1. Creating Sensory Images Developed by Kathy Francescani, Jodi Snyder and Carole Taylor Literacy Coaches

2. What is Visualization?

3. “My dad always says I’m daydreaming, but that’s not the right word. I’m making mental images and connecting them together. I’m not daydreaming, I tell him, I’m thinking.” -Cory

4. “If I can’t picture it, I can’t understand it.” ---Albert Einstein

5. Visualizing happens when… Readers create images from their schema and the text Readers create images to form unique interpretations Readers clarify thinking, draw conclusions, and enhance understanding Readers make connections to the reading through use of the senses (seeing, hearing, touching…)

6. When you visualize narrative text, you use sensory images like sounds, physical sensations, smells, touch, and emotions described in the story to help you picture the story.

7. Visualizing heightens motivation and enjoyment of reading.

8. Visualizing improves comprehension of narrative and expository text.

9. Try to imagine a setting…. Egypt

10. Picture this setting: China What do you see? Think about it!

13. “The barn was very large. It was very old. It smelled of hay… It smelled of the perspiration of tired horses and the wonderful sweet breath of patient cows… It smelled of grain and of harness dressing... It was full of all sorts of things you find in barns: ladders, grindstones, pitch forks... lawn mowers, snow shovels, ax handles, milk pails, water buckets, empty grain sacks, and nasty rat traps...” E.B. White

14. Details Will Start Sketchy Press students for greater elaboration. What color is the barn? How old do you think it is? Have you ever seen a barn? Have you ever been in a barn? What feelings do you have about the barn??

15. Sensory Images

17. Strategy Instruction during the Literacy Block Demonstration ………………… I do, you watch Guided practice ………………… I do, you help Independent practice ……………… You do, I help Application ……………………………… You do, I watch

18. The Gradual Release of Responsibility Model Teaching PhaseTeacher BehaviorLearner Behavior Demonstration Initiates Models Explains Thinks Aloud Show “how to do it” Listens Observes May participate on a limited basis Guided Practice Demonstrates Leads Suggests Explains Responds Acknowledges Listens Interacts Questions Collaborates Responds Tries out Approximates Participates

19. The Gradual Release of Responsibility Model The Teacher Hands Over Responsibility Teaching PhaseLearner BehaviorTeacher Behavior Independent Practice Applies learning Takes charge Practices Problem solves Approximates Self-corrects Scaffolds Validates Teaches as needed Evaluates Observes, encourages Clarifies, confirms, coaches Application Initiates Self-monitors Self-directs Applies learning Problem solves Confirms Self-evaluates Affirms Assists as needed Responds Acknowledges Evaluates Sets goals

21. Think Aloud Leon's Story By Leon Walter Tillag e

22. Think Aloud Honey, I Love by Eloise Greenfield I love I love a lot of things, a whole lot of things. Like. My cousin comes to visit and you know he’s from the South ‘cause every word he says Just kind of slides out of his mouth I like the way he whistles And I like the way he walks But honey, let me tell you that I Love the way he talks

23. Model Your Thoughts…Then Ask… What words in the text helped you form that picture? How did your background knowledge add to the details of this mental picture? How have the sensory images changed as you read the story? Does creating images help you remember the story? Can you explain to the group how seeing the facts in your mind helps you decide what information is the most important to remember?

24. Mentor Texts

27. My name is India Opal Buloni, and last summer my daddy, the preacher, sent me to the store for a box of macaroni-and-cheese, some white rice, and two tomatoes and I came back with a dog. This is what happened: I walked into the produce section of the Winn-Dixie grocery store to pick out my two tomatoes and I almost bumped right into the store manager. He was standing there all red-faced, screaming and waving his arms around. "Who let a dog in here?" he kept on shouting. "Who let a dirty dog in here?" At first, I didn't see a dog. There were just a lot of vegetables rolling around on the floor, tomatoes and onions and green peppers. And there was what seemed like a whole army of Winn-Dixie employees running around waving their arms just the same way the store manager was waving his.

