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The Generation X Blues Chpt. 18 MUSH 261: History of Rock and Roll
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The New Generation Generation X Found little stability in families Baby boomers divorced in the 70’s leaving may post-baby-boomers in single-family households Turbulent families caused frustration, pain and fear Abuse in the home
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Violence Few economic prospects and painful/brutal home life cause youth to become violent Youth witnessed violent actions daily on tv
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Gun Violence In 1990 more than 4% of all high school students surveyed, carried a gun Semiautomatic 9- millimeter Used the guns they carried Urban gangs Drawn to a loud aggressive, angry music Notions of Reagan-era fueled affluence
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The Hardcore Generation Rock and Roll reflected the alienation of the post-baby-boom generation Hardcore: desperate, angry and extreme version of punk Began in the late 1970’s in Hollywood
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X Hyperactive roar of English punk lyrics describing a society degenerated beyond repair 1980 debut album, Los Angeles, released by Slash Records “Nausea” “Sex & Dying in High Society”
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The Germs Much darker sound Ceremoniously burned themselves with cigarettes One member, Crash, symbolically committed suicide as a tribute to his hero Sid Vicious “We Must Bleed”
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Dressed For War Young middle-class male suburbanites fueled the hardcore explosion Shaved their heads – avoid hair pulling in mosh pits mosh pits Tattoos of band names and logos Pierced various parts of their body T-shirts, worn jeans, combat boots, leather jackets with studs
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Black Flag Suburbanites/middle class Songs about personal dysfunction “Depression” “Life of Pain”
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The Dead Kennedys Embraced British punk Lyrics that lambasted U.S. imperialism, the Moral Majority and the creeping facism among some hardcore youths, who began to wear Nazi armbands “Let’s Lynch the Landlord” “Kill the Poor”
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The Dils Political version of Punk 2 hard hitting singles “I Hate the Rich” “Class War”
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Thrash Metal Originated with the New Wave of British Heavy Metal (NWBHM) Poor British youths with no apparent future formed bands to express their frustration through a violent, explosive sound
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Diamond Head Black Sabbath combined with Robert Plant and John Bonham of Led Zepplin Had their own label: Happy Face “Lightning to the Nations”
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Other Thrash Metal Groups Modeled on blues-based style Delivered harsh-sounding, fist-pumping music Saxon Venom Angel Witch
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Heavy Metal Promotion Neil kay: Disc Jockey – Promoted the albums of struggling bands like Iron Maiden, at this Heavy Metal Club, Landon’s Soundhouse Kerrang: Heavy-Metal Magazine – Created underground metal fans and spread the word Fanzines
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AC/DC Blues powered Australian band Struggled during the mid 1970’s NWBHM gave exposure and they hit the British top 10 and US top 20 with “Highway to Hell”
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Metallica Combined the different elements of the NWBHM to create a new genre called “thrash” or “speed metal” Swept across Britain & US during the mid 80’s Instead of going “Please like us” we were like…. “AHHHHHH!! F*** You!” They were doing something new “a marvel of precisely channeled aggression”
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Metallica
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Signed with Metal Underground before being snagged by Megaforce in New York Recorded Kill Em All, originally titled Metal Up Your Ass Ride the Lightning - death and dying Ride the Lightning - death and dying Master of Puppets – manipulation Master of Puppets – manipulation And Justice for All – American dream doesn’t work out And Justice for All – American dream doesn’t work out Metallica – sold 9 million copies
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Death Metal Violent, slasher-type lyrics Nearly incomprehensible growls Abrupt tempo Key & time signature changes Started in Florida with a band called Death
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Death Started in 1983 Scream Bloody Gore – 1987 Leprosy – 1988 Leprosy – 1988 Human - a more toned down album which brought greater followers and MTV airplay Philosophy – 1995 – Title song received exposure on the TV Show Beavis & Butthead Beavis & Butthead
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Cannibal Corpse Began in Buffalo New York Most vividly violent, gory lyrics imaginable Received their big break in 1994 by being featured on the soundtrack for the film Ace Ventura: Pet Detective
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Grindcore Guttural growls of death metal Combined with speed of thrash Add the energy of hardcore punk
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Napalm Death British Band-headed the Grindcore Movement Had their own label: Earache Distribution deal with Columbia Records Charted with Utopia Banished Followed by Fear, Emptiness & Despair “Twist the Knife (Slowly)”, hit the top 10 in 1995, as part of the soundtrack to the movie Mortal Kombat
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Industrial Revolution Industrial Music: wild buzz-saw abandon of thrash metal combined with harsh, dissonant vocals and electronic samples & synthesizers Roots in post punk pessimism that enveloped England
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Nine Inch Nails Added thrashing heavy metal guitar Made industrial music more accessible to masses of disenchanted youth “The Perfect Drug”
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Grunge Started in Seattle Combined hardcore and metal Bruce Pravitt – Started the Fanzine, Subterranean Pop – Hosted a show called Sub Pop U.S.A. – Later turned Sub Pop into a record label Signed Nirvana
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Sub Pop Fashion Created a downtrodden punk/metal fashion unique to the Northwest Bands dressed in faded flannel shirts or t- shirts, ripped jeans or baggy shorts, worn boots & tennis shoes Long hair under woolen caps
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Big Screen Sub Pop By the end of 1990, Sub Pop created the image of Seattle as the site of an exciting, emerging music scene ABC – Twin Peaks – Flannel-clad coffee-drinking North westerners Northern Exposure – extolled the virtues of the Northwest Singles – Movie – About the punk/metal Seattle Scene
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Nirvana Left Sub Pop Signed with David Geffen’s DGC label Became a national phenomenon Nevermind – 1991 – Album went gold before MTV played “Smells Like Teen Spirit” Appeared on SNL and were featured in Rolling Stone and Spin
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Pearl Jam Followed Nirvana to the top of the charts Ten – Waited 20 weeks to crack the top 20 – Topped the charts in the wake of Nirvana’s success selling 12 million copies
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Green Day Signed with Warner-Reprise Dookie – Offered listeners lyrics of hopelessness behind snappy, bright, 1990’s punk “Welcome to Paradise” “Burn Out” “Basket Case”
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