1. Light and Dark Styles of Lighting Matches theme, mood, genre Intensity, direction, and quality of lighting have a profound effect on the way an image is perceived. Affects the way colors are rendered, both hue and depth Can focus attention on particular elements of the composition.

2. THREE-POINT LIGHTING The standard lighting scheme for classical narrative cinema. In order to model an actor's face (or another object) with a sense of depth, light from three directions is used, A backlight picks out the subject from its background, a bright key light highlights the object and a fill light from the opposite side ensures that the key light casts only faint shadows.

3. Three Point Lighting A backlight picks out the subject from its background Bright key light highlights the object Fill light from the opposite side ensures that the key light casts only faint shadows.

4. Classical use of three-point lighting Written On The Wind (Douglas Sirk, 1956) Lauren Bacall and Rock Hudson are rendered glamorous by the balanced lighting.

5. Lighting diagram

6. High Key Bright, continuous illumination Few conspicuous shadows Used for musicals, comedies Singin’ in the Rain Stanley Donen, 1952

7. LOW-KEY LIGHTING A lighting scheme that employs very little fill light, creating strong contrasts between the brightest and darkest parts of an image and often creating strong shadows that obscure parts of the principal subjects. suspense genres such as film noir. Here are some examples from Touch of Evil (Orson Welles, 1958.)genres

8. Available Lighting Used by realist film makers Uses artificial lighting, even outdoors for fill effect Tends to produce a documentary, grainy look on screen

9. Backlighting Soft, ethereal Often used for romantic scenes

10. Overexposure Allows too much light to enter the aperture Used in nightmare or fantasy sequences

11. Color Early films were shot in black and white Color images initially painted or stencilled onto the film 1930s filmmakers were able to include color sequences in their films. Added realism or glamour Used to create aesthetic patterns and to establish character or emotion in narrative cinema.

12. Color Contrary to popular belief colors do not necessarily carry exclusive meanings.

13. Dominants Area of the film demanding the most visual attention Uses contrast, color

14. CONTRAST The ratio of dark to light in an image The difference between the light and dark areas is large, the image is said to be high contrast High contrast is usually associated with the low key lighting of dark scenes in genres such as the horror film and the film noir.low key lighting The difference is small, it is referred to as low contrast Most films use low contrast to achieve a more naturalistic lighting.

15. Contrast A common cliche is to use contrast between light and dark to distinguish between good and evil. The use of contrast in a scene may draw on racist or sexist connotations.

16. Suspense genres film noir. Touch of Evil (Orson Welles, 1958.)genres