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Eadweard Muybridge. Annie G, Cantering, Saddled. December 1887

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Presentation on theme: "Eadweard Muybridge. Annie G, Cantering, Saddled. December 1887"— Presentation transcript:

1 Eadweard Muybridge. Annie G, Cantering, Saddled. December 1887
Eadweard Muybridge. Annie G, Cantering, Saddled. December Collotype print. sheet: 19 × 24 in., image: 7-1/2 × 16-1/8 in. The Philadelphia Museum of Art / Art Resource, NY. [Fig. 12-1] Eadweard Muybridge. Annie G, Cantering, Saddled. December Collotype print. sheet: 19 × 24 in., image: 7-1/2 × 16-1/8 in. The Philadelphia Museum of Art / Art Resource, NY. [Fig. 12-1]

2 Poster for the Cinématographe, with the Lumière Brothers film L’Arroseur arrosé (Waterer and Watered ) on screen Mary Evans Picture Library/Everett Collection. [Fig. 12-2] Poster for the Cinématographe, with the Lumière Brothers film L’Arroseur arrosé (Waterer and Watered ) on screen Mary Evans Picture Library/Everett Collection. [Fig. 12-2]

3 Walker Evans. Roadside Stand Near Birmingham, Alabama. 1936
Walker Evans. Roadside Stand Near Birmingham, Alabama Courtesy of the Library of Congress. [Fig. 12-3] Walker Evans. Roadside Stand Near Birmingham, Alabama Courtesy of the Library of Congress. [Fig. 12-3]

4 Published by Dutch physician and mathematician Reinerius Gemma-Frisius
Published by Dutch physician and mathematician Reinerius Gemma-Frisius. Camera Obscura. published Engraving. Courtesy George Eastman House. [Fig. 12-4] Published by Dutch physician and mathematician Reinerius Gemma-Frisius. Camera Obscura. published Engraving. Courtesy George Eastman House. [Fig. 12-4]

5 William Henry Fox Talbot. Mimosoidea Suchas, Acacia. c. 1839
William Henry Fox Talbot. Mimosoidea Suchas, Acacia. c Photogenic drawing. Fox Talbot Collection, National Museum of Photography, Film & Television/Science & Society Picture Library. [Fig. 12-5] William Henry Fox Talbot. Mimosoidea Suchas, Acacia. c Photogenic drawing. Fox Talbot Collection, National Museum of Photography, Film & Television/Science & Society Picture Library. [Fig. 12-5]

6 Louis-Jacques-Mandé Daguerre. Le Boulevard du Temple. 1839
Louis-Jacques-Mandé Daguerre. Le Boulevard du Temple Daguerreotype. Bayerisches National Museum, Munich. [Fig. 12-6] Louis-Jacques-Mandé Daguerre. Le Boulevard du Temple Daguerreotype. Bayerisches National Museum, Munich. [Fig. 12-6]

7 Richard Beard. Maria Edgeworth. 1841. Daguerreotype. 2-1/8 × 1-3/4 in
Richard Beard. Maria Edgeworth Daguerreotype. 2-1/8 × 1-3/4 in. By courtesy of the National Portrait Gallery, London. [Fig. 12-7] Richard Beard. Maria Edgeworth Daguerreotype. 2-1/8 × 1-3/4 in. By courtesy of the National Portrait Gallery, London. [Fig. 12-7]

8 William Henry Fox Talbot. The Open Door. 1843. Calotype
William Henry Fox Talbot. The Open Door Calotype. Fox Talbot Collection, National Museum of Photography, Film & Television/Science & Society Picture Library. [Fig. 12-8] William Henry Fox Talbot. The Open Door Calotype. Fox Talbot Collection, National Museum of Photography, Film & Television/Science & Society Picture Library. [Fig. 12-8]

9 Julia Margaret Cameron. Portrait of Thomas Carlyle. 1863. Silver print
Julia Margaret Cameron. Portrait of Thomas Carlyle Silver print. 10 × 8 in. Science & Society Picture Library. [Fig. 12-9] Julia Margaret Cameron. Portrait of Thomas Carlyle Silver print. 10 × 8 in. Science & Society Picture Library. [Fig. 12-9]

