1. Intro to Copyright II: More on Formalities, Fixation, Idea- Expression, Merger Intro to IP – Prof Merges 2.7.12

2. Agenda Finish Idea/Expression Dichotomy On to formalities  merger/17 USC 102(b)

3. Seng-Tiong Ho v. Taflove, 648 F.3d 489 (7 th Cir. 2011)

5. Under the merger doctrine, when “there is only one feasible way of expressing an idea, so that if the expression were copyrightable it would mean that the idea was copyrightable,” the expression is not protected. Bucklew v. Hawkins, Ash, Baptie & Co., LLP, 329 F.3d 923, 928 (7th Cir.2003).

6. The copyright of a work on mathematical science cannot give to the author an exclusive right to the methods of operation which he propounds, or to the diagrams which he employs to explain them, so as to prevent an engineer from using them whenever occasion requires. The very object of publishing a book on science or the useful arts is to communicate to the world the useful knowledge which it contains. But this object would be frustrated if the knowledge could not be used without incurring the guilt of piracy of the book. – 648 F.3d at 498

7. [T]he “arrangement, expression and manner of presentation” of the mathematical data could be protected by copyright, even if the equations and formulae themselves were in the public domain. Id. Specifically, we commented on the coloring, wording and location of titles and type of shading used by the parties. [Citing Flick–Reedy Corp. v. Hydro–Line Manufacturing Co., 351 F.2d 546, 548 (7th Cir.1965)]

8. Tufte Dagram

9. Limiting doctrines Formalities Originality (subject matter) True limitation on original work whose author has complied with formalities: Idea- Expression dichotomy

10. Baker v. Selden What exactly was copyrighted here? What did the copyright owner seek to achieve by the suit?

12. Section 102(b) 17 USC Sec. 102(b): In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.

13. Section 102(b) 17 USC Sec. 102(b): In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.

14. Section 102(b) 17 USC Sec. 102(b): In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.

15. Pam Samuelson: The Story Behind Baker v Selden, on SSRN.com

16. Fixation “It makes no difference what the form, manner, or medium of fixation may be... Sculptural, punched, magnetic, or any other stable form... whether it is capable of perception directly or by means of any machine or device...”

17. Live Broadcasts Originality – Photography, video – “Authorship” of real-life images Fixation

18. White-Smith v. Apollo (1908) “They are not intended to be read as an ordinary piece of sheet music …. [W]e cannot think that they are copies within the meaning of the copyright act.” – 209 US at 18.

20. Fixation issues Simultaneous recording and broadcast “Authorized” fixation only... (bootleg recording cases) State law (preemption) – Hemingway case Original work and copy must merge through fixation  copyrightable subject matter

21. “Copies” and “phonorecords” Physical objects In which copyrighted works are embodied – The work starts with a physical instantiation; but is conceptually distinct from the instantiation – Property is not tied to/limited to the physical object

22. Transitory duration Cartoon Network LP, LLLP v. CSC Holdings, Inc., 536 F.3d 121, 127-30 (2d Cir. 2008): data that resides in a buffer for no more than 1.2 seconds before being automatically overwritten is merely of transitory duration and hence does not constitute a ‘‘copy’’ for copyright purposes.

23. Formalities Notice Publication Registration Deposit

24. Three primary eras 1909 Act 1976 Act (effective Jan. 1, 1978) 1989 Berne Implementation Act (effective March 1, 1989)

25. What is the “Berne Convention”?

26. Victor Hugo

27. Continental tradition Droit d’auteur – vs. “copyright” (Anglo- American tradition) Declaration of the Rights of Man (1791); moral rights

28. World Intellectual Property Organization: WIPO

29. Notice Historically: required Today (post-Berne Act, March 1, 1989): Encouraged (see section 401(d))

30. Publication No longer quite as important as under 1909 and pre-1989 1976 Act

31. Deposit Still required for US works

32. Formalities: Publication and Notice 1/1/78: Relevant to works created and “published” in the U.S. before 1978 Distinguish general publication from limited publication

33. Divesting v. Investing Publication Publication cut off state (common law) protection; publication without notice forfeited federal rights. Therefore courts were loath to find “divesting” publication Not so when notice given; “investing”publication

34. If general publication occurred, ask: Was there strict compliance with 1909 Act notice rules? If no, the work is in the public domain. If limited publication (or no publication) occurred, ask: Was the work registered anyway (for certain kinds of works)? If it was, still copyrighted. Formalities: Publication and Notice

35. For works fixed after 1/1/78, or fixed before 1/1/78 but not published or registered before 1/1/78, ask: Was the work disclosed to the public before 3/1/89? If no, copyright applies If yes, ask: Was notice included? If no, copyright applies if limited publication occurred; work is in the public domain if general publication without notice occurred.

36. Estate of Martin Luther King, Jr. v. CBS (11 th Cir. 1999)

37. Careful attention to the work Rev. King case: Spoken words? Audio recording? Video recording? Text of speech?

38. King case holding Public broadcast of speech did not amount to “general publication” No “divesting publication without notice” So the speech may still be copyrighted

39. Categories of Works Literary Works –Has nothing to do with literary merit (if novel is good or bad) © Protects: Plot, Structure & Organization – Computer Software included under literary works

40. Musical Works – Two Forms: (1) Sheet music, lyrics, musical compilation (2) Sound Recording/ Musical Composition: of the composition

41. Dramatic Works – Plays, pantomimes & choreographed work (the score is copyrightable) Pictorial, graphic, sculpture Audio Visual Works and Motion Pictures (Soundtrack is included in Motion Picture)

42. Architectural Works -- Eg, Rock & Roll Museum in Cleveland. a. Limited rights: reproduction as a building b. Can have copyright for architectural elements

43. Recordings could be published … And not the written speech Result: Preserves copyright – > Copyright not divested under 1909 Act

44. Formalities: Notice For works fixed after 3/1/89, notice no longer required; publication status irrelevant to existence of copyright protection. Notice still brings benefits (eliminates “innocent infringer” defense w/regard to damages) § 405(b)

45. Acquiring, Keeping and Transferring Copyright Formalities: Registration Pre-1/1/78, registration was optional for initial copyright protection, but required as a condition of filing an infringement suit, and for renewal Post-1/1/78, registration is optional, but U.S. works must be registered as a condition of suit, under § 411

46. Formalities: Registration Post-1/1/78, benefits of registration: Evidentiary benefits (registration must be w/in 5 years of first publication) § 410

47. Registration (cont’d) Expanded remedial options-- statutory damages and attorneys’ fees (registration effected prior to infringement commencing or within 3 months of publication, for newly published works) § 412

48. Formalities: Deposit Two copies of published works (§ 407) One copy of unpublished works Special rules for certain kinds of works (nb. computer programs) 37 CFR § 202.20

49. Formalities: Restoration Applies to Berne and WTO members. § 104A Relevant to lost U.S. copyright protection lost due to failure to comply with U.S. formalities. Work must still be subject to protection in its country of origin If notice rules complied with, then restored protection applies (for most countries) as of 1/1/96 Provisions for “reliance” parties

50. Morrissey v. P&G What was copyrighted?

54. Morrissey What would be the effect of upholding the copyright?

55. Merger doctrine Why worry about merger if there is independent creation defense?