1. Modernism

2. John Stuart Mill Utilitarianism

3. Karl Marx

4. Marxist Criticism

5. Friedrich Nietzsche

6. Moral/Philosophical Criticism

7. Sigmund Freud

8. Freud’s Id, Ego and Superego

9. Psychological/Psychoanalytical Criticism

10. Carl Jung –Shadow Archetype

11. Influence of Existentialism

12. King Leopold II of Belgium

13. Imperialism and Colonialism

14. Sociological/Cultural Criticism

16. Joseph Conrad (1857-1914) Marlow’s & Conrad’s 1889-90 journey into “ Heart of Darkness ” Marlow’s & Conrad’s 1889-90 journey into “ Heart of Darkness ”

17. “…the vilest scramble for loot that ever disfigured the history of human conscience and geographical exploration.”

18. Heart of Darkness Style

19. Patterns and Symbolism of “Three”

20. Formulist Criticism

21. The road to hell is paved with good intentions…

22. Polysemous – four levels of meaning Literal (Historical) – Belgian Congo (colonialism) Allegorical (Figural) – avarice (greed) and rapacious (Dante); inability to operate as a global community Psychological (Moral) – relating to other people … “in a mirror darkly” / shadow archetype; fascinated by unknown territory (“fascination of the abomination”) – Miltonic idea – depths of human spirit to confront monster/shadow and see it is you … face it??? Spiritual (Anagogical) – *exegesis (critical analysis) of work – Kurtz as Marlow’s spiritual father (one of the great men of the earth); Nicomachean Ethics – *virtuous (habit) man (character) choosing best course of action* - Keep this in mind when we get to Hamlet’s Humanism ideas … potentiality of man →becomes something horrible

23. Whited Sepulcher (Matt.23.27)

24. Religious Criticism

25. Central Oppositions in HOD Civilization vs. wilderness Culture vs. savagery Fascination vs. repulsion Freedom vs. restraint Innocence vs. experience Justice vs. injustice Reality vs. unreality Strength vs. weakness Success vs. failure Work vs. idleness

26. Heart of Darkness as the Archetypal Quest

27. A Few Themes… Light versus dark (inversions)/chiaroscuro Man’s inhumanity to man (injustices) Hypocrisy of Imperialism (“whited sepulchers”) Unrestrained lusts (versus “restraint”) Lure of the abyss Internal heart of darkness (interior vs. exterior) Madness (rational vs. irrational) Absurdity of evil Isolation / Alienation *Remember: Motifs help develop themes. Identify motifs and themes as you read.

28. Part I – “Devils” Marlow says, “I felt as though instead of going to the center of a continent I were about to set off for the centre of the earth.” At the Outer Station (19), Conrad describes two devil types: one, a “strong, lusty, red-eyed lusty” devil; and two, “a flabby, pretending, weak-eyed devil, of a rapacious and pitiless folly.” Both are foreshadowing of the villain force prominent in this story, as seen in two different men. What two men are foreseen in each of these devils? At Central Station (24) - what is the reference Marlow makes that reminds you of the “flabby, pretending, weak- eyed devil” mentioned above? To whom is he referring?

29. Part I - Stations Outer Station: – Blasting (connection to “man-of-war”) (“lugubrious drollery”) – Chain gang – “great cause … high and just proceedings” – Grove of death – “the gloomy circle of some Inferno” – Accountant / flies (Beelzebub = “lord of the flies”) – Mention of Kurtz Central Station: – General Manager (Kurtz) / “Hollow Men” – Brick maker (“papier-mâché Mephistopheles”) (“Hollow Men”) / (Kurtz) – Painting – Authorial intrusion (30) / “We live, as we dream – alone …” – Rivets (Foreman)