1. Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted, secular subjects, art for the aristocracy Neoclassical: Italian Renaissance, classical compositions and motifs Terms: Caravaggista, genre Chapter Seventeen The 17th and 18th Centuries

2. Insert 72 dpi visual Suggested visual: figure 17.1, Cornaro Chapel Santa Maria Vittoria, Rome, 1642- 52. Insert 72 dpi visual Suggested visual: figure 17.2, St. Teresa in Ecstasy, Cornaro Chapel, 1645- 52. The Baroque Era

3. Insert 72 dpi visual Suggested visual: figure 17.3, Boromini, Plan of San Carlo alle Quattro Fontane, Rome. Insert 72 dpi visual Suggested visual: figure 17.3, Boromini, San Carlo alle Quattro Fontane, Rome, 1665- 67. The Baroque Era

4. Insert 72 dpi visual Suggested visual: figure 17.6, Caravaggio, Entombment of Christ, 1604. The Baroque Era

5. Insert 72 dpi visual Suggested visual: figure 17.5, Genileschi, Judith and Maidservant with the Head of Holofernes, 1625. The Baroque Era

6. Insert 72 dpi visual Suggested visual: figure 17.7, Rubens, The Raising of the Cross, Belgium, 1609- 10. The Baroque Era

7. Insert 72 dpi visual Suggested visual: figure 17.8, Poussin, The Ashes of Phokion, 1648. The Baroque Era

8. Insert 72 dpi visual Suggested visual: figure 17.9, Le Vau and Mansart, Palace of Versailles, 1669-85. Insert 72 dpi visual Suggested visual: figure 17.10, Mansart and Le Brun, Hall of Mirrors, Palace of Versailles, C. 1680. The Baroque Era

9. Insert 72 dpi visual Suggested visual: figure 17.11, Diego Velázques, Las Meninas (The Maids of Honor), 1656. The Baroque Era

10. Insert 72 dpi visual Suggested visual: figure 17.12, Rembrandt, The Night Watch, 1642. The Baroque Era

11. Insert 72 dpi visual Suggested visual: figure 17.13, Judith Leyster, Carousing Couple, 1630. Insert 72 dpi visual Suggested visual: figure 17.14, Rusdael, View of Ootmarshum, 1628-29. The Baroque Era

12. The 18th Century Insert 72 dpi visual Suggested visual: figure 17.15, François Cuvillies the Elder, Mirror Room, Munich, 1734-39, Rococo

13. The 18th Century Insert 72 dpi visual Suggested visual: figure 17.16, Frogonard, The Pursuit, 1771- 73. Rococo

14. Revolution Insert 72 dpi visual Suggested visual: figure 17.93, Jacques- Louis David, The Death of Marat, 1793.

15. Revolution Insert 72 dpi visual Suggested visual: figure 17.20, John Singleton Copley, Paul Revere, 1768- 70. Neo-Classical

16. Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted, secular subjects, art for the aristocracy Neoclassical: Italian Renaissance, classical compositions and motifs Terms: Caravaggista, genre Chapter Seventeen The 17th and 18th Centuries