1. M100: Music Appreciation Discussion Group Ben Tibbetts, T. A
M100: Music Appreciation Discussion Group Ben Tibbetts, T.A Welcome! Please sign the attendance at the front of the room.
Tuesday February 12, 2013

2. Please remember to do your reading assignments before class.
I don’t (can’t!) cover everything.

3. Today’s Agenda Sections Tests Listening Logs & Concert Reports
Pages &
In Class Assignment

4. Section Locations:
Ben Tibbetts Herter 231 (here)
Christie Cho Herter 102 need 3 volunteers
Meg Bowen Room 110 need 1 volunteer
Kristen Wallentinsen Herter 114 need 3 volunteers

5. Elements Test
Pass back

6. Elements Test
Section A C E B H D I J A G
Section B C A D B

7. Elements Test Section C
Genres listed in the book (p.14-15): mass, song, instrumental music, madrigal, anthem, dance music, opera, fugue, concerto, suite, cantata, oratorio, string quartet, symphony, choral music, concert overture, chamber music, piano music, orchestral music, ballet, Broadway musical, aleatory music, percussion ensemble music, film music, Native American chant, Caribbean music, Central African music, Japanese court music, Beijing Opera, Indian raga, Balinese gamelan [music]
Not usually considered “classical”: ragtime, blues, big band jazz, bebop, rock ‘n’ roll, gospel, Motown, punk, hip hop

8. Elements Test
Section D #1

9. Elements Test
Section D #2

10. Elements Test
Section D #3

11. Elements Test Section D #4 #5: W, H, H, W Extra Credit: F, C# B, Eb
The top number tells you how many beats are in every measure. (3)
The bottom number tells you which note gets the beat. (quarter note)

12. Questions?
See me after class (or )

13. Upcoming Wind Ensemble Concert
March 2nd.
You will be asked to write a concert report (more on that later).
To prepare you for this experience, we have in-class “listening logs”.
Listening Log Collection #1 is March 7th.

14. (like learning to “spit like a man.”)
Writing About Music
Part of this course entails learning to write and talk about music with competence and specificity, “like a musician”.
(like learning to “spit like a man.”)

15. Writing About Music Two commonly misused words:
“Classical music” technically refers to the Classical era ( ).
Better: the Classical era, orchestral music, the composer’s name, the name of the piece, etc.
A “song” refers to music with words, sung by a vocalist.
Better: piece (any music), song (used correctly), track (recorded music)

16. Writing About Music
What not to write in a Listening Log or Concert Report:
Filler.
“’Tu se morta’ is by Claudio Monteverdi, an Italian composer, gambist and singer who was born on May 15, 1567 and died on November 29, 1643, famous for developing Renaissance polyphony and…”
“On December 4, 2012, at 8:00pm, I attended a concert for the Music 100 ‘Music Appreciation class instructed by the Benjamin Tibbetts, Kristen Wallentinsen, Meg Bowen and Christie Cho, led by Professor Miriam Jenkins, in the Fine Arts Center at the University of Massachusetts…”
“The first piece on this concert was ‘_____’. The second piece on this concert was ‘____’. The third piece on this concert…”
“This piece, ‘_____’ featured two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, one tuba, timpani, about ten violins…”

17. Writing About Music
What not to write in a Listening Log or Concert Report:
Storytelling.
“I was distracted because the guy in front of me turned around and said…”
“The seats were warm so I was comfortable, but I was a little tired and…”
“I was in a bad mood that day because my friend Sandra told me…”

18. Writing About Music
What not to write in a Listening Log or Concert Report:
Incorrect use of vocabulary.
“The dynamics of this piece were smooth…”
“Their sound changed as the piece went faster and slower…”
“Loud rhythms here crescendo-ed into…”
“The solo cellist played four songs which were…”
“The timbre of the piece was loud and…”

