1. Supervisor : Mikael Fernstrom

2.  Story Telling  Script writing  Visual Effects - Practical / Digital / Optical  Foley Sound  Problem Solving  Visuals Enhancing the Story Telling

3.  Adobe Premier Pro Video and sound Editing  Adobe After Effects  Adobe Photoshop  Blender 3d Animation and modelling

4.  Camera : Sony SLT A57 + various lenses Canon 5D mark 2 + various lenses 1080x1920 output Good Dynamic Range and colour depth  Dolly Track  DSLR Steadicam  External sound recording

5.  Effects that are achievable  Rotoscoping / technique of manually creating a matte for an element on a live-action plate so it may be composited over another background.  Match Moving / insertion of computer graphics into live- action footage with correct position, scale, orientation, and motion relative to the photographed objects in the shot.  Matte Paintings  Foreground Miniatures / Scale models are often combined with high speed photography or matte shots to make gravitational and other effects appear convincing to the viewer  Blue and green screen Compositions / post- production technique for compositing (layering) two images or video streams together based on colour hues (chroma range)

6.  Miniature compositions With Moving Camera ?  Requires high frame rate Camera !!  Motion Control Build a small 6 axis motion Control camera rig(Audrino)

8.  November– Finished script and final shot list.  December – Filming the live action segment Miniature Creation ?  January to March in post production. Foley Sound /Visual Effects compositions.  Upon completion of the project I should have a successful knowledge of combining live action elements with digital/practical effects to work seamlessly.

9.  Mark, S (2007) Filming the Fantastic: A Guide to Visual Effects Cinematography, 1 st ed.  Andy, F ( 2010) Designing sound, MIT Press release  Stu, M (2007) The Dv rebels Guide, 1 st ed