10 Timothy O’Sullivan (negative) and Alexander Gardner (print)
Timothy O’Sullivan (negative) and Alexander Gardner (print). A Harvest of Death, Gettysburg, Pennsylvania, July 1863, from Alexander Gardner’s Photographic Sketchbook of the War Albumen silver print (also available as a stereocard). 6-1/4 × 7-13/16 in. Courtesy of the Library of Congress. [Fig ] Timothy O’Sullivan (negative) and Alexander Gardner (print). A Harvest of Death, Gettysburg, Pennsylvania, July 1863, from Alexander Gardner’s Photographic Sketchbook of the War Albumen silver print (also available as a stereocard). 6-1/4 × 7-13/16 in. Courtesy of the Library of Congress. [Fig ]

11 Alfred Stieglitz. The Steerage Photogravure. 13-3/16 × 10-3/8 in. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2012 Estate of Alfred Stieglitz/Artists Rights Society ARS, NY. Provenance unknown. ( ). The Museum of Modern Art, New York, NY, U.S.A. [Fig ] Alfred Stieglitz. The Steerage Photogravure. 13-3/16 × 10-3/8 in. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2012 Estate of Alfred Stieglitz/Artists Rights Society ARS, NY. Provenance unknown. ( ). The Museum of Modern Art, New York, NY, U.S.A. [Fig ]

12 Charles Sheeler. Criss-Crossed Conveyors—Ford Plant. 1927
Charles Sheeler. Criss-Crossed Conveyors—Ford Plant Gelatin silver print. 10 × 8 in. © The Lane Collection Courtesy, Museum of Fine Arts, Boston. Photograph © 2012 Museum of Fine Arts, Boston. [Fig ] Charles Sheeler. Criss-Crossed Conveyors—Ford Plant Gelatin silver print. 10 × 8 in. © The Lane Collection Courtesy, Museum of Fine Arts, Boston. Photograph © 2012 Museum of Fine Arts, Boston. [Fig ]

13 Joel Meyerowitz. Ten Grapplers Daisy-Chaining at Dusk, November 5, 2001, from Aftermath: World Trade Center Archive, Phaidon Press © Joel Meyerowitz, courtesy Edwynn Houk Gallery. [Fig ] Joel Meyerowitz. Ten Grapplers Daisy-Chaining at Dusk, November 5, 2001, from Aftermath: World Trade Center Archive, Phaidon Press © Joel Meyerowitz, courtesy Edwynn Houk Gallery. [Fig ]

14 An-My Lê. Small Wars (Ambush I). 1999–2002. Gelatin silver print
An-My Lê. Small Wars (Ambush I). 1999–2002. Gelatin silver print. 26 × 37-1/2 in. Courtesy of Murray Guy, New York. [Fig ] An-My Lê. Small Wars (Ambush I). 1999–2002. Gelatin silver print. 26 × 37-1/2 in. Courtesy of Murray Guy, New York. [Fig ]

15 Henri Cartier-Bresson. Athens. 1953
Henri Cartier-Bresson. Athens Henri Cartier-Bresson/Magnum Photos, Inc. [Fig ] Henri Cartier-Bresson. Athens Henri Cartier-Bresson/Magnum Photos, Inc. [Fig ]

16 Ansel Adams. Moonrise, Hernandez, New Mexico. 1941
Ansel Adams. Moonrise, Hernandez, New Mexico Gelatin silver print. 18-1/2 × 23 in. © Ansel Adams Publishing Rights Trust/CORBIS. [Fig ] Ansel Adams. Moonrise, Hernandez, New Mexico Gelatin silver print. 18-1/2 × 23 in. © Ansel Adams Publishing Rights Trust/CORBIS. [Fig ]

17 Jerry N. Uelsmann. Untitled, a rock with a splattering of bird excrement © Jerry Uelsmann. [Fig ] Jerry N. Uelsmann. Untitled, a rock with a splattering of bird excrement © Jerry Uelsmann. [Fig ]

18 Jerry N. Uelsmann. Untitled, a grove of trees. 1970. © Jerry Uelsmann
Jerry N. Uelsmann. Untitled, a grove of trees © Jerry Uelsmann. [Fig ] Jerry N. Uelsmann. Untitled, a grove of trees © Jerry Uelsmann. [Fig ]