19. Writing About Music
What not to write in a Listening Log or Concert Report:
Opinion or Judgment.
“I was so impressed by…”
“It was amazing because…”
“This concert sucked. The musicians were terrible and…”
“Those musicians played so passionately…”
“I really enjoyed…”
“I thought I would hate it but I was pleasantly surprised to find that I loved it because…”
“The best piece on the program was…”

20. Writing About Music
What not to write in a Listening Log or Concert Report:
Kissing-up.
“I am so glad I came to this concert. I used to hate classical music but now I love it. I am going to be a musician now. My iPod will have nothing but Mozart on it from now on. Thank you so much for this amazing opportunity to explore this fantastic new world of wonder and discovery…”

21. Writing About Music
What to write in your Listening Logs and Concert Reports:
Observations about the music itself…
Observations about your experience of the music…
…using fundamental musical vocabulary.

22. Writing About Music
Some of the vocabulary you know already from the “musical elements” chapter.
Meter (duple vs. triple)
Melody vs. harmony or accompaniment)
Texture (monophonic, homophonic, polyphonic)
Genre
Timbre
Dynamics
Tempo
Rhythm
Motion (conjunct vs. disjunct)
Word painting
As we move forward in this course, more vocabulary will be added to this arsenal (and you will be expected to incorporate it).

23. Henry Purcell
English composer

24. Henry Purcell
Henry Purcell wrote one of the earliest English operas, Dido and Aeneas, based on Virgil’s Aeneid.

25. Henry Purcell
A well-known aria (song) from Dido and Aeneas: “Dido’s Lament”
This recording is by Emma Kirkby.
This will be a Listening Log.
Thy hand, Belinda, darkness shades me,
On thy bosom let me rest,
More I would, but Death invades me;
Death is now a welcome guest.
When I am laid, am laid in earth,
May my wrongs create
No trouble, no trouble in thy breast;
Remember me, but ah! forget my fate.

26. German composer/organist
Johann Sebastian Bach
German composer/organist

27. Bach In-Class Assignment
Work on this during discussion and pass it in at the end of today’s discussion.
Baroque Take Home Assignment
This is a separate assignment. It requires the book. You’ll be taking this home and passing it in on Thursday.
Heads up! Both assignments are double-sided.

28. Fugues
Fugue – “a polyphonic work based on a central theme and employing imitation.”
(p. 516)
Subject – “the central theme of a fugue.” (p. 518)
Fugal exposition – “the opening section of a fugue, in which all the voices enter with the main subject.” (p. 516)

29. Fugues So what does that mean?
A fugue (adjective “fugal”) is polyphonic. This means that there are multiple melodies happening at once, and they’re are all equal to each other.
In a fugue, each of these multiple “melodies” (also called “lines” or “voices”) is actually the same melody—it’s just beginning at different times.
We call this melody a subject. Every time the subject begins, we call that an entrance of the subject.
This layering of the subject over itself is at its most obvious and striking in the fugue’s exposition, or beginning section.

30. Fugues Listen: the Nokia Ringtone vs.
Video: the “Nokia [Ringtone] Fugue”
(composed by Vincent Lo)

31. Fugues
Presentation and manipulation of the subject isn’t all that’s happening.
But it’s the easiest thing to pick out.

32. Fugues J.S. Bach’s Fugue in G Minor (“The Little”), BWV 578
Organ recording by Helmut Walcha, Austria
We’ll listen to the beginning of the subject by itself first, then we’ll listen to the whole fugue.
This will be a Listening Log.

33. Fugues Let’s listen to an orchestration of this piece.
(Orchestration usually refers to re-arranging music for orchestra or another large ensemble.)
This orchestration of Bach’s “Little Fugue” in G minor is by Leopold Stokowski.
Please complete your in-class assignments at this time. (Again, notice that these are two-sided sheets.)

34. Final Reminders / Homework
Pass in your in-class assignment
Read pages
Baroque Take Home Assignment due Thurs.
Questions?