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1 Cinematography: Relates to how a director of photography manages certain types of shots in order to increase the dramatic value of a scene.

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Presentation on theme: "1 Cinematography: Relates to how a director of photography manages certain types of shots in order to increase the dramatic value of a scene."— Presentation transcript:

1 1 Cinematography: Relates to how a director of photography manages certain types of shots in order to increase the dramatic value of a scene

2 2 WHERE IS THE CAMERA?

3 3

4 4 Directors of Photography use different focal lenses to create different effects.

5 5 Short Focal Lens The Crucible

6 6 Wide Angle lens creates expansive depth of field or deep space. Citizen Kane 45

7 7 Telephoto Lens The Graduate

8 8 "I tend to rely on only two kinds of lenses to compose my frames: very wide angle and extreme telephoto. I use the wide angle because when I want to see something, I want to see it completely, with the most detail possible. As for the telephoto, I use it for closeups because I find it creates a real encounter with the actor. " John Woo, director 1

9 9 the cinematographer has other tools at his disposal to manipulate the look of the shot

10 10 Racking Focus 46

11 11 Racking Focus The Graduate

12 12 Super Imposition (Special Effects) Kill Bill 47

13 13 Rear Projection Vertigo 48

14 14 Point of View (POV) The Diving Bell and the Butterfly

15 15 Filter 300 Filter 300 54

16 16 An Analysis of Camera Movement 55

17 17 Rotation Shot Apocalypse Now

18 18 Circular Shot Dead Poet’s Society

19 19 Crane Shot Touch of Evil 63

20 20 Steadicam Goodfellas

21 21 Panning Dances with Wolves

22 22 Tracking Shot The Shining

23 23 Basic Shot Types 54

24 24 Fifty-Fifty shot: two characters are talking and neither performer is given prominence The Devil Wears Prada

25 25 Reaction shot: A specific type of close-up in which the actor is responding to an event

26 26 Reverse Angle shot: same scene filmed from a different angle

27 27 Over the Shoulder Shot The Notebook

28 28 Cutting within frame: Changing from a long or medium shot to a close-up without editing the film Ocean’s 11

29 29 Pull Back shot: pull the camera away from the subject

30 30 Passing shot: the performer being filmed walks by a stationary camera; the camera pans past a stationary performer

31 31 Head-on shot: the movement is coming directly at the camera

32 32 Mirror shot The Matrix

33 33 Mirror Shot Citizen Kane 41

34 34 Reframing Shot: notice how the camera man moves to reframe the couple Eyes Wide Shut 73

35 35 Bird's-eye-view: achieved from a helicopter or elevated location. Spiderman

36 36 Establishing / re-establishing shot: Establishing / re-establishing shot: photographed for the purpose of identifying the location or setting Shawshank Redemption

37 37 Establishing Shot

38 38 Crowd shot: A shot, image, scene or depiction of a large group of people.

39 39 WHERE IS THE CAMERA?

40 40 What do you see in this clip?this clip


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