1. Form

2. Form p. 2

3. C Major Triad, Meas. 1-2

4. C Major 5 Finger Pattern, m. 2-3

5. G & C Five Finger Patterns, m. 3-4

6. Modulation – G Scale

7. Alberti Bass

8. G Major Scale on B

9. Meas. 15-16

10. Development – Minor Key

11. L.H. Melody

12. Recap – Octave Lower

13. Melody Change, Meas. 28

14. Double 3rds, Meas. 30

15. Beethoven, Les Adieux

16. G & C Five Finger Patterns, Meas. 3-4

17. Czerny Etude

18. Czerny Etude with Comments

19. Kabalevsky Waltz, Op. 39

20. Kabalevsky Waltz, Op. 39 w/ Comments

21. Shostakovitch Waltz

22. Shostakovich Waltz w/Comments

23. Beethoven – compare harmonic structure of first four measures with measures 7-10, when opening melody repeats. Even though the first three notes of the melody are the same, the harmony is quite different. Teaching items in this section: Augmented 6 th chord, suspensions, secondary dominants, diminished seventh chords Kabalevsky Waltz – This piece moves through a harmonic progression that our ears do not expect to hear. The music begins sounding aeolian, the first section ends sounding like it is in a minor, and the piece ends with an authentic cadence in d minor. Czerrny Etude – See comments on music. Karen liked this one. You may find other good theory elements. Shostakovich Waltz – This is modal (listed in Clarice Lincoln’s article) – aeolian mode both on a and on g.