1. Chapter 17 Part 3: Classical themes and forms, illusionism and Leonardo.

2. Classical freestanding sculpture Donatello’s David (1440) Michelangelo’s David (1501-1504) Mythological themes Sandro Botticelli, Primavera, Birth of Venus (1480). Illusionism: Studiolo of Federigo da Montefeltro, Urbino (1476) Mantegna’s Camera Picta, Mantua, 1465-74 Leonardo da Vinci Sfumato, psychological portrayal

3. Donatello, David, 1440Praxiteles, 4 th cent. BCE

4. Donatello, David, 1440 First freestanding male nude since antiquity. Classical influence: contrapposto pose, feminine features, eroticism.

5. Michelangelo, David, 1501- 1504 Polyclitus, 5 th cent. BCE

6. Michelangelo, David, 1501- 1504 Classical influence: contrapposto pose, anatomical study but different proportions (hands, head). Symbol of victory over tyranny. Terribilità, virtù.

7. Sandro Botticelli, Birth of Venus (1480).

8. Iconography of the baptism of Christ (Ghirlandaio, 1490)

9. Sandro Botticelli, Primavera (1480).

10. Botticelli Iconography of the Virgin Mary surrounded by saints

11. Sandro Botticelli, Venus and Mars, 1483.

12. Boticcelli Barberini Faun, 3 rd cent. BCE

13. Studiolo of Federigo da Montefeltro, Urbino (1476)

14. Mantegna, Camera Picta, Mantua, 1465-74

15. Identify the discipline Leonardo did not study: Anatomy Physiology Physics Mechanics Music Mathematics Flora/ fauna Geology Astronomy Painting and drawing

16. Mona Lisa, 1503-1505 Psychological portrayal: ambiguity. Sfumato: haze, smoke Aerial/ atmospheric perspective “That painting is the most to be praised which agrees most exactly with the thing imitated.”

17. LeonardoBotticelli

18. Last Supper, 1485-1498