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HOW TO READ A NOVEL. 1. Point of View (POV) and Narrative Technique 1.One useful way to approach a novel involves asking yourself (as you read): Who is.

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Presentation on theme: "HOW TO READ A NOVEL. 1. Point of View (POV) and Narrative Technique 1.One useful way to approach a novel involves asking yourself (as you read): Who is."— Presentation transcript:

1 HOW TO READ A NOVEL

2 1. Point of View (POV) and Narrative Technique 1.One useful way to approach a novel involves asking yourself (as you read): Who is telling the story? Is it some unidentified person or voice? Is there a specific speaker? Does the speaker change throughout the novel? (why would the author change POV’s)

3 2. Plot and Narrative structure o Plot is what happens in a story, and structure is the order in which the novel presents the plot. (Is the novel presented using Rhetorical Strategies such as: Flashbacks, Stream of Consciousness, etc.) Plot and structure converge almost completely in novels in order for the theme to come full circle. o Although it might seem easy to merge plot and structure completely, it is virtually impossible to do so. Yes, the plot and structure converge, but they are separate entities.

4 3. Setting I. Where does the action take place? (Think of place and time) Chronological setting: The effects of the chronological setting of the novel will impact the novel. Does the novel take place over a period of time? A month…year…decade? WHY?

5 Setting Continued… II. Place: Ask yourself:  How does the physical place affect the characters?  WHY did the author choose this specific place?  Why not somewhere else?  What makes this “place” essential to understanding the novel?

6 4. Characterization I.Ask yourself:  Who are the main characters?  What are they thinking?  Why do they think this?

7 o When you think of it, one of the strangest things about fiction is that authors can make us react to a bunch of words as if they were a real person. The author can get us to laugh or cry, get angry or indignant, and even occasionally think of the character’s actions when trying to make a “real-life” decision. o The various techniques that create this powerful illusion of a person make up what we call characterization. Her are some of the more important of these literary devices:  Physical descriptions – telling us what the character looks like.  Dialogue – what the character says.  Physical actions – what the character does (particularly in relation to what he or she says or thinks.  Thoughts, or mental actions – the character’s inner life, what the character thinks.  Judgments by others – what other characters say and think about this fictional person.  The narrator’s judgment – what the narrator tells us about the character  The author’s judgment – what the author thinks of the character (sometimes difficult to determine until late in the narrative)

8 5. Subject vs. Theme We frequently use the terms theme and subject interchangeably, but they are NOT. Subject: Can be a word or phrase which gives the overall topic of the novel. Theme: Posed in a thesis format, giving the reader something to “think” about when analyzing the novel…Essentially telling the reader what the subject “means.”

9 Example of Subject: 1.A general subject(s) of a book can be: “the condition of the working classes” or “the relations of manufacturers and mill workers.”

10 In contrast, the theme is what the novel implies we should think about such subjects; it’s what the book means. Example of Theme North and South shows that factory workers in mid-Victorian England led harsh lives of deprivation and injustice; with that following the assumptions that classical economics led factory owners to mistreat their workers and to consider them almost as a separate, lower species.


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