28. The manager screamed, "Somebody grab that dog!" And then the dog came running around the corner. He was a big dog. And ugly. And he looked like he was having a real good time. His tongue was hanging out and he was wagging his tail. He skidded to a stop and smiled right at me. I had never before in my life seen a dog smile, but that is what he did. He pulled back his lips and showed me all his teeth. Then he wagged his tail so hard that he knocked some oranges off a display, and they went rolling everywhere, mixing in with the tomatoes and onions and green peppers. The dog went running over to the manager, wagging his tail and smiling. He stood up on his hind legs. You could tell that all he wanted to do was get face to face with the manager and thank him for the good time he was having in the produce department, but

29. somehow he ended up knocking the manager over. And the manager must have been having a bad day, because lying there on the floor, right in front of everybody, he started to cry. The dog leaned over him, real concerned, and licked his face. "Please," said the manager. "Somebody call the pound." "Wait a minute!" I hollered. "That's my dog. Don't call the pound." All the Winn-Dixie employees turned around and looked at me, and I knew I had done something big. And maybe stupid, too. But I couldn't help it. I couldn't let that dog go to the pound. "Here, boy," I said.

30. The dog stopped licking the manager's face and put his ears up in the air and looked at me, like he was trying to remember where he knew me from. "Here, boy," I said again. And then I figured that the dog was probably just like everybody else in the world, that he would want to get called by a name, only I didn't know what his name was, so I just said the first thing that came into my head. I said, "Here, Winn-Dixie." And that dog came trotting over to me just like he had been doing it his whole life. The manager sat up and gave me a hard stare, like maybe I was making fun of him. "It's his name," I said. "Honest." The manager said, "Don't you know not to bring a dog into a grocery store?"

31. Yes sir," I told him. "He got in by mistake. I'm sorry. It won't happen again." "Come on, Winn-Dixie," I said to the dog. I started walking and he followed along behind me as I went out of the produce department and down the cereal aisle and past all the cashiers and out the door. Once we were safe outside, I checked him over real careful and he didn't look that good. He was big, but skinny; you could see his ribs. And there were bald patches all over him, places where he didn't have any fur at all. Mostly, he looked like a big piece of old brown carpet that had been left out in the rain. You're a mess," I told him. "I bet you don't belong to anybody." "He smiled at me. He did that thing again, where he

32. pulled back his lips and showed me his teeth. He smiled so big that it made him sneeze. It was like he was saying, "I know I'm a mess. Isn't it funny?" It's hard not to immediately fall in love with a dog who has a good sense of humor. "Come on," I told him. "Let's see what the preacher has to say about you." And the two of us, me and Winn-Dixie, started walking home. End of Excerpt from: Because of Winn Dixie By Kate DiCamillo

36. Conferencing Guidelines from the MPIR When you were reading this story (text) did you make pictures or images in your mind? Tell me everything you can about the image in your mind while you were reading just now. What is in your image that is not in the words or pictures in the book? Can you think of another book where you Tell me everything you can about that picture or image. We have just discussed (talked about) the images you make in your mind while you read. Do those images help you to understand the story (text) better? How do images help you understand more about what you read? What would you tell another reader if he/she were trying to learn how to make images help them understand what they read?

38. Mentor Texts (with AR Book Levels) Little Mouse’s Painting, Diane Wolkstein-3.0 Twilight Comes Twice, Ralph Fletcher-3.5 Lotus Seed, Sherry Garland-4.0 The Seashore Book, Charlotte Zolotow-3.8 Newf, Marie Killilea-4.3 Baby Whales Journey, Jonathon London-3.5 The Trip, Ezra Keats-1.6 The Condor’s Egg, Jonathon London-3.2 Owl Moon, Jane Yolen-3.2 Dream Weaver, Jonathon London-2.4 Seven Blind Mice, Ed Young-1.9 Hurricane, David Weisner-3.1 Sheep in a Jeep, Nancy Shaw-1.0 All I See, Cynthia Rylant-3.9 The Storm, W. Nikola-Lisa-4.8 At the Edge of the Forest, Jonathon London-2.9 Chato’s Kitchen, Gary Soto-3.6 Like Butter on Pancakes, Jonathon London-2.5 Abuela, Arthur Dorros-2.5 Grandpa’s Face, Eloise Greenfield-3.5 Fireflies, Julie Brinklow-3.2 A Lucky Thing, Alice Schertle-4.2 Grandfather Twilight, Barbara Berger-2.0 How Many Days to America, Eve Bunting-3.1 Barn Dance, Bill Martin-3.4 Painted Words/Spoken Memories, Aliki-3.5 The Ghost-Eye Tree, Bill Martin-2.3 The Sailor Dog, Margaret Wise Brown-3.3

39. Resources Reading with Meaning, Debbie Diller Teaching Text Comprehension, Harcourt Strategies That Work, Stephanie Harvey and Anne Goudvis Mosaic of Thought, Ellin Keene To Understand: New Horizons in Reading Comprehension, Ellin Keene