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Chuck Close Most of his works are very large portraits based on photographs (Photorealism or Hyperrealism technique).PhotorealismHyperrealism.

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Presentation on theme: "Chuck Close Most of his works are very large portraits based on photographs (Photorealism or Hyperrealism technique).PhotorealismHyperrealism."— Presentation transcript:

1 Chuck Close Most of his works are very large portraits based on photographs (Photorealism or Hyperrealism technique).PhotorealismHyperrealism

2 Chuck Close To create his grid work copies of photos, Close puts a grid on the photo and on the canvas and copies cell by cell.grid

3 Chuck Close His first tools for this included an airbrush, rags, razor blade, and an eraser mounted on a power drill.

4 Chuck Close Close has often returned to the same photos to paint over and over again with different techniques.

5 Chuck Close Close has often returned to the same photos to paint over and over again with different techniques.

6 Chuck Close Later work has branched into non- rectangular grids, topographic map style regions of similar colors, and using larger grids to make the cell by cell nature of his work obvious. topographic map

7 Chuck Close Even in small reproductions -- the Big Self Portrait is so finely done that even a full page reproduction in an art book is still indistinguishable from a regular photograph.

8 Chuck Close Even in small reproductions -- the Big Self Portrait is so finely done that even a full page reproduction in an art book is still indistinguishable from a regular photograph.

9 Chuck Close Even in small reproductions -- the Big Self Portrait is so finely done that even a full page reproduction in an art book is still indistinguishable from a regular photograph.

10 Chuck Close In 1988, Close had a spinal artery collapse, on the day he was to give a speech at an art awards ceremony. He felt ill beforehand, gave his speech, then painfully went to a hospital across the street. A few hours later he was a quadriplegic.1988quadriplegic

11 Chuck Close Close continued to paint with a brush held between his teeth, creating mini-portraits in grid squares created by an assistant. From a distance, these squares appear as a single, unified image. Eventually Close managed to recover some movement in his arm and legs, and now paints with a brush strapped to his hand.

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