19 Jerry N. Uelsmann. Untitled, hands about to touch each other. 1970
Jerry N. Uelsmann. Untitled, hands about to touch each other © Jerry Uelsmann. [Fig ] Jerry N. Uelsmann. Untitled, hands about to touch each other © Jerry Uelsmann. [Fig ]

20 Jerry N. Uelsmann. Untitled (first version). 1970. © Jerry Uelsmann
Jerry N. Uelsmann. Untitled (first version) © Jerry Uelsmann. [Fig ] Jerry N. Uelsmann. Untitled (first version) © Jerry Uelsmann. [Fig ]

21 Jerry N. Uelsmann. Untitled (second version). 1970. © Jerry Uelsmann
Jerry N. Uelsmann. Untitled (second version) © Jerry Uelsmann. [Fig ] Jerry N. Uelsmann. Untitled (second version) © Jerry Uelsmann. [Fig ]

22 Joel Meyerowitz. Porch, Provincetown. 1977
Joel Meyerowitz. Porch, Provincetown (Lightning bolt, C/L Plate 7.). © Joel Meyerowitz, courtesy Edwynn Houk Gallery. [Fig ] Joel Meyerowitz. Porch, Provincetown (Lightning bolt, C/L Plate 7.). © Joel Meyerowitz, courtesy Edwynn Houk Gallery. [Fig ]

23 Annie Leibovitz. Karen Finley at her home in Nyack, New York. 1992
Annie Leibovitz. Karen Finley at her home in Nyack, New York Chromogenic print. 39-1/16 × 49-1/8 in. Annie Leibovitz/Contact Press Images Inc. Courtesy of the artist. [Fig ] Annie Leibovitz. Karen Finley at her home in Nyack, New York Chromogenic print. 39-1/16 × 49-1/8 in. Annie Leibovitz/Contact Press Images Inc. Courtesy of the artist. [Fig ]

24 Edgar Degas. After the Bath, Woman Drying Her Hair. 1896
Edgar Degas. After the Bath, Woman Drying Her Hair Gelatin silver print. 6-1/2 × 41-1/16 in. The J. Paul Getty Museum, Los Angeles. [Fig ] Edgar Degas. After the Bath, Woman Drying Her Hair Gelatin silver print. 6-1/2 × 41-1/16 in. The J. Paul Getty Museum, Los Angeles. [Fig ]

25 Andreas Gursky. Ocean II. 2010. Chromogenic print
Andreas Gursky. Ocean II Chromogenic print /4 × 98-1/8 × 2-1/2 in. Andreas Gursky, VG BILD-KUNST, Bonn. [Fig ] Andreas Gursky. Ocean II Chromogenic print /4 × 98-1/8 × 2-1/2 in. Andreas Gursky, VG BILD-KUNST, Bonn. [Fig ]

26 Gregory Crewdson. Untitled (House in the Road). 2002
Gregory Crewdson. Untitled (House in the Road) C-print mounted on aluminum, edition 3 of /2 × 65-1/2 in. Phoenix Art Museum Collection. © Gregory Crewdson. Courtesy Gagosian Gallery. [Fig ] Gregory Crewdson. Untitled (House in the Road) C-print mounted on aluminum, edition 3 of /2 × 65-1/2 in. Phoenix Art Museum Collection. © Gregory Crewdson. Courtesy Gagosian Gallery. [Fig ]

27 Eleanor Antin. Constructing Helen, from Helen’s Odyssey. 2007
Eleanor Antin. Constructing Helen, from Helen’s Odyssey Chromogenic print. 68 × 199 in. Courtesy the artist and Ronald Feldman Fine Arts, New York. [Fig ] Eleanor Antin. Constructing Helen, from Helen’s Odyssey Chromogenic print. 68 × 199 in. Courtesy the artist and Ronald Feldman Fine Arts, New York. [Fig ]

28 Alexandre Cabanel. The Birth of Venus. Salon of 1863. Oli on canvas
Alexandre Cabanel. The Birth of Venus. Salon of Oli on canvas. 52 × 90 in. Réunion des Musées Nationaux / Art Resource, NY. [Fig ] Alexandre Cabanel. The Birth of Venus. Salon of Oli on canvas. 52 × 90 in. Réunion des Musées Nationaux / Art Resource, NY. [Fig ]

