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Published byKenneth Logan Modified over 9 years ago
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Jane Eyre and the Novel
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Why Were Novels So Popular in the 19 th Century ? Appeal to “young, ignorant, and idle” Appeal to newly-literate audiences (working classes, middle class, women)—leads to “highbrow” and “lowbrow” notions of writing Economically feasible (subscription publishing, libraries, serials)
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What does the 19 th C British novel emphasize? Questions of social identity (class, inheritance, gender roles) Moral values (faith, ethics, courage, dignity) Realism in subject, tone, description Mood, sensation, feeling (e.g. “gothic”)
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Jane Eyre Published by Charlotte Brontë in 1847 as “an autobiography” Pseudonym “Currer Bell” Immediate success
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Why a pseudonym? “Averse to personal publicity, we veiled our own names under those of Currer, Ellis and Acton Bell; the ambiguous choice being dictated by a sort of conscientious scruple at assuming Christian names positively masculine, while we did not like to declare ourselves women, because -- without at that time suspecting that our mode of writing and thinking was not what is called 'feminine' -- we had a vague impression that authoresses are liable to be looked on with prejudice; we had noticed how critics sometimes use for their chastisement the weapon of personality, and for their reward, a flattery, which is not true praise."
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Autobiographical Elements? Brontë was a clergyman’s daughter She and her sisters attended a similar school She became a governess Sisters died of “consumption” Siblings were all artists
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When we read novels, we look for Plot Setting Characterization Dialogue Theme Narrator’s point of view Repeated patterns which may have symbolic or thematic importance
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Patterns of Repetition Signal Importance Landscapes and viewpoints Words and synonyms (rebel, liberty) Episodes (Jane being singled out) Characters (kindly female supporters: Bessie, Mrs. Fairfax, the Rivers sisters) Actions (e.g. painting pictures, “taking likenesses,” etc.)
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Plot At its simplest, “what happens why” Story = what happens Structure = how the plot is revealed in the narrative Sequence: how things happen in the plot or structure “The King died and then the queen died.” “The King died and then the queen died of grief.”
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The Plot has Falling Action Resolution (Denouement) Introduction Complication (Conflict) Intensified by Rising Action Climax This is complicated by 3-volume structure—are there mini- climaxes in each section?
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Setting When it was written Where it was written Milieu Verisimilitude Fashions (e.g. “Gothic”)
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19 th Century Gothic
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What Is Literary Gothic? In 19 th century, “irregular”, “wild,” “supernatural,” “uncivilized” Some indicator words: mad, wild, free, authentic, natural, dark, exotic, ancient, spooky, brooding… General tone is dark, brooding, creepy, mysterious, malevolent…think Tim Burton Mysterious house, broodingly handsome hero, madwoman in attic—all Gothic conventions
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Characterization “Round” characters: fully-developed, three-dimensional “Flat” characters: not fully-developed, often stereotyped Implicit vs. explicit characterization Think about how characterization is conveyed to us (description, other characters’ reactions, etc.)
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Dialogue Voice Word choice Rhythm
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Theme Idea or point being put forward by a work May or may not be synonymous with “message” May be explicitly or implicitly conveyed and reinforced
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Point of View First person (“I”) –Protagonist –Observer Third person omniscient (“He, she, They”) Third person limited (through the consciousness of one character) Third person objective (scientific description)
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