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Movements: Terms: The New York School: Action painting Pop Art Appropriation Minimal & Earthworks Installation Photorealism Assemblage Conceptual Art Performance Neo-ExpressionismHappening Neo-DadaPluralism Feminism Postmodernism Chapter Twenty-two Art Since 1945
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The New York School Insert 72 dpi visual Suggested visual: figure 22.1 Jackson Pollock, Number 1, 1949 Abstract Expressionism: Action Painting
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Insert 72 dpi visual Suggested visual: figure 22.3 Willem de Kooning, Woman and Bicycle, 1952-53. The New York School Abstract Expressionism: Action Painting
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Insert 72 dpi visual Suggested visual: figure 22.4 Mark Rothko, Orange and Yellow, 1956. Insert 72 dpi visual Suggested visual: figure 22.5 Helen Frankenthaler, The Bay, 1963. The New York School Abstract Expressionism: Color Field Painting
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Into the Sixties: Neo-Dada, Assemblages Insert 72 dpi visual Suggested visual: figure 22.7 Jasper Johns, Target with Four Faces, 1955. Into the Sixties Insert 72 dpi visual Suggested visual: figure 22.8 Jean Tinguely, Homage to New York, 1960 Assemblages and Happenings
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Insert 72 dpi visual Suggested visual: figure 22.9 Allan Kaprow, The Courtyard, 1962. Assemblages and Happenings
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Insert 72 dpi visual Suggested visual: figure 22.10 Andy Warhol, 100 Cans, 1962 Art of the 60’s & 70’s Insert 72 dpi visual Suggested visual: figure 22.11 Roy Lichtenstein, Masterpiece, 1962 Pop Art Derived imagery from popular, mass-produced culture
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Abstraction, economy & repetition Insert 72 dpi visual Suggested visual: figure 22.13 Frank Stella, Valparaiso Flesk and Green, 1963. Minimal Art & Earthworks Insert 72 dpi visual Suggested visual: figure 22.14 Donald Judd, Untitled, 1969.
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Photorealism: painting that resembles photographs Insert 72 dpi visual Suggested visual: figure 22.16 Don Eddy, New Shoes for H., 1973-74 Real, Super Real
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Idea is paramount, Form is secondary Insert 72 dpi visual Suggested visual: figure 22.17 Joseph Kosuth, One and Three Chairs, 1965. Conceptual Art
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Honored female art and the domestic realm Insert 72 dpi visual Suggested visual: figure 22.18 Miriam Shapiro, Heartfelt, 1979 Feminism and Feminist Art
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Postmodernism: Words and Images, Issues and Identities Appropriation: artistic recycling of existing images Pluralism: multiple directions Insert 72 dpi visual Suggested visual: figure 22.21 Sherrie Levine, Fountain, 1991. Art Since the Eighties Postmodern World
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Neo-Expressionism: emotional intensity of the Expressionists Insert 72 dpi visual Suggested visual: figure 22.22 Anselm Kiefer, Interior, 1949 Postmodern The Painterly Image
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Words and Images, Issues and Identities Insert 72 dpi visual Suggested visual: figure 22.28 David Wojnarowicz, Untitled (Sometimes I come to hate people), 1992. Insert 72 dpi visual Suggested visual: figure 22.29 Juane Quick-to-See Smith, House, 1995.
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Insert 72 dpi visual Suggested visual: figure 22.32 Laurie Anderson performing, Stories from the Nerve Bible, 1993. Toward Theater Insert 72 dpi visual Suggested visual: figure 22.33 Cai Guo-Qiang, Dream, 2002. A full performance text of 22.23 can be found online. Performance and Installation
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Insert 72 dpi visual Suggested visual: figure 22.35 Mary Flanagan, [collection], 2001. The Digital Realm To participate: www.maryflanagan.com/collection.htm.
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Insert 72 dpi visual Suggested visual: figure 22.36 Matthew Barney, Cremaster 5: Her Giant, 1997 Being Human The Life of the Body
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Insert 72 dpi visual Suggested visual: figure 22.39 Lorna Simpson, Still from Easy to Remember, 2001 The Life of the Spirit Being Human
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Movements: Terms: The New York School: Action painting Pop Art Appropriation Minimal & Earthworks Installation Photorealism Assemblage Conceptual Art Performance Neo-ExpressionismHappening Neo-DadaPluralism Feminism Postmodernism Chapter Twenty-two Art Since 1945
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