29 Fernand Léger. Ballet Mécanique. 1924
Fernand Léger. Ballet Mécanique © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy of The Humanities Film Collection, Center for the Humanities, Oregon State University. [Fig ] Fernand Léger. Ballet Mécanique © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy of The Humanities Film Collection, Center for the Humanities, Oregon State University. [Fig ]

30 D. W. Griffith. battle scene from The Birth of a Nation. 1915
D. W. Griffith. battle scene from The Birth of a Nation The Museum of Modern Art / Film Stills Archive. Courtesy of the Library of Congress. [Fig ] D. W. Griffith. battle scene from The Birth of a Nation The Museum of Modern Art / Film Stills Archive. Courtesy of the Library of Congress. [Fig ]

31 Sergei Eisenstein. Battleship Potemkin (still 1 of 4). 1925
Sergei Eisenstein. Battleship Potemkin (still 1 of 4) Mary Evans/GOSKINO/Ronald Grant/Everett Collection. [Fig a] Sergei Eisenstein. Battleship Potemkin (still 1 of 4) Mary Evans/GOSKINO/Ronald Grant/Everett Collection. [Fig a]

32 Sergei Eisenstein. Battleship Potemkin (still 2 of 4). 1925
Sergei Eisenstein. Battleship Potemkin (still 2 of 4) Mary Evans/GOSKINO/Ronald Grant/Everett Collection. [Fig b] Sergei Eisenstein. Battleship Potemkin (still 2 of 4) Mary Evans/GOSKINO/Ronald Grant/Everett Collection. [Fig b]

33 Sergei Eisenstein. Battleship Potemkin (still 3 of 4). 1925
Sergei Eisenstein. Battleship Potemkin (still 3 of 4) Mary Evans/GOSKINO/Ronald Grant/Everett Collection. [Fig c] Sergei Eisenstein. Battleship Potemkin (still 3 of 4) Mary Evans/GOSKINO/Ronald Grant/Everett Collection. [Fig c]

34 Sergei Eisenstein. Battleship Potemkin (still 4 of 4). 1925
Sergei Eisenstein. Battleship Potemkin (still 4 of 4) Mary Evans/GOSKINO/Ronald Grant/Everett Collection. [Fig d] Sergei Eisenstein. Battleship Potemkin (still 4 of 4) Mary Evans/GOSKINO/Ronald Grant/Everett Collection. [Fig d]

35 Douglas Gordon. 24 Hour Psycho. 1993
Douglas Gordon. 24 Hour Psycho Photo: Studio lost but found (Bert Ross). © 2011 Studio lost but found. Courtesy Gagosian Gallery from Psycho, 1960, USA. Directed and produced by Alfred Hitchcock. Distributed by Paramount Pictures © Universal City Studios, Inc. [Fig ] Douglas Gordon. 24 Hour Psycho Photo: Studio lost but found (Bert Ross). © 2011 Studio lost but found. Courtesy Gagosian Gallery from Psycho, 1960, USA. Directed and produced by Alfred Hitchcock. Distributed by Paramount Pictures © Universal City Studios, Inc. [Fig ]

36 Charlie Chaplin in The Gold Rush. 1925. Film still. Everett Collection
Charlie Chaplin in The Gold Rush Film still. Everett Collection. [Fig ] Charlie Chaplin in The Gold Rush Film still. Everett Collection. [Fig ]

37 Orson Welles as Kane campaigning for governor in Citizen Kane. 1941
Orson Welles as Kane campaigning for governor in Citizen Kane Film still. Everett Collection. [Fig ] Orson Welles as Kane campaigning for governor in Citizen Kane Film still. Everett Collection. [Fig ]

38 William Cameron Menzies
William Cameron Menzies. storyboard for the burning-of-Atlanta scene from Gone with the Wind MGM/Photofest. [Fig ] William Cameron Menzies. storyboard for the burning-of-Atlanta scene from Gone with the Wind MGM/Photofest. [Fig ]

