Download presentation
Presentation is loading. Please wait.
Published byLinette Young Modified over 9 years ago
1
Middle Eastern art VISUAL LITERACY COMM-105-005 Ana Santos, Chevelle Reppert, Philip Scranage, Andrew Richards
2
1300 1922 Nomadic Osman tribe brings down Christian Byzantine empire 1402 Orhan Osman captures Bursa War with Venice 14881566 Domination of Southeastern Europe and Middle East Decline of Ottoman empire World War I 1807 Economic Difficulty: Sea travel allows British and Dutch to avoid trade routes through Middle East Population growth Napoleon takes Egypt Centralization Process (postal roads, etc)
3
Geography The Ottoman empire was focused around Anatolia (Turkey). At its largest, the Ottoman family controlled the vast majority of the center of the known world.
4
ART AND ARCHITECTURE ArabesqueArabesque art motif characterized by repeating geometric forms and fancifully combined patterns; look like plants and animalsart motif characterized by repeating geometric forms and fancifully combined patterns; look like plants and animals Drew inspiration from religion, are not allowed to draw human shapes or representationsDrew inspiration from religion, are not allowed to draw human shapes or representations Style developed from Roman, Early Christian, and Byzantine artStyle developed from Roman, Early Christian, and Byzantine art symbolize the infinite nature of the creation of the one God (Allah)symbolize the infinite nature of the creation of the one God (Allah)
5
ART AND ARCHITECTURE MosquesMosques most characteristic monuments of Ottoman architecture Style also appears in Topkapı Saray, the huge palace complex in IstanbulStyle also appears in Topkapı Saray, the huge palace complex in Istanbul Hagia SofiaHagia Sofia
6
ART AND ARCHITECTURE
7
CLOTHING Simple patternsSimple patterns High quality cloth, linen and high-end woolHigh quality cloth, linen and high-end wool Full-coverageFull-coverage Caftans of lighter weight materials were worn closer to the body, with the heavier fabrics being the outer layersCaftans of lighter weight materials were worn closer to the body, with the heavier fabrics being the outer layers Apart from the quality and cost of the fabrics, there was little difference in the styles or articles of dress between rich and poor, nor between those of Muslims and non-MuslimsApart from the quality and cost of the fabrics, there was little difference in the styles or articles of dress between rich and poor, nor between those of Muslims and non-Muslims
8
CLOTHING Men wore an enormous white turban wrapped over a red cap with a high crown that projected above the turban. Blue and black caps are also sometimes seen in period illustrations.Men wore an enormous white turban wrapped over a red cap with a high crown that projected above the turban. Blue and black caps are also sometimes seen in period illustrations. At no time would a woman ever have appeared in public without her head coveredAt no time would a woman ever have appeared in public without her head covered
9
CLOTHING Caskir (Underpants) and Gonlek (undershirt) (both); light fabricCaskir (Underpants) and Gonlek (undershirt) (both); light fabric Sirwal (Punjabi pants) (both); silkSirwal (Punjabi pants) (both); silk Hirka/Dolama (Jacket) (women); silkHirka/Dolama (Jacket) (women); silk Kaftan (Coat) (both); medium or heavy fabric; all natural fibers except cottonKaftan (Coat) (both); medium or heavy fabric; all natural fibers except cotton Surkaftan (overcoat) (men); silkSurkaftan (overcoat) (men); silk
10
CLOTHING Caskir (Underpants) and Gonlek (undershirt) (both); light fabricCaskir (Underpants) and Gonlek (undershirt) (both); light fabric Sirwal (Punjabi pants) (both); silkSirwal (Punjabi pants) (both); silk Hirka/Dolama (Jacket) (women); silkHirka/Dolama (Jacket) (women); silk Kaftan (Coat) (both); medium or heavy fabric; all natural fibers except cottonKaftan (Coat) (both); medium or heavy fabric; all natural fibers except cotton Surkaftan (overcoat) (men); silkSurkaftan (overcoat) (men); silk
11
CLOTHING Caskir (Underpants) and Gonlek (undershirt) (both); light fabricCaskir (Underpants) and Gonlek (undershirt) (both); light fabric Sirwal (Punjabi pants) (both); silkSirwal (Punjabi pants) (both); silk Hirka/Dolama (Jacket) (women); silkHirka/Dolama (Jacket) (women); silk Kaftan (Coat) (both); medium or heavy fabric; all natural fibers except cottonKaftan (Coat) (both); medium or heavy fabric; all natural fibers except cotton Surkaftan (overcoat) (men); silkSurkaftan (overcoat) (men); silk
12
CLOTHING
13
DESIGN PRINCIPLES Miniatures in book illustrationsMiniatures in book illustrations proportion proportion Calligraphy as artCalligraphy as art line line
14
Design principles RepetitionRepetition pattern pattern Natural shapesNatural shapes Lots of flowersLots of flowers Geometric shapesGeometric shapes DomesDomes
15
Design principles Colors Colors Main colors: blue, red, yellow, greenMain colors: blue, red, yellow, green
16
MODERN DAY REFERENCES
17
WORKS CITED http://www.metmuseum.org/toah/hd/otto1/hd_otto 1.htmhttp://www.metmuseum.org/toah/hd/otto1/hd_otto 1.htmhttp://www.metmuseum.org/toah/hd/otto1/hd_otto 1.htmhttp://www.metmuseum.org/toah/hd/otto1/hd_otto 1.htm http://www.theottomans.org/english/art_culture/arc_ turkey.asphttp://www.theottomans.org/english/art_culture/arc_ turkey.asp http://www.scribd.com/doc/2900/Overview-of- Ottoman-Clothing-in-SCA-Periodhttp://www.scribd.com/doc/2900/Overview-of- Ottoman-Clothing-in-SCA-Period
Similar presentations
© 2025 SlidePlayer.com. Inc.
All rights reserved.