1. Presented at the Newton church of Christ 2008 Lesson Four

2. These are the Simple BEAT PATTERNS of Song Leading

3. The Chromatic Scale of a Pitch Pipe: The Range: The range of this pitch pipe is from C below the treble staff to the C found on the third space of the treble staff. The “Do” position is given in twelve different keys. All the keys are found in our songbook.

4. Key Signature: The group of sharps or flats at the beginning of a song is the key signature. This indicates the key of the song. For instance, if a key signature contains three flats, the flats are positioned on B, E, and A. This means that all B's E's, and A's in the song are flatted without requiring the flat symbol on each note. The number of the sharps or flats determines the key. Flats: The next to last flat is your key. Number of Flats: 1 2 3 4 5 6 Key of Song:F B E A D G The flats can be remembered by this: “Fat Boys Eat Apples Dropped Green.”

5. Key Signature: The group of sharps or flats at the beginning of a song is the key signature. This indicates the key of the song. For instance, if a key signature contains three flats, the flats are positioned on B, E, and A. This means that all B's E's, and A's in the song are flatted without requiring the flat symbol on each note. The number of the sharps or flats determines the key. Sharps: Find Furthest sharp to right – go up half a step and that is your key. Number of Sharps: 123456 Key of Song:G D A E B F The sharps can be remembered by: “Go Down And Eat Big Fish”

6. You will have to remember which ones are sharped or flatted. (Note that the key of F-sharp and G-flat is the same key). Also, no sharps or flats in the key signature is the key of C. Another way to determine the key is to scan through the first score and find the note with the "do“ shape, explained later. That is the key note.

7. Practice exercise: Harmony is based on the Triad To understand the TRIAD (this is 1/3 and 1/5 above the starting key. – Do, Mi, So. EXAMPLE THE KEY is C: Do = C Mi = E So = G Practice – the Key of G Do = Mi = So =

8. TEMPO TERMS: Rallentando, rall. - Getting slower gradually Rit., Ritardando - Gradually becoming slower. Grave - Very Slow Largo, Lento - Slow Larghetto - A little faster than Largo Adagio - Moderately Slow Andante - "Walking" Tempo Andantino - A little faster than Andante Allegretto - A little slower than Allegro Allegro - Fast Vivace - Lively Presto - Very Fast Prestissimo - Very Very Fast Moderato - Moderate(ly) Molto - Very Accel., Accelerando - Gradually becoming faster

9. DYNAMIC SYMBOLS USED IN SONGS: Symbol Term Meaning: ppp Pianississimo Very Very Soft pp Pianissimo Very Soft p Piano Soft mp Mezzo Piano Medium Soft mf Mezzo Forte Medium Loud f Forte Loud ff Fortissimo Very Loud fff Fortississimo Very Very Loud cresc. <Crescendo Gradually becoming louder. decresc. > Decrescendo Gradually becoming softer dim. Diminuendo Gradually becoming softer Messa di voce Becoming louder then softer

10. 1 - It Is Well With My Soul Words by: H. G. Spafford Music by: P. P. Bliss

11. Words by: Samuel Stennett Music by: T. C. O’Kane

12. Words by: Charles Wesley Music by: William B. Bradbury