1. Digital Printing [an overview]

2. Giclée vs. Archival Inkjet “Giclée” is French for “to spray” Both are fine art terms used interchangeably Giclée prints usually on watercolor paper or canvas; Archival inkjet prints usually photos on luster paper.

3. Archival Quality… Begins with a high quality digital file that has been color worked and profiled for the intended output. Is printed using state-of-the-art inkjet printers which have been calibrated in a closed-loop color management system. Is printed with archival pigmented inks, specifically formulated for the substrate. Is printed on an archival watercolor paper or canvas or other material that will not degrade with time. Is printed by someone who has demonstrated thorough understanding of color theory and imaging.

4. Color management system Camera or scanner (input medium) Monitor Software for editing/viewing Printer

5. Camera or scanner White balance Focus Resolution: highest recommended File format: JPG vs. RAW

6. Monitor Environmental conditions (light, color) Calibration

7. Software for editing/viewing Photoshop recommended Color space considerations Resolution (300ppi recommended) RAW format editing considerations TIF recommended for printing (no JPG!)

8. Printer Each printer has a unique color profile Each paper has a unique color profile due to: Paper color Absorbancy Select the correct profile when printing

9. Alternative Print Implications Cannot determine accurate color profile for many surface materials Need to consider color of material, including texture Preview results by compositing in Photoshop? Need to consider absorbency of material, decide whether it is closer to a “velvet” or “luster” finish