1. ART

2. MUSEUMS LOURVE PARIS, FRANCE

4. TATE, LONDON

5. HERMITAGE, ST. PETERSBERG, RUSSIA

6. PRADO SPAIN

7. GUGGENHEIM IN BILBAO, SPAIN

8. BRITISH MUSEUM

9. RENAISSANCE 16 th c. Figures from the Bible, classical history, mythology, commissioned portraits, use of perspective, CHIAROSCURO, secular backgrounds and material splendor.

10. BOTTICELLI

11. PRIMIVERA

12. Brunelleschi Florence

13. RAPHAEL SCHOOL OF ATHENS

16. MARRIAGE OF THE VIRGIN

17. MICHAELANGELO

23. baroque

24. DA VINCI

27. BAROQUE Response of Counter Reformation More colorful, richer in texture and decoration Scenes embody mystery and drama, violence and spectacle. Stir emotions and win back defectors. Art for the public consumption

28. Bernini

33. Durer

34. Caravaggio

35. El Greco

36. The Resurrection

37. Rembrandt Northern Renaissance/ baroque

41. RUBENS

43. FRANZ HALS DESCARTES

44. HALS

45. BOY W/ LUTE

46. Northern Realism 17 th century Values: quiet opulence, comfortable, comfortable domesticity, realism Middle class Dutch patrons commission secular works: portraits, still life's, landscapes

47. VERMEER

50. MILLET

51. ‘THE ANGELEUS’

52. ‘THE FIELD’

53. ROCOCO ART OF FRENCH ARISTOCRACY PORTRAYING NOBILITY IN SYLVAN SETTINGS OR ORNATE INTERIORS CANDY BOX ART. FRIVOLOUS, DELICATE, ELEGANCE, SWEETNESS

54. BOUCHER

55. FRAGNORD

56. BOUCHER ‘The Love Letter”

57. HOGARTH NOON GIN LANE

58. RIGAUD

59. Watteau Next slide “the country dance”

60. WATTEAU

61. NEO CLASSICISM 18 TH C. A RETURN TO CLASSICAL ANTIQUITY FOR INSPIRATION, SCENES ARE HISTORICAL AND MYTHOLOGICAL APPEAL IS TO INTELLECT NOT THE HEART EMOTIONS ARE RESTRAINED VALUES: REASON, ORDER, BALANCE, REVERANCE FOR ANTIQUITY

62. JACQUES LOUIS DAVID

65. Ingress

66. ROMANTICISM 19 TH C. REACTION AGAINST COLD AND UNFEELING REASON OF THE ENLIGHTENMENT AND AGAINST THE DESTRUCTION OF NATURE RESULTING FROM THE INDUSTRIAL REVOLUTION STRESS IS ON LIGHT, COLOR, SELF EXPRESSION IN OPPOSITION TO THE EMPHASIS ON LINE AND NEOCLASSICALISM VALUES: EMOTION, FEELING, MORBIDITY, EXOTICISM, MYSTERY.

67. GERICAULT

68. DELICROIX TAINGER LIBERTY

69. MASSACRE AT CHOIS

70. SPEED OF STEAM

71. BURNING OF PARLIAMENT

72. Turner ‘Burial at Sea”

73. Shipwreck

74. GOYA

76. CONSTABLE

78. DAUMIER

80. CARTOONIST

81. EIFFEL

82. IMPRESSIONISM ATTEMPT TO PORTRAY THE FLEETING AND TRANSITORY WORLD OF SENSE IMPRESSIONS BASED ON SCIENTIFIC STUDIES OF LIGHT FORMS ARE BATHED IN LIGHT AND ATMOSPHERE COLORS FUSE FROM A DISTANCE VALUES: THE IMMEDIATE, ACCIDENTAL, AND TRANSITORY

83. CZANNE The Card Players

84. MONET VENICE

89. RENOIR THE BOATING PARTY

94. DEGAS

97. SEURAT

98. Side Show

99. Toulouse Lautrec

101. RODIN THINKER

102. GATES OF HELL

103. EXPRESSIONISM 19 TH AND 20 TH C. INDEBTED TO FREUD ART TRIES TO PENETRATE THE FAÇADE OF BOURG. SUPERFICIALITY AND PROBE THE PSYCHE, THAT WHICH LURKS BENEATH AN INDIVIDUAL’S CALM AND ARTIFICAL POSTURE. VALUES: SUBLIMNAL ANXIETY –PICTORAL VIOLENCE…MANIFEST AND LATENT

104. MANET

106. MUNCH

107. DESPERATION

108. ANXIETY

109. KIRCHNER Street Scene

110. The red cocotte

112. The tempest

113. Beckman ‘the night’

114. Van Gogh “Starry Night”

118. SURREALISM 20 th c. Also indebted to Freud Explores the dream world and world without logic or reason or meaning The strange encounters between objects Subject often indecipherable in their strangeness Values: the dream sequence, illogic, fantasy

119. Ernst 3 children and a nightingale

120. De Chirico

121. ‘nostalgia”

122. Dali

128. Miro ‘dog barking at the moon

129. Chagall ‘self portrait w/ seven fingers’ ‘self portrait’

130. POST IMPRESSIONISM GAUGUIN

132. CUBISM No single point of view No continuity or simultaneity of image contour All possible views of subject are compressed into one view of top, sides, front and back Values: a new way of seeing a view of the world as a mosaic of multiple relationships

133. PICASSO

134. STILL LIFE WITH A CHAIR CANNING

135. Three Dancers

136. SEATED WOMAN

138. Matisse

139. The Dance

140. Harmony

141. ‘open window’

142. Kirchner Berlin Street Scene

143. Street in Berlin

144. KATHIE KOLLWITZ

146. BRAQUE ‘THE TABLE’

147. ABSTRACT EXPRESSIONISM NON REPRESENTATIONAL ART SHAPES, LINES AND COLORS

148. BRAQUE

149. MOORE RECLINING FIGURE

150. Abstract Rothko orange and red

151. De KOONING WOMAN

152. Dadaism Life is random and uncontrolled Inability to control our lives Literally means ‘hobby horse’

153. DADAISM THE FANTASTIC AND THE ABSURD HANNAH HOCH CUT WITH A KITCHEN KNIFE

154. Houseman “Spirit of our Times”

155. DuChamp Three stoppages

156. Anslem…Departure from Egypt

157. GIOCOMETTI MAN POINTING DOG

158. THE PALACE

159. ARCHITECTURE HOW DOES IT DEFINE A PERIOD? HOW DOES IT SHOW WHO IS IN POWER? HOW DO ART AND ARCHITECTURE REFLECT THE ECONOMIC INTEREST OF THE PEOPLE?

160. MEDIEVAL GOTHIC GIVES WAY TO GRANDEUR OF BAROQUE(ecclesiastical and royal bldg) 18 th c. gives way to classical and aristocratic style Replaced by romantic, neo-gothic and industrial architec. Of 19thc Blends into the rising bldgs. Of the industrial cities of 20 th c.

161. Architecture Christopher Wren St. Paul’s Cathedral

162. IM PEI

163. Pyramid at the Lourve

165. BAUHAUS\GROPIUS

166. Christo and Jeanne- Claude Art that enhanced people’s sensual experience of the everyday world

167. Previous slide is the wrapping of the Reichstag in Berlin

168. Enhancing the rural terrain

169. Paris bridge

170. The Gates, Central Park

173. AMEN