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Honors World History
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I. Renaissance: “Rebirth” / Period begun by Italy’s educated to recreate the culture of Greece and Rome II. Causes of the Renaissance / End of Feudalism / End of Plagues / End of Urban Riots / Improvement in Textile Industry / Improvement in Livestock Production / Improvement in Peasant Life
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III. Where did the Renaissance begin? Where did the Renaissance Begin? / Began in city-states of Italy (Florence) because: ¡Central location for trade ¡Religious center (Christianity – Pope of Rome) ¡Start of craft guilds (unions) ¡Serfs were given more freedom ¡Improvement in Bookkeeping Methods (Fibonacci) ¡Development of trade centers ¡Presence and success of Middle Class ¡Humanistic Philosophy or Values
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IV. Humanism – philosophy which stressed: / Self worth of the individual ¡Portraits ¡Autobiographies ¡Artists wanted to be known for their creations / Love of Learning and the Arts ¡Establishment of many Universities ¡Funding of education by the Catholic church and wealthy aristocrats ¡Stressed Latin and physical and moral development ¡Translated the Bible ¡Taught less Bible and more Classic Literature
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Enjoyment of Worldly Pleasures / Fancy clothes / Tasty foods / Life should be enjoyed
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V. Achievements / Art ¡Studied classical models –work reflected the realism & grace of ancient styles –experimented with new paints & techniques »developed perspective – three dimensional –Artists »Leonardo da Vinci »Michelangelo »Raphael »Women »Kept their work secret »Sofonisba Anguissola – court painter to King Philip II of Spain
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/ Literature ¡Topics ranged from religious to secular subjects –Miguel de Cervantes – Don Quixote –Shakespeare –Francesco Petrarch – Sonnets to Laura / Printing Press ¡Johann Gutenberg – movable type ¡1455 press used to produce the first Bible printed by machine ¡helped spread new learning ¡more people learned to read
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VI. Period of Great Discovery and Exploration / Why Explore? ¡New Technology – Caravel, Compass, lateen sail ¡Geography – Flat Earth Belief ¡Self Confidence of the Renaissance / Effects of Exploration ¡Map coast of Atlantic Ocean ¡Two new continents discovered and explored ¡Globe circumnavigated ¡Exploration of the New World –Slavery in the New World –New Foods
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Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking & international trade interests had the money. Public art in Florence was organized and supported by guilds. Therefore, the consumption of art was used as a form of competition for social & political status!
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1. Realism & Expression Expulsion from the Garden Masaccio 1427 First nudes since classical times.
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2. Perspective Perspective! Perspective! Perspective! Perspective! Perspective! First use of linear perspective! Perspective! Perspective! The Trinity Masaccio 1427 What you are, I once was; what I am, you will become.
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Perspective
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3. Classicism Greco-Roman influence. Secularism. Humanism. Individualism free standing figures. Symmetry/Balance The “Classical Pose” Medici “Venus” (1c)
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4. Emphasis on Individualism Batista Sforza & Federico de Montefeltre: The Duke & Dutchess of Urbino Piero della Francesca, 1465-1466.
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Isabella d’Este – da Vinci, 1499 1474-1539 “First Lady of the Italian Renaissance.” Great patroness of the arts. Known during her time as “First Lady of the World!”
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5. Geometrical Arrangement of Figures The Dreyfus Madonna with the Pomegranate Leonardo da Vinci 1469 The figure as architecture!
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6. Light & Shadowing/Softening Edges Chiaroscuro “light dark” Sfumato “to tone down”
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7. Artists as Personalities/Celebrities Lives of the Most Excellent Painters, Sculptors, and Architects Giorgio Vasari 1550
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Renaissance Florence The Wool Factory by Mirabello Cavalori, 1570 The Wool Factory by Mirabello Cavalori, 1570 1252 – first gold florins minted 1252 – first gold florins minted Florentine lion: symbol of St. Mark Florentine lion: symbol of St. Mark
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Lorenzo the Magnificent 1478 - 1521 Cosimo de Medici 1517 - 1574
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Florence Under the Medici Medici Chapel Medici Chapel The Medici Palace
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Filippo Brunelleschi 1377 - 1436 Architect Cuppolo of St. Maria del Fiore
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Filippo Brunelleschi Commissioned to build the cathedral dome. / Used unique architectural concepts. He studied the ancient Pantheon in Rome. Used ribs for support.