39 The burning-of-Atlanta scene from Gone with the Wind. 1939
The burning-of-Atlanta scene from Gone with the Wind MGM/Photofest. [Fig ] The burning-of-Atlanta scene from Gone with the Wind MGM/Photofest. [Fig ]

40 Nam June Paik. Video Flag. 1985–96
Nam June Paik. Video Flag. 1985– video monitors, 4 laser disc players, computer, timers, electrical devices, wood and metal housing on rubber wheels. 94-3/8 × 139-3/4 × 47-3/4 in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Gift of Joseph H. Hirshhorn, [Fig ] Nam June Paik. Video Flag. 1985– video monitors, 4 laser disc players, computer, timers, electrical devices, wood and metal housing on rubber wheels. 94-3/8 × 139-3/4 × 47-3/4 in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Gift of Joseph H. Hirshhorn, [Fig ]

41 Nam June Paik. TV Bra for Living Sculpture. 1969
Nam June Paik. TV Bra for Living Sculpture Performance by Charlotte Moorman with television sets and cello. Photo Peter Moore: © The Estate of Peter Moore/Licensed by VAGA, New York, NY. [Fig ] Nam June Paik. TV Bra for Living Sculpture Performance by Charlotte Moorman with television sets and cello. Photo Peter Moore: © The Estate of Peter Moore/Licensed by VAGA, New York, NY. [Fig ]

42 Trisha Brown. Walking on the Wall. 3/30/1971
Trisha Brown. Walking on the Wall. 3/30/1971. Photo by Peter Moore © Estate of Peter Moore/Licensed by VAGA, NYC. [Fig ] Trisha Brown. Walking on the Wall. 3/30/1971. Photo by Peter Moore © Estate of Peter Moore/Licensed by VAGA, NYC. [Fig ]

43 Robert Rauschenberg. Open Score. October 14 and 22, 1966
Robert Rauschenberg. Open Score. October 14 and 22, Courtesy of Julie Martin/Experiments in Art and Technology. Art © Estate of Robert Rauschenberg/Licensed by VAGA, New York, NY. [Fig ] Robert Rauschenberg. Open Score. October 14 and 22, Courtesy of Julie Martin/Experiments in Art and Technology. Art © Estate of Robert Rauschenberg/Licensed by VAGA, New York, NY. [Fig ]

44 William Wegman. still from Rage and Depression, Reel 3. 1972-73. Video
William Wegman. still from Rage and Depression, Reel Video. approximately 1 min. Courtesy of the artist. [Fig ] William Wegman. still from Rage and Depression, Reel Video. approximately 1 min. Courtesy of the artist. [Fig ]

45 Bill Viola. The Reflecting Pool (still 1 of 4). 1977-1979
Bill Viola. The Reflecting Pool (still 1 of 4) Video, color, mono sound. 7 min. © Bill Viola Studio. Photos: Kira Perov. [Fig a] Bill Viola. The Reflecting Pool (still 1 of 4) Video, color, mono sound. 7 min. © Bill Viola Studio. Photos: Kira Perov. [Fig a]

46 Bill Viola. The Reflecting Pool (still 2 of 4). 1977-1979
Bill Viola. The Reflecting Pool (still 2 of 4) Video, color, mono sound. 7 min. © Bill Viola Studio. Photos: Kira Perov. [Fig b] Bill Viola. The Reflecting Pool (still 2 of 4) Video, color, mono sound. 7 min. © Bill Viola Studio. Photos: Kira Perov. [Fig b]

47 Bill Viola. The Reflecting Pool (still 3 of 4). 1977-1979
Bill Viola. The Reflecting Pool (still 3 of 4) Video, color, mono sound. 7 min. © Bill Viola Studio. Photos: Kira Perov. [Fig c] Bill Viola. The Reflecting Pool (still 3 of 4) Video, color, mono sound. 7 min. © Bill Viola Studio. Photos: Kira Perov. [Fig c]

48 Bill Viola. The Reflecting Pool (still 4 of 4). 1977-1979
Bill Viola. The Reflecting Pool (still 4 of 4) Video, color, mono sound. 7 min. © Bill Viola Studio. Photos: Kira Perov. [Fig d] Bill Viola. The Reflecting Pool (still 4 of 4) Video, color, mono sound. 7 min. © Bill Viola Studio. Photos: Kira Perov. [Fig d]

