Major II

4 Color Scheme: Analogous
Colors next to one- another on the color wheel (usually either warm or cool colors) Example: Red, red-orange, orange, yellow-orange

5 Color Scheme: Complementary
Opposites on the Color Wheel Examples: Red & Green Red-Orange & Blue- Green Create contrast when placed in a composition next to one another

6 Color Scheme: Triadic Formed by three equally spaced colors on the wheel Example: Red-orange, yellow- green, blue-violet

7 Color Scheme: Split-Complementary
Uses a base color, and the two colors adjacent to its complement Example: Red-orange, green, blue

8 Review- Quiz 3 Color Scheme: Neutral Black, white, shades of gray, and sometimes brown Brown can be created by mixing two complimentary colors Can be considered earthy Art Major II

9 Color Psychology Definition:
Review- Quiz 3 Color Psychology Definition: Scientific study of how color effects one’s mood Warm Colors: Appear inviting Cool Colors: Appear to recede Art Major II

10 Color Psychology RED ORANGE

11 Color Psychology YELLOW GREEN

12 Color Psychology BLUE VIOLET

13 Color Psychology: NEUTRALS
Review- Quiz 3 Color Psychology: NEUTRALS WHITE Clean, innocent, pure, holy BLACK Darkness, death, mourning, despair, questionable character GRAY Neutral, unnoticed, somber, practical BROWN Earthy, dirty, crude Art Major II

14 COLOR & IMITATIONALISM
Unit 5 COLOR & IMITATIONALISM

15 Color Medium- Colored Pencils
Painting Concepts Color Medium- Colored Pencils What is it? Tubes of wood with an inner core of clay. Instead of graphite, a dye coloring agent is used. Used to create detailed drawings that require precision; good for fine detail, implied texture, linear perspective, etc.

16 Color Medium- Colored Pencils
Painting Concepts Color Medium- Colored Pencils Techniques Layering- creating depth and new colors by applying undertones first Burnishing- applying heavy layers of pencil until the tooth of the paper is completely filled in and the colors look blended together (use colorless wax blender or white)

17 Color Medium- Acrylic Paint
Painting Concepts Color Medium- Acrylic Paint What is it? Fast-drying paint containing pigment suspension in acrylic polymer emulsion. Water soluble, but become water-resistant when dry. Wide range of viscosities (thick, medium, thin body) Can resemble other types of paint, or have its own characteristics

18 Color Medium- Acrylic Paint
Painting Concepts Color Medium- Acrylic Paint Acrylic Surfaces Canvas is the best to use Avoid surfaces with oil or wax (paints won’t adhere); avoid surfaces that may warp due to the moisture Gel Media Used to broaden the technical capabilities and results of acrylic paints. Can alter consistency/thickness, reduce gloss, adhere things to the canvas, etc.

19 Color Medium- Watercolors
Painting Concepts Color Medium- Watercolors What is it? Water soluble paint packaged in tubes or dry to semi-moist cakes Semi-Permanent Pros: Easy clean-up, low odor, accessible / cheap, non-toxic

20 Color Medium- Watercolors
Painting Concepts Color Medium- Watercolors Techniques Masking- block out areas of the paper with frisket, thereby retaining the white of the paper Wash- filling in the background by wetting the paper and then painting

21 Color Medium- Watercolors
Painting Concepts Color Medium- Watercolors Techniques Glazing- layering colors on top of one-another to build up depth and modify color; bottom layers must be dry before glazing Underpainting- using Paynes Gray to add shadows, then glazing over that layer with color

22 Unit 6 PORTRAITURE

23 Quiz #2- Review Portraits Portrait- a likeness of a person, especially of the face, as a painting, drawing, or photograph. Usually depicts the person from the shoulders-up 3 Main Views: Drawing

24 History of Portraiture
Quiz #2- Review History of Portraiture Ancient Times – Renaissance Period Idealized or religious portraits Renaissance Period – Baroque Period More realistic; captured moments in one’s life Drawing

25 History of Portraiture
Quiz #2- Review History of Portraiture Baroque Period - Flemish and German masters like Van Dyke developed the three-quarter and frontal portrait types Baroque Period – 20th Century Self-portraiture became popularized by Rembrandt, who created 80+ self-portraits throughout his life; Artists like Van Gogh followed Drawing

26 Notable Portrait Artists
Quiz #2- Review Notable Portrait Artists Anthony van Dyck Rembrandt Thomas Sully Vincent Van Gogh Mary Cassatt Alice Bailly Rene Magritte Andy Warhol Chuck Close Drawing

27 Quiz #2- Review Facial Proportions Drawing

28 Unit 7- Drawing the Human Form: Portraits
Rendering a Portrait Consider your light source. The bone structure of the face reflects light (cheek bones, nose, chin), leaving shadows in the eye sockets, nostrils, under the lower lip, and on the neck. Faces are rounded forms with smooth textures. Therefore, you should render with transitional value shading if you are going for realism

29 Figure Proportions The height of an adult is approx. 7.5 heads high
Mass is represented with: Trapezoids in front views: Ovals in side or ¾ views:

30 Figure Drawing Techniques
Review- Quiz 3 Figure Drawing Techniques Spine-Mannequin Technique Helps the artist maintain accurate scale and proportion by plotting points and adding form Gesture Drawing Using quick motions to capture the essence of the figure’s pose Art Major II


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