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Published byAbraham Taylor Modified over 9 years ago
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Drawing Exercises Continuous Contour Line Drawing
Blind Contour Eye Drawing Gesture Drawing Negative Space Drawing Value without Line Drawing
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Continuous Contour Line Drawing
Create a drawing without lifting the pencil off the paper Helps artists focus on the line Imperfections = Beauty
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Blind Contour Eye Drawing
Look at the subject matter you are drawing, but not at your paper Helps your eye and hand work in unison Do not lifting the pencil off the paper Abstraction = Success
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Gesture Drawing Draw as much information as you can in a short amount of time Do not waist time erasing; instead add darker lines on top of softer ones Focus on what is being drawn as much as the drawing itself
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Negative Space Drawing
Draw the space around the object (negative space) rather than the object itself 1st use solid marks to create very flat image 2nd try making the negative space more realistic
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Value without Line Drawing
Do not draw a single line, instead use shading to build the drawing up Create various degrees of lightness and darkness You can use an eraser
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Increasing Darkness Pressure Crossing lines Lines closer together
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Still Life Drawing
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Still Life
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Still Life An artwork that shows mostly inanimate objects
Inanimate = things that cannot move or live Artists use this technique to become better in their skills of drawing and most importantly seeing
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Jan Brueghel the Elder, 1599
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Vincent van Gogh, 1888
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MC Eschur, 1943
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Pablo Picasso, 1924
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Roy Lichtenstein, 1972
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Contour Line Drawing Start with soft pencil marks Zoom in and draw big
Try using shapes that you see in the objects Complete entire composition before adding heavier marks and details to a single area
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Value
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Value Varies degrees of lightness and darkness in an artwork
A good artist will use these degrees of value to give an artwork depth
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Value vs Contour Line
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Value Scale Using a pencil and ruler, draw 5 x 1’’ x 1’’ squares
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Today’s Steps Add value to your artwork, with various degrees of lightness and darkness Choose from tonal, crosshatch, or linear, techniques Look closely at values and blend what you see
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Hints Draw what you see from your personal perspective
Constantly compare your drawing with the objects in the still life Spend equal time looking at your drawing and the objects in the still life
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