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I D E O L O G Y 2 : MODERNISM and ITS CRITICISM Industrial Revolution 1750-1850 Paxton J., Crystal Palace, (Fair) 1851 Barlow W.H., St. Pancreas Train.

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Presentation on theme: "I D E O L O G Y 2 : MODERNISM and ITS CRITICISM Industrial Revolution 1750-1850 Paxton J., Crystal Palace, (Fair) 1851 Barlow W.H., St. Pancreas Train."— Presentation transcript:

1

2 I D E O L O G Y 2 : MODERNISM and ITS CRITICISM

3 Industrial Revolution 1750-1850 Paxton J., Crystal Palace, (Fair) 1851 Barlow W.H., St. Pancreas Train Station, 1864 NEW MATERIALS MASS-PRODUCTION MIGRATION ……. URBANIZATION EXHIBITIONS, FAIRS….

4 George Childs, “Dowlais Ironworks from the South,” 1840

5 William Morris, page from The Sea Stones and The Fall (by John Ruskin), 1853

6 William Morris, fabric designs (left) and font design (right), 1890s

7 William Morris, furniture designs, 1870s

8 Philip Webb and William Morris, “The Red House,” Bexleyheath, ENGLAND, 1859

9 William Morris, “St Peter,” stained glass design, 1870s

10 Frank Lloyd Wright, stained glass window designs, 1902

11 M O D E R N I S M An ideology that emerged around 1900 that reacted to the political, social, economical and technological changes in Europe Modernists prefer: - simplicity over ornamentation - abstraction over realism - “honesty” over “dishonesty” - the future over the past

12 M.H. Baillie Scott, “Side Table,” 1901 Charles Rennie Mackintosh, “Chair for Hill House,” 1904

13 Gruppo Toscano Architects, “Stazione S. Maria Novella,” Florence, ITALY, 1932

14 Giacomo Balla, “Abstract Speed + Sound,” 1914

15 Filippo Marinetti, poem from Les mots en liberté, 1919

16 Antonio Sant’Elia, designs for “La Città Nuova” (The New City), 1914

17 front cover of the first issue of DE STYL magazine, 1917 Georges Vantongerloo, “Interrelation of Volumes,” 1919

18 Piet Mondrian, “Color Planes in Oval,” 1913-1914 Piet Mondrian, “Tableau 2,” 1922

19 Theo Van Doesburg, Sophie Taeuber & Jean Arp, “Cafe l’Aubette,” Strasbourg, FRANCE, 1926-28,

20 SCHRÖDER HOUSE, Gerrit Rietveld, Utrecht 1924

21 Walter Gropius, “The Bauhaus,” Dessau, GERMANY, 1925-26

22 Joost Schmidt, “Bauhaus Exhibition Poster,” 1923

23 Marianne Barndt, “Tea Pot,” 1924 Carl G. Jucker, “Lamp,” 1924 Marcel Breuer, “Nesting Tables,” 1925

24 Eileen Gray, furniture designs, 1920s

25 Glass Pavillion, Berlin 1914 Bruno Taut Faculty of languages, history and geography, Ankara University, 1937 Izmir Fuar Pavillion, 1939

26 Q U E S T I O N I N G M O D E R N I S M

27 Richard Hamilton, “Just What is that Makes Today’s Homes so Different?,” 1956

28 Andy Warhol, “Marylin diptych,” 1962

29 Roy Lichtenstein, “M-Maybe,” 1963 Roy Lichtenstein, “Little Big Painting,” 1965

30 Cindy Sherman, “Untitled Film Stills,” 1970s

31 Shepard Fairey, “Saks Fifth Avenue Advertisement,” 2009 Alexander Rodchenko, “Books on Every Subject,” 1925 (poster against censorship of bookstores)

32 Tadashi Kawamata, “The Shortcut Chairs,” 1998

33 Damien Ortega, “Cosmic Thing,” 2002 “The Assembly Line”

34 Viktor and Rolf, “Uniforms for Utrecht Centraal Museum Guards,” 2001 Viktor and Rolf, “Evening Wear,” 2007

35 Philip Johnson, “AT&T Building,” New York, 1978-84 Charles W. Moore, “Piazza d’Italia,” New Orleans, USA, 1976-79

36 Zaha Hadid, "Nordpark Cablecar Metro Station," Innsbruck, SWITZERLAND, 2007


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