49 Bill Viola. sketch for The Greeting set. 1995. © Bill Viola Studio
Bill Viola. sketch for The Greeting set © Bill Viola Studio. Photos: Kira Perov. [Fig ] Bill Viola. sketch for The Greeting set © Bill Viola Studio. Photos: Kira Perov. [Fig ]

50 Jacopo da Pontormo. The Visitation. 1528. Oil on canvas
Jacopo da Pontormo. The Visitation Oil on canvas. 79-1/2 × 61-3/8 in. Pieve di S. Michele, Carmignano, Italy. © Canali Photobank, Capriolo, Italy. [Fig ] Jacopo da Pontormo. The Visitation Oil on canvas. 79-1/2 × 61-3/8 in. Pieve di S. Michele, Carmignano, Italy. © Canali Photobank, Capriolo, Italy. [Fig ]

51 Bill Viola. The Greeting. 1995. Video/sound installation exhibition
Bill Viola. The Greeting Video/sound installation exhibition. Commissioner, Marilyn Zeitlin. Arizona State University Art Museum, Tempe, Arizona. © Bill Viola Studio. Photo: Kira Perov. [Fig ] Bill Viola. The Greeting Video/sound installation exhibition. Commissioner, Marilyn Zeitlin. Arizona State University Art Museum, Tempe, Arizona. © Bill Viola Studio. Photo: Kira Perov. [Fig ]

52 Peter Fischli and David Weiss
Peter Fischli and David Weiss. Der Lauf der Dinge (The Way Things Go) (still 1 of 2) mm color film. duration 30 min. © Peter Fischli David Weiss, Courtesy of Matthew Marks Gallery, New York. [Fig a] Peter Fischli and David Weiss. Der Lauf der Dinge (The Way Things Go) (still 1 of 2) mm color film. duration 30 min. © Peter Fischli David Weiss, Courtesy of Matthew Marks Gallery, New York. [Fig a]

53 Peter Fischli and David Weiss
Peter Fischli and David Weiss. Der Lauf der Dinge (The Way Things Go) (still 2 of 2) mm color film. duration 30 min. © Peter Fischli David Weiss, Courtesy of Matthew Marks Gallery, New York. [Fig b] Peter Fischli and David Weiss. Der Lauf der Dinge (The Way Things Go) (still 2 of 2) mm color film. duration 30 min. © Peter Fischli David Weiss, Courtesy of Matthew Marks Gallery, New York. [Fig b]

54 Still from Steven Spielberg’s Jurassic Park. 1993
Still from Steven Spielberg’s Jurassic Park Courtesy of Universal Studios LLC. [Fig ] Still from Steven Spielberg’s Jurassic Park Courtesy of Universal Studios LLC. [Fig ]

55 Cao Fei. RMB City. 2008. Digital print
Cao Fei. RMB City Digital print. © All rights reserved Cao Fei Courtesy Vitamin Creative Space, Guangzhou. [Fig ] Cao Fei. RMB City Digital print. © All rights reserved Cao Fei Courtesy Vitamin Creative Space, Guangzhou. [Fig ]

56 Jeff Wall. A Sudden Gust of Wind (After Hokusai). 1993
Jeff Wall. A Sudden Gust of Wind (After Hokusai) Fluorescent light and display case. 90-3/16 × 148-7/16 in. Tate, London / Art Resource, NY. Courtesty of the artist. [Fig ] Jeff Wall. A Sudden Gust of Wind (After Hokusai) Fluorescent light and display case. 90-3/16 × 148-7/16 in. Tate, London / Art Resource, NY. Courtesty of the artist. [Fig ]

57 Sakino Hokusai. Shunshuu Ejiri, from the series Thirty-Six Views of Mount Fuji Color woodblock. 30-1/2 × 46 in. The Japan Ukiyo-e Museum, Matsumoto City, Japan. [Fig ] Sakino Hokusai. Shunshuu Ejiri, from the series Thirty-Six Views of Mount Fuji Color woodblock. 30-1/2 × 46 in. The Japan Ukiyo-e Museum, Matsumoto City, Japan. [Fig ]


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