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Race, Gender, Clan and Class - racial background, gender, class and geneology will all contribute to who we are as individuals - human beings interact within social circumstances – families, clans, communities - unfortunately, these factors may also trigger prejudice and discrimination - how have race, gender, clan and class been reflected in art?
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Race How does art help forge racial identity?
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Mark Chagall: Over Vitebsk (1915 - 1920)
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James VanDerZee: Society Lady
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Betye Saar: The Liberation of Aunt Jemima (1972)
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James Luna: The Artifact Piece (1986)
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Tseng Kwong Chi: Disneyland, California (1979)
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Gender Issues: How is gender tied to ideas of what is beautiful or what is heroic? How should men and women look? How does art make that clear?
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Waupanal: Men's cult house – Papua New Guinea
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Peter Paul Rubenss: Abduction of the Daughters of Leucippus (Flanders, 1617)
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Francois de Cuvillies: Hall of Mirrors (Germany, 1734 - 1739)
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Hung Lui: Trauma Installation (China/USA, 1989)
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Hung Lui
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Guerrilla Girls: Do women have to be naked to get into the Met? (USA, 1986)
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Ingres: Grande Odalisque
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Clan: How does art identify a clan? When are ancestors important to a clan, and how does art help to make that relationship possible?
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Head of a Roman Patrician (Italy, c. 75 – 50 BCE)
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Bisj Poles (Asmat, New Guinea)
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Bamgboye of Odo-Owa: Epa Headdress called “Orangun” (Nigeria, 1974)
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Marisol: The Family (1962)
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The General Idea: Baby Makes 3 (1984 - 1989)
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Class: How do paintings and drawings give us images of the ways different classes live? How does art reflect the tastes, ideas and needs of different classes? Why does possession of a certain kind of art indicate a person's class structure?
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Temple of Ramses II (Egypt, 1275 – 1225 BCE)
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Seated Scribe (Egypt, 2500 – 2400 BCE)
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Diego Velazquez: Las Meninas (Spain, 1656)
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Jean-Honore Fragonard: The Swing (France, 1766)
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Beadworkers of the Adesina Family of Efon-Alaye (Nigeria, 1971)
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Zhang Zeduan: Spring Festival Along the River (China, handscroll on silk, late 11 – early 12 centuries)
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Jan Vermeer: The Kitchen Maid (The Netherlands, 1660)
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Georges Seurat: La Grande Jatte (France, 1884)
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Dorothea Lange: Migrant Mother (USA, 1936)
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Uji Bridge (Japan, Momoyama period – 16 – 17 centuries)
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Kitagawa Utamaro: Komurasaki of the Tamaya Teahouse (Japan, 1794)
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Simon Rodia: Watts Towers Los Angeles, 1921 - 1954
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