1. Concepts and Critical Thinking

2. Cultivating Creativity: Seven Characteristics of Creative Thinking
1. Receptivity: Creative people are open to new ideas and welcome new experiences

3. Cultivating Creativity: Seven Characteristics of Creative Thinking
2. Curiosity: A good designer brings and insatiable curiosity to each project

4. Cultivating Creativity: Seven Characteristics of Creative Thinking
3. Wide Range of Interests: With a broad knowledge base, a creative person can make a wider range of connections

5. Cultivating Creativity: Seven Characteristics of Creative Thinking
4. Attentiveness: Realizing that every experience is valuable, creative people pay attention to seemingly minor details

6. Cultivating Creativity: Seven Characteristics of Creative Thinking
Connection Seeking: Seeing the similarity among seemingly disparate parts has often sparked a creative breakthrough
-Rosetta stone

7. Cultivating Creativity: Seven Characteristics of Creative Thinking
6. Conviction: Creative people value existing knowledge

8. Cultivating Creativity: Seven Characteristics of Creative Thinking
7. Complexity: To be fully effective, a creative person needs to combine the rational with the intuitive

9. Creative people often combine:
Physical energy with a respect for rest
Savvy with innocence
Responsibility with playfulness
Risk taking with safe keeping
Extroversion with introversion
Passion with objectivity
Disregard for time with attention to details
Modesty and Pride

10. Goals you set are goals you get
Goals you set are goals you get. Establishing priorities and setting appropriate goals will help you achieve your potential. Good goals are challenging but attainable, compatible, self-directed, clearly defined, and temporary. Deadlines encourage completion of complex projects

11. Collaborative work can help us expand our ideas, explore new fields, and pursue projects that are too complex or time consuming to do alone

15. Diane Gallo and Nancy Callahan, Storefront Stores, 1999

16. Problem Seeking and Problem Solving

17. Problem Seeking: The Design Process
1. What is needed?
2. What existing designs are similar to the design we need?
3. What is the difference between the existing designs and the new design?
4. How can we transform, combine, or expand these designs?

18. Marcel Breuer, Armchair, 1925

19. Alvar Aalto, Paimio Lounge Chair, 1931-33

20. Overstuffed Chair

21. Adirondack Chair

22. Charles and Ray Eames, Side Chair, Model DCM, 1946

23. Frank Gehry, Cross Check Armchair, 1992

25. The Fine Art Process
Contemporary sculptors, filmmakers, painters, and other fine artists generally invent their own aesthetic problems

26. Sources of ideas
Transform a common object
Study nature
Visit a museum

27. Characteristics of a Good Problem
Significant
Socially Responsible
Comprehensible
Open to Experimentation
Ambitious yet achievable
Authentic

28. Convergent and Divergent Thinking
Convergent thinking involves the pursuit of a predetermined goal, usually in a linear progression and using a highly focused problem solving technique:
Define the Problem
Do Research
Determine your objective
Devise a strategy
Evaluate the results

29. Convergent and Divergent Thinking
In divergent thinking, the means determines the end. The process is more open-ended; specific results are hard to predict. Divergent thinking is a great way to generate completely new ideas:
The problem definition is elusive or evolving
A rational solution is not required
A methodical approach is unnecessary
Deadlines are flexible

30. Ray Rogers, Vessel, 1984

31. Vera Liskova, Porcupine, 1972-80

32. Beau Dick, Mugamtl Mask (Crooked Beak), 1993

33. Yves Tanguy, Multiplication of the Arcs, 1954

34. Giorgio de Chirico, The Mystery and Melancholy of a Street, 1914

35. Brainstorming
Brainstorming plays an important role in both convergent and divergent thinking. It is a great way to expand ideas, see connections, and explore implications:
-Make a list
-Use a Thesaurus
-Explore Connections
-Keep a Journal

36. Visual Research

37. Examples of thumbnail sketches

38. Model making A maquette is a well developed three-dimensional sketch
A model is a technical experiment or a small-scale version of a larger design
A prototype is a well developed model, as with the fully functional prototype cars developed by automobile companies

39. Peter Forbes, Models for Shelter/Surveillance Sculpture, 1994

40. Peter Forbes, Shelter/Surveillance Sculpture, 1994

41. Variations on a Theme
Professional artists rarely do just one painting or sculpture of a given idea--most do many variations before moving to a new subject

42. Katsushika Hokusai, Thirty-Six Views of Mount Fuji: Under the Mannen Bridge at Fukagawa, 1830 (Edo period)

43. Katsushika Hokusai, Thirty-Six Views of Mount Fuji: The Great Wave off Kanagawa, 1830 (Edo period)

44. Katsushika Hokusai, Thirty-Six Views of Mount Fuji: Near Umezawa in Sagami Province, 1830 (Edo period)

45. Leslie Leupp, Three Bracelets: Solidified Reality, Frivoulous Vitality, Compound Simplicity, 1984

46. Lisa Gralnick, Three Bracelets, 1988