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How to Give a Booktalk Instructor: Michael Cart mrmcart@sbcglobal.net An Infopeople Workshop Winter 2006
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This Workshop Is Brought to You by the Infopeople Project Infopeople is a federally-funded grant project supported by the California State Library. It provides a wide variety of training to California libraries. Infopeople workshops are offered around the state and are open registration on a first-come, first-served basis. For a complete list of workshops, and for other information about the project, go to the Infopeople website at infopeople.org.
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Introductions Name Library Position Have you done booktalks previously?
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Workshop Overview Defining “booktalking” Booktalking skills Practicing booktalking –Fiction –Nonfiction –Nontraditional Presentation tools and resources
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Defining “Booktalking” What it is: –Structured enthusiasm for a book –A mini-mystery with a cliffhanger ending What it isn’t: –A review or critique –A memorized excerpt from a book
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Types of Booktalks Formal (written and memorized) Impromptu Shelftalks (doing it in the stacks) Read-alikes Fiction Nonfiction
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Potential Audiences Students –in library –in classroom Adults Senior Adults Multigenerational – from nine to 90 Clubs and organizations - book discussion groups - service clubs
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Why do booktalks? What experiences–good or bad– have you had of booktalking?
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Share Your Booktalk on “The Curious Incident of the Dog in the Night-Time” with a partner Exercise #1
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Booktalking Do’s Know your audience Include a variety of titles READ the books! Take notes Outline your talk
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Planning the Talk Start with a “grabber” Include a narrative arc End with a cliff-hanger Borrow shamelessly from –reviews –dust jackets –colleagues
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How long should a booktalk be?
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Finding Booktalking Resources Bibliography Webliography
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Selecting Appropriate Titles Are you booktalking fiction or nonfiction? Who is your audience? Is your program thematic? Are there curriculum connections?
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Venues and Formats Where will you booktalk? –The library –A classroom –In the community Formats –Bare bones –Bells & whistles –Interactive
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Booktalk Techniques Pace yourself –Don’t rush –Pause for dramatic effect (& laughs!) Props? If you must... Use visuals Take advantage of technology Practice, practice, practice
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Using Props and Visuals Use props sparingly –And only when appropriate Be sure the audience can see visuals –Transparencies –PowerPoint slides
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Booktalking Issues to Consider About the author? Writing word for word? Reading from the book? Audience participation? How many books? How long, o Lord?
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Techniques for Reading Aloud When to read aloud Be prepared Don’t rush Don’t mumble Enjoy yourself –But don’t ham it up!
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Booktalk Don’ts Booktalk books you haven’t read Include books you dislike Read your booktalks Give away the ending Mumble Let them smell your fear Bore your audience (less is more)
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Exercise #2 Revise Your Booktalk Using the Booktalk Planning Template
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At the Booktalk Bring a handout Have the books available Prepare a few extras...
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Nonfiction Trends Narrative style High visual content Graphic novels Novels in verse
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Exercise #3 Use Your Booktalk Template to Plan a 60-second Nonfiction Booktalk
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Booktalking Nonfiction High interest subjects –Biography –Autobiography/memoirs –History –Adventure –Pop culture –The “ew-gross!” factor
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Nonfiction Techniques Virtually same as fiction Make curriculum connections Don’t forget the visual –Use pictures as a hook
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Take Advantage of Technology Audiobooks Websites –Author sites –Publisher sites –Movie tie-ins
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Doing a Podcast What are podcasts? Booktalking vs. talking about books The Infopeople experience
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How can booktalks be used in library programming?
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Exercise #4 Fill in a Planning for Using Booktalks in Library Programming Template
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Summary and Review Final thoughts
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In a time of drastic change, it is the learners who inherit the future. The learned find themselves equipped to live in a world that no longer exists. -—Eric Hoffer quoted in Vanguard Management (Quoted by Warren Bennis in “On Becoming a Leader.” Reading, MA: Addison-Wesley, 1989
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