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Brunelleschi’s “Secret”
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Brunelleschi’s Dome: Basilica of Saint Mary of the Flower
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Comparing Domes
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Other Famous Domes Il Duomo St. Peter’s St. Paul’s US capital (Florence) (Rome) (London) (Washington)
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The Duomo, as if completed, in a fresco by Andrea di Bonaiuto, painted in the 1390s, before the commencement of the dome
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The Duomo’s Baptistery Doors
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The Ideal City Piero della Francesca, 1470
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A Contest to Decorate the Cathedral: Sacrifice of Isaac Panels BrunelleschiGhiberti
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Ghiberti – Gates of Paradise Baptistry Door, Florence – 1425 - 1452 The Winner!
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David by Donatello 1430 First free-form bronze since Roman times! The Liberation of Sculpture
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Vitruvian Man Leonardo da Vinci 1492 The L’uomo universale
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The Renaissance “Man” Broad knowledge about many things in different fields. Deep knowledge/skill in one area. Able to link information from different areas/disciplines and create new knowledge. The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.
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Self-Portrait -- da Vinci, 1512 1452 - 1519 Artist Sculptor Architect Scientist Engineer Inventor
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Leonardo, the Artist The Virgin of the Rocks Leonardo da Vinci 1483-1486
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Leonardo, the Artist: From his Notebooks of over 5000 pages (1508-1519)
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Mona Lisa – da Vinci, 1503-4
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Mona Lisa OR da Vinci??
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The Last Supper - da Vinci, 1498 & Geometry
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Refractory Convent of Santa Maria delle Grazie Milan
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horizontal vertical Perspective! The Last Supper - da Vinci, 1498
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A Da Vinci “Code”: St. John or Mary Magdalene?
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Leonardo, the Architect: Pages from his Notebook Study of a central church. 1488
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Leonardo, the Scientist (Biology): Pages from his Notebook An example of the humanist desire to unlock the secrets of nature.
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Leonardo, the Scientist (Anatomy): Pages from his Notebook
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Leonardo, the Inventor: Pages from his Notebook
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Man Can Fly?
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A study of siege defenses. Studies of water-lifting devices. Leonardo, the Engineer: Pages from his Notebook
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Michelangelo Buonorrati 1475 – 1564 He represented the body in three dimensions of sculpture.
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Donatello 1408-1409, Michelangelo 1501-1504, Bernini 1623-1624 Three David Sculptures from the Renaissance
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David Michelangelo Buonarotti 1504 Marble
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15c 16c What a difference a century makes!
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The Pieta Michelangelo Buonarroti 1499 marble The Popes as Patrons of the Arts
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The Sistine Chapel Michelangelo Buonarroti 1508 - 1512
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The Sistine Chapel’s Ceiling Michelangelo Buonarroti 1508 - 1512
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The Sistine Chapel Details The Creation of the Heavens
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The Sistine Chapel Details Creation of Man
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The Sistine Chapel Details The Fall from Grace
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The Sistine Chapel Details The Last Judgment
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Baldassare Castiglione by Raphael, 1514-1515 Wrote The Courtier Castiglione represented the humanist “gentleman” as a man of refinement and self-control.
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Perspective!Perspective! Betrothal of the Virgin Raphael 1504
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Raphael’s Canagiani Madonna, 1507
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Raphael’s Madonnas (1) Sistine Madonna Cowpepper Madonna
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Madonna della Sedia Alba Madonna Raphael’s Madonnas (2)
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The School of Athens – Raphael, 1510 -11 One point perspective. All of the important Greek philosophers and thinkers are included all of the great personalities of the Seven Liberal Arts! A great variety of poses. Located in the papal apartments library. Raphael worked on this commission simultaneously as Michelangelo was doing the Sistine Chapel. No Christian themes here.
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The School of Athens – Raphael, 1510 -11 Raphael Da Vinci Michelangelo
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Aristotle: looks to this earth [the here and now]. Plato: looks to the heavens [or the IDEAL realm]. The School of Athens – Raphael, details
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Zoroaster Ptolemy Euclid
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The Liberation of St. Peter by Raphael, 1514
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Portrait of Pope Julius II by Raphael, 1511-1512 More concerned with politics than with theology. The “Warrior Pope.” Great patron of Renaissance artists, especially Raphael & Michelangelo. Died in 1513
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Birth of Venus – Botticelli, 1485 An attempt to depict perfect beauty.
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Primavera – Botticelli, 1482 Depicted classical gods as almost naked and life-size.
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