1. COPYRIGHT 2 PERMITTED ACTS AND DEFENCES

2. Role of Copyright Tribunal Deals with disputes and licensing Statutory licensing under the CDPA a. educational purposes b. rental of sound recordings c. competition Can refer anti-competitive practices to Office of Fair Trading & complaints can then go to Competition Commission

3. LICENCES A licence allows use of copyright material BUT NOTE a licence is just that - a form of permission – it is not a property right. Licences can be granted for specific area/period of time. Can be exclusive/non-exclusive. Note the difference between the 2.

4. INFRINGEMENT (1) Copying a work Issuing copies to public Renting/lending copies to public Performing, showing or playing a work in public Communicating work to the public Making an adaptation of a work or any of above in relation to an adaptation (s. 16 CDPA)

5. INFRINGEMENT (2) To do any of the above in respect of the whole or substantial part of the work is a PRIMARY infringement What is ‘substantial’? Note that all this applies to material on the internet as well. Note the new powers under Digital Economy Act 2010

6. PERMITTED ACTS relevant to the media Incidental Inclusion Fair dealing Publishing in the Public interest Reproduction of Speeches & Interviews

7. INCIDENTAL INCLUSION Where copyright material included is not the main theme of the publication or work Football Association Premiership League Ltd v Panini Ltd [2003]

8. FAIR DEALING AN IMPORTANT DEFENCE 3 forms apply here:- 1. Fair Dealing for the purposes of criticism or review 2. Fair Dealing for the purposes of reporting current events N.B. NO defence for use of photograph 3. Fair Dealing for the purposes of parody, Pastiche and Caricature.

9. A. CRITICISM & REVIEW S.30(1) CDPA There must be a sufficient acknowledgment & the work must have been made available to the public by legitimate means: - copies issued to public - copies been loaned or rented to public - work been performed exhibited played etc or communicated in some way

10. 2 EXAMPLE CASES 1. Time Warner Entertainments Co v Channel Four Television Corp plc [1994] (‘Clockwork Orange case’) 2. Pro Sieben Media AG v Carlton UK TV [1999] Note the material MUST be used for purpose of criticism/review NOT sensationalism

11. B. REPORTING CURRENT EVENTS S. 30 (2) & (3) CDPA Must be accompanied by sufficient acknowledgement unless, in the case of sound recording or film or broadcast it is impossible for reasons of practicality or otherwise

12. Some useful cases BBC v British Satellite Broadcasting [1992] Hyde Park Residence Ltd v News Group Newspapers [2000] (Also known as ‘Yelland’) Ashdown v Telegraph Group [2001]

13. PARODY, PASTICHE & CARICATURE Came into force on 1 st October 2014 – Copyright & Rights in Performances (Quotation and Parody) Regulations 2014 Amends S.30 - Allows quotation from original work the benefit of Fair dealing as a defence. No guidance on how this will work in practice.

14. PARODY, PASTICHE cont’d Courts will have to address issue of whether new creation uses too much original material. Fair Dealing rules will apply. Moral rights will not be affected. Will courts have to decide if the new work – the parody/pastiche - is funny? Does a parody or pastiche always have to be funny?

15. The Public Interest defence and Human Rights Despite what is stated in S.171 (3) CDPA this is very limited. Look at : Lion Laboratories v Evans [1984] Hyde Park Residences case (Yelland) Ashdown case and the comments of the courts about when public interest is appropriate to use

16. Public Interest – Court of Appeal view Both Hyde Park Residence & Ashdown went to CA. Courts split as to use of public interest and how strict the interpretation should be. Aldous LJ – use only in case of wrongdoing by claimant Mance LJ – parameters of defence not capable of precise definition

17. BUT IT CAN WORK.... See Reading Post case referred to in McNae p.353 ( concerns photographs) This a small claims case reported on the Newspaper Society website in 2010 Judge allowed defence in these specific circumstances

18. Speeches & Interviews Copyright attaches to spoken words as soon as they are recorded in a permanent form (with or without permission) There is copyright in the script from which speaker reads Can be used for reporting current events provided: Speaker did not prohibit the recording and the use made of the words was not prohibited in advance by the speaker See case of the Queen’s Speech and Sun Newspaper NO copyright in the facts conveyed in a speech

19. Copyright reform? Is copyright too heavily weighted in favour of the copyright owner? Should the law be reformed? Reforms being discussed e.g. for parody and pastiche.