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Published byRandolf Perkins Modified over 9 years ago
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Using creative writing to enrich student experience and achievement Liz Barrett (Education, Childhood & Inclusion) Cathy Malone (Student Learning Services) Chair: Viv Thom
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Session Aims To suggest a rationale for using creative writing in teaching and learning To identify some distinctive features of creative (v. academic) writing To offer a prompt for writing To model the writer’s workshop process
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Uses of creative writing in teaching and learning Emotional engagement (affective v. cognitive) Personal development (learning incomes and identity formation) Transformation (revelatory v. revealed) Memory (makes the abstract concrete) Understanding (through parable, metaphor, association) Writing development (dialogue about language and engagement in the drafting process) Communities of practice (writers workshop)
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How can creative writing be used? Stand-alone sessions applied to specific module content Throughout a module for a specific purpose (e.g. to introduce or reflect on module content) As the focus of the module as an approach to knowing or enquiry (e.g. Lifewriting & Education) As part of a module in relation to the development of specific skills (e.g. writing development or the evaluation of sources) To promote a community of practice (a mutually supportive, critical and reflective space)
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Three Writer’s Maxims The concrete not the abstract The particular not the general Show don’t tell
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Another person’s moccasins 1 st person voice Other Voices Point of View
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The Riddle 1 st person voice (topic is the speaker) Personification (becomes human) Metaphor (comparison with something unusual) Qualification (what it is and is not) Description (using the senses) Function and Habitat (what and where)
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Freewriting separates generating from editing and critiquing. sidestep inhibiting self-consciousness, procrastination. basis of journal writing, therapeutic writing. develops with practice. Rules DO NOT STOP WRITING AT ANY TIME Grammar, spelling, punctuation and sense are not important. Repetition is fine. ( Adapted from P.Elbow 2000 Everyone Can Write)
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Writer’s Workshop The space and the silence The conversation The author response
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Summary Any questions? Other examples of practice? Further development? A SIG? E.Barrett@shu.ac.uk
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