1. LITERARY CONNECTIONS CRITICAL VIEWING

2.  A novel or play adapted to film or an original work written specifically for filming.

3.  A detailed pre-production literary summary or presentation of a film’s story.

4.  The plan or storyline of any narrative.

5.  A minor or secondary plot of a narrative, often running parallel to the development of the main plot or mirroring the main plot.

6.  The where and when of a narrative.

7.  The basic struggle within the plot of the narrative.  vs. Naturevs. Supernatural  vs. Himself vs. Society  vs.  Man

8.  The main of leading character

9.  The character who oppose the protagonist

10.  The principal protagonist of the film who lacks the attributes of a typical hero.

11.  The effects in a narrative that produce a specific mood or impression.

12.  The development of characters in a narrative; a dynamic character undergoes change whereas a static character stays the same.

13.  Scenes at the beginning and end of a film that complement each other and help tie a film together.

14.  The turning point of a narrative, often determining the fate of the protagonist.

15.  A weak or disappointing narrative conclusion.

16.  The final resolution or outcome of the plot.

17.  Meaning “realistic” or “logically existing”. For example, the music that plays on a character’s radio in a scene.

18.  Important background information for the events of a story which set up what’s at stake for the characters.

19.  A hint or indication of things yet to occur in the plot.

20.  The opposite of foreshadowing, a glimpse into the past at some previous event.

21.  The twisting or foiling of narrative expectations.

22.  Qualities in a narrative that evoke feelings of pity and compassion.

23.  A style of art developed principally in the twentieth century consisting of incongruous or jarring imagery.

24.  Alfred Hitchcock’s term for an item, object, goal, event or piece of knowledge that drives the logic or action of the plot.