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Published byEdgar Fletcher Modified over 9 years ago
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WILF A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure C/B – Sustained appreciation of writers’ ideas and attitudes using quotes and convincing analysis of language and structure
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Remember the Thought of the Week from PSHE To each there comes a special moment in their lives when they will be tapped on the shoulder and offered the chance to do a very special thing, unique to their talents. What a tragedy if that moment finds them unprepared for their finest hour
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Possessive pronouns & Objectification Me/My/Mine Ferrara has a desire to own an object “that piece” Even in death he doesn’t relinquish her but rather makes her a part of his collection She is the sea-horse, he is Nepture – A God in his own image Calls the new girl “an object” LC tells Juliet “and you be mine, I’ll give you to my friend”
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Dehumanization of Women The referring of the women by merely parts ◦ Fettle your fine joints (Juliet goes to an animal’s perspective), graze, etc. ◦ MLD is simply about body parts smiles, breasts ◦ LC doesn’t even speak to his daughter at the start ‘she’ ‘her’ Only when he gets upset does he switch to ‘you’
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Repetition of key terms Too soon made glad/too easily impressed – liked what she looked on and her looks went everywhere Thank me no thankings, nor proud me no prouds
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Lack of Identity Both have nameless wives & daughters ‘wife’, ‘my last duchess’, ‘she’ My last duchess A curse
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Action vs. Inaction – Both Indicate Power and Arrogance ◦ Ferrara still has societal power that is recognized ◦ Capulet loses power (was once called ‘Rich Capulet’) and threatens with physical power
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The Patriarchal Society and Women’s Perspectives – Victorian & Elizabethan Societies Contempt in a female’s perspective ◦ As if she ranked my gift… ◦ Thank me no thankings, nor proud me nor prouds
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Breaking literary/structural conventions ◦ Enjambment “900 years old name with anybody’s gift” – Anybody’s gift looks petty and small beside the fullness of Ferrara’s name in the previous line Iambic Pentameter ◦ Iambic Pentameter Lord Capulet
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Punctuation ◦ 900-years-old-name
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Context ◦ Victorian vs. Elizabethan age
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Power in speech ◦ Shakespearean structure He who speaks most has the power (Speak not. Reply not. Do not answer me) ◦ MLD We never head anyone else speak Dramatic monologue but also his power The one dialogue he repeats is the hypothetical dialogue from Fra Pandalf
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Cruel disregard for life ◦ “We were born to die” ◦ ”All smiles stopped altogether” (sibilance – creates a sinister mood)
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Pride ◦ “Even had you skill in speech (false modesty) – brackets used to highlight this / I choose never to stoop (assonance to highlight his pride) ◦ She will be ruled in all